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Dressed in distinctive green uniforms and classically inspired copper helmets, the Dragoons of the Imperial Guard were raised in 1806 by the same criteria as other Guard units – by selection of picked, literate veterans from Line regiments who had six to ten years of service, and citations for bravery in at least two campaigns. The following year they were named Dragons de l'Impératrice in a unique compliment to the Empress Josephine. As a ceremonial regiment it enjoyed many privileges, but it also saw combat on a number of occasions, including the battles of Essling and Wagram (1809), the Russian campaign (1812, when it suffered severe losses), at Bautzen, Wachau and Leipzig (1813), in the 1814 Campaign of France, and at Ligny and Waterloo (1815).
In a series of wonderful, full-color plates, this superb book conveys the glory of soldiers of a military era surpassing the splendor of any others. 91 illustrations.
The author of Battle for Paris 1815 examines the uniforms and equipment of the infantry of Napoleon’s Imperial Guard. From its origins as the Consular Guard of the French Republic, and as Napoleon’s personal bodyguard, the Imperial Guard developed into a force of all arms numbering almost 100,000 men. Used by Napoleon as his principal tactical reserve, the Guard was engaged only sparingly, being deployed at the crucial moment of battle to turn the tide of victory in favor of the Emperor of the French. Naturally, the Imperial Guard has been the subject of numerous books over many decades, yet there has never been a publication that has investigated the uniforms and equipment of the infantry of the Imperial Guard with such detail and precision. The author has collected copies of almost all the surviving documents relating to the Guard, which includes a vast amount of material regarding the issuing of dress items, in some instances down to company level. This information is supported by an unrivaled collection of illustrations, many of which have never been published before, as well as images of original items of equipment held in museums and private collections across the globe. In addition, the renowned military artist, Keith Rocco, has produced a series of unique paintings commissioned exclusively for this book. This glorious book is, and will remain, unsurpassed as the standard work on the clothing and equipment of the Imperial Guard, and will not only be invaluable to historians, but also reenactors, wargamers and modelers. It is one of the most important publications ever produced on this most famous of military formations.
This book draws on original regimental records to give by far the most detailed account ever published in English of the organization and personalities of the most renowned of the foreign units that served in the Emperor's armies. Unlike most of his foreign troops, these Polish horsemen were true volunteers, who owed their honoured place in his Imperial Guard to their proven courage and dash on battlefields from Spain to Russia. The text is illustrated with rare portraits and photographs, and with detailed colour plates of the Lancers' magnificent uniforms.
A detailed analysis of the organization, uniforms and weapons of the French Imperial Guard created by Napoleon I. The author describes how this large military body evolved from the Consular Guard created by Bonaparte as early as 1799 and how this came to include dozens of different military units belonging to each branch of service (infantry, cavalry, artillery, specialist corps). The Imperial Guard was a 'miniature army' made up of veteran soldiers, who were dressed with the most spectacular and elegant uniforms ever seen on the battlefields of Europe. The Guard also included several 'exotic' non-French units that are also covered in the text: Egyptian Mamelukes, Polish and Lithuanian lancers, Tatar scouts, Dutch grenadiers and lancers. The way in which Napoleon employed the Guard in battle is discussed and also how it differed from the rest of the French Army in terms of military dress and weaponry.
One of the least understood of Napoleon's corps were the four regiments of Gardes d'honneur, raised in 1813 during the frantic rebuilding of the French cavalry after the huge losses in Russia. Recruited from the leading social classes, uniformed and equipped at their own expense, and accompanied by servants to take care of such unpleasant chores as stable duty, these men were promised commissions as officers after a year's service in the ranks. Though spectacularly unready for combat upon their arrival with the army, the Guards of Honour would gain skill and confidence while serving alongside the élite cavalry of the Imperial Guard in the campaigns of Saxony and France, 1813-14, and distinguished themselves in battle at Hanau and Rheims. The story of their organisation, uniforms and service is researched from rare archives and memoirs, and illustrated with portraits, surviving uniform items, and meticulous colour plates.
Napoleon's Imperial Guard was the elite corps of the French Army. The Guard differed from the guard corps of other European sovereigns of the period, in that its function was rather functional than ceremonial, and its expansion was such that it came to represent a considerable portion of France's military establishment. By supplying personnel to other units, it functioned as a training school for the remainder of the army, yet the elite status of the guard did little to protect its soldiers from the rigours of combat in the brutal Napoleonic Wars.
Few military formations have attracted more attention than Napoleon's Imperial Guard, and fewer still have been so extravagantly clothed and accoutred with the finest materials and the brightest colours. On both campaign and parade, the Guard, and especially the cavalry regiments, provided a dazzling display of military grandeur. From the green and gold trappings of the Chasseurs à Cheval, to the multi-coloured Mamelukes, the Guard cavalry was among the most brilliantly dressed formations ever to grace the field of battle. In compiling this magnificent volume, the author has collected copies of almost all the surviving documents relating to the Guard, which includes a vast amount of material regarding the issuing of dress items, even in some instances down to company level. This information is supported by around 100 contemporary prints, many of which have never been published before, as well as images of original items of equipment held in museums and private collections across the globe. In addition, the renown military artist, Keith Rocco has produced a series of unique paintings commissioned exclusively for this book. This glorious book is, and will remain, unsurpassed as the standard work on the clothing and equipment of the Cavalry of the Imperial Guard, and will be eagerly sought by reenactors, wargamers and modellers, and will sit on the book shelves of historians and enthusiasts as one of the most important publications ever produced on this most famous of military formations.
Major Louis Joseph Vionnet's memoirs of Napoleon's disastrous 1812 campaign in Russia are readable, detailed, and full of personal anecdote and vivid glimpses into the life of the nineteenth-century soldier. His account concentrates in particular on the retreat from Moscow, but he was present at all the major actions and followed the entire course of the campaign from the opening moves in July 1812 to being chased through Prussia by bands of Cossacks in early 1813. He was present at the destruction of Smolensk, toured the battlefield of Borodino and witnessed the great fire in Moscow. Vionnet was a major in the Fusiliers-Grenadiers, a regiment of veterans in the Imperial Guard, and his account provides a wonderful insight into the élan, morale and cohesion of this elite fighting force. Jonathan North has translated Vionnet's memoirs for the first time for this English edition. In addition to providing detailed explanatory notes, he quotes from the accounts left by five other soldiers from the same regiment, and these extracts allow the reader to follow the ups and downs of the unit as a whole. Louis Joseph Vionnet, Vicomte de Maringoné, was born in Longueville in 1769, the son of a peasant and a lace maker. He joined the artillery in 1793 and was promoted to captain in the line in 1794. He fought in Italy in 1796, in the line infantry in 1798 and the Guard grenadiers in 1806, and campaigned in Prussia, Poland and Spain. In 1809, he joined the Fusiliers of the Guard, fought again in Spain in 1811 and then, with the rank of major, he took part in the 1812 Russian campaign, which he survived. He retired in the 1830s and died in 1834.