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Classical guitarists---both students and professional performers---require the same high-quality editions that their pianist colleagues have come to expect from Alfred Music. Our Classical Guitar Masterworks Editions continue the Alfred Music tradition of providing carefully edited, beautifully presented music for practice and performance. French guitarist and composer Napoléon Coste's best-loved concert works have been expertly collected here. In this edition, editor and acclaimed classical guitarist Jeffrey McFadden, a leading proponent of Coste's repertoire, looks between the lines to see exactly what the composer intended, ultimately making Coste's intentions explicit and clear for the modern performer. Coste was a great melodist who had full command of the rich harmonic palate of the mid-to-late 19th century. Perhaps most importantly, Coste had a powerful guitaristic intuition and a deep understanding of the guitar fretboard, which he used with great creativity in crafting concert music. This performance edition of Coste's works aims to provide the performer with fully fingered, easy-to-read scores, demonstrating not only how charming these pieces are for audiences but also how enjoyable they are to play for the accomplished guitarist!
"Napoléon Coste was a composer of guitar music in the nineteenth century. He was well known in musical circles of his time, but was later forgotten... He is said to be one of the best composers of that time for the instrument."--back cover.
Today, on the Keys between Key West and the mainland, some forty thousand residents and thousands of visitors fish, swim, sail and dive int he crystal clear waters off a tropical reef; relax in the sun adn cooling trade wind breezes; and sleep in the air-conditioned comfort of their homes and hotel rooms. On these same islands, as short a time as eighty years ago, fewer than three hundred inhabitants tried to eke out a living without benefit of electricity, running water, radios, or telephones. The stories of these hard pioneers and their predecessors, as far back as the Native Americans who lived on the Keys at least one thousand years ago, are told, many for the first time, in this book.
Coste's life and works. Born in 1805 as the son of an officer in the Napoleonic army, Coste went to Delfzijl, Holland with his father as a child of 8. In 1813 the French withdrew from this fortress, passing the Zuiderzee and the Rhine. Later, he would dedicate his Souvenirs to these places. He grew up in Valenciennes, where he already developed musical activities. In December 1828 he settled in Paris and made his career, giving concerts, lessons and composing. He studied harmony and counterpoint with Sor. As a member of the Société académique des Enfants d'Apollon he played in its concerts, most notably in 1843 with his Le Tournoi in the Salle du Conservatoire. He also became a member of the Freemasons lodge and participated in a concert in 1852. He entered his most important works in the Makaroff guitar competition in Brussels in 1856, where he took second prize with Grande Sérénade. Back in Paris he continued his activities but had to take an administrative job in order to support himself. He married his pupil Louise Olive Pauilhé in 1871, after the German invasion. He injured his left shoulder in 1873, just as he had in 1863. Nevertheless he continued to give concerts up to 1880, when he could no longer play due to the extreme cold that winter. A year later he was struck by a 'cerebral congesture'. He died on 14 January 1883 and was buried at the Cimetière de Montmartre. This biography is the retail edition of the narrative part of the English translation of Ari van Vliet's dissertation upon the subject, which is reviewed as such: "...which must be the definitive work on the influential and important French composer." - Classical Guitar, Summer 2016 "... impressive two-volume tome... detailed, heavily illustrated biography, extensive analysis of 45 of his works for solo guitar." - Classical Guitar, Winter 2016 "It is the magisterial modern biography that Napoléon Coste and the guitar have deserved." - Soundboard Scholar, 2017 The CD mentioned in the book is no longer included. It is available as a separate order directly from DGA Editions.
The Suzuki Method of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. Students are taught using the "mother-tongue" approach. Suzuki Guitar School materials include: Guitar Part (Vol. 1-7) * Guitar Accompaniments (Vol. 1) * CD (Vol. 1-4). Suzuki Method Core Materials are available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.
The Classical Guitar Companion is an anthology of guitar exercises, etudes, and pieces organized according to technique or musical texture. Expert author Christopher Berg, a veteran guitar instructor, bring together perspectives as an active performing artist and as a teacher who has trained hundreds of guitarists to encourages students to work based on their own strengths and weaknesses. The book opens with "Learning the Fingerboard", a large section devoted to establishing a thorough knowledge of the guitar fingerboard through a systematic and rigorous study of scales and fingerboard harmony, which will lead to ease and fluency in sight-reading and will reduce the time needed to learn a repertoire piece. The following sections "Scales and Scale Studies", "Repeated Notes", "Slurs", "Harmony", "Arpeggios", "Melody with Accompaniment", "Counterpoint" and "Florid or Virtuoso Studies" each contain text and examples that connect material to fingering practices of composers and practice strategies to open a path to interpretive freedom in performance. The Classical Guitar Companion will serve as a helpful companion for many years of guitar study.
(Book). We proudly present the fifth edition of Maurice J. Summerfield's highly acclaimed ultimate reference book on the classical guitar. This brand new book features all the original biographical entries updated with new photographs where applicable, plus 100 new biographical entries in the players, composers and makers section for a total of over 485. This new edition gives the reader a full and clear picture of the classical guitar's development since the beginning of the nineteenth century. Also included are informative sections on composers, scholars, flamenco guitarists and guitar makers. The book's collection of several hundred photographs is the most complete to be published in one volume. There are extensive listings of the most important classical guitar recordings. The final section, Sources of Supply, guides readers to where they can obtain the books, recordings, music and magazines listed in the book. Without a doubt, this new edition will be the essential work of reference on the subject of classical guitar for years to come! "My sincere congratulations to Maurice Summerfield." Andres Segovia