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NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Allie Marini Batts, Barr Bielinski, Becky Bosshart, Cian Cruise, Chella Courington, Justin Lawrence Daugherty, Stephanie Dickinson, Barbara Westwood Diehl, Alisa Golden, Katy Gunn, Casey Hannan, Katie Jean Shinkle, Chase Holland, D. Seth Horton, Lisa Marie Hunter, Paul Kavanagh, Jacqueline Kharouf, Edan Lepucki, Matthew Mahaney, Laura McCullough, Wendy Merry, Vilaska Nguyen, Meg Pokrass, Jessica Probus, Laurence Ross, Forrest Roth, Woody Skinner, J. David Stevens, Laurie Stone, Vanessa Angelica Villarreal, Andrew Wickenden, Russ Woods, and Jacob Wren.
NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Selena Anderson, Garrett Ashley, Lauren Becker, S.G. Childress, Jasmine Dreame Wagner, Nicolle Elizabeth, Bryce Emley, Kendra Fortmeyer, Gabrielle Lucille Fuentes, Scott Garson, Elisabeth Geier, L.P. Griffith, Elise Hunter, Simon Jacobs, Jason Joyce, Benjamin King, Kenneth Kronenberg, Emily Link, Maxim Loskutoff, Dan Lundin, Sam Martone, Rupprecht Mayer, John A. McDermott, Nicole Miller, John Poch, Alexis Pope, Michelle Reale, C. R. Resetarits, Scott Riley, Matt Sailor, Jared Yates Sexton, Patrick Swaney, Anthony Varallo, Mark Walters, Zack Wentz, A. Werner, and Gregory Zorko.
NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Edgar Omar Avilés, Ken Baumann, Mark Blickley, Randall Brown,Blake Butler, Kim Chinquee, Rebecca Cross, Ryan Dilbert, Jenny Ferguson, Brian Foley, Jeff Foster, David Galef, Katherine Grosjean, Annalynn Hammond, Steve Himmer, Jamie Iredell, Toshiya Kamei, Sean Kilpatrick, J.T. Ledbetter, Kendra Grant Malone, Devin Murphy, Josh Olsen, Anthony Opal, Matthew Savoca, Peter Schwartz, Daniel Spinks, Bob Thurber, James R. Tomlinson, Raymond Uhlir, and Thad DeVassie.
NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Nin Andrews, Matt Bell, Chas Carey,Doug Paul Case, Sarah Eaton, Erika Eckart, Scott Garson, Luke Geddes, Greg Gerke, Nathan Good, Anya Groner, Andrew Kozma, Daniel Lawless, Charles Lennox, Sara Lippmann, Kirsty Logan, Sean Lovelace, Sarah McCartt-Jackson, Shawn Andrew Mitchell, Cheyenne Nimes, Laurie Nye, Carrie Oeding, Michael Palmer, Hannah Pass, Marie Potoczny, Matt Prater, Alissa Riccardelli, Jim Ruland, Nick Sansone, Kathryn Scanlan, Gregory Sherl, Katie Jean Shinkle, Justin Sirois, Eugenia Tsutsumi, and Desmond Kon.
Captain Jayden Cross is set to depart on one final mission as the commander of the HYPERION. His death warrant has been signed - and he will not die alone. But with Sarah McCall's warning still ringing in his ears, the commander of mankind's first interlink cruiser knows that he will face some difficult decisions. Only one thing seems certain in this game of shadows: however Captain Cross decides to act, there will be a terrible price to pay. This is the sixth Volume of Heliosphere 2265. The series is available in e-book (monthly) and print (bi-monthly) editions. It is written by Andreas Suchanek (Sternenfaust, Maddrax, Professor Zamorra) and produced with the support of Arndt Drechsler (cover) and Anja Dyck (interior illustrations).
NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Lauri Anderson,Andrew Bales,Janee Baugher, Lena Bertone, Andrew E. Colarusso, Michael Crane, Jaydn DeWald, Mary Beth Ferda, Hafizah Geter, Amanda Goldblatt, Alina Gregorian, Bryan Grosnick, Bradley Harrison, Annie Hartnett, Ben Merriman, Kristine Heiney, Kelley Irmen, Todd Kaneko, Andrea Kneeland, Molly Laich, Rachel Levy, Paul Lisicky, Michael K. Meyers, Jen Michalski, Adam Moorad, Miguel Morales, Thomas O’Connell, Brian Oliu, Michael Powers, Laurence Pritchard, Adeena Reitberger, Anji Reyner, Lehua M. Taitano, Vallie Lynn Watson, & Brandi Wells.
NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue features works by: Miah Arnold, Kevin Brown, Sabra Embury, Katherine M. Guttman, Ian Grody, Austin Havican, Christopher Higgs, Donora Hillard, J.R. Hundemer, Bill Hutchison, Jamie Iredell, Michael, Jauchen, Joshua Jennings, Paul Kavanagh, Prathna Lor, Sean Lovelace, Josh Maday, Dustin Martins, Yousi Mazpule, Amanda McQuade, Lisa Di Nanno, Sarah Pacha, Sam Pink, Joseph Riippi, Megan Roth, C. Harris Stevens, Ross Tierney, and Steven Wolfe.
An Independent International Monthly Lifestyle Journal from Writers' Kalam
In astonishing and unflinching detail, a noted science journalist explains how Earth's climate will be impacted with every degree of increase in global warming--and what can be done about it now.
In Mondo Nano Colin Milburn takes his readers on a playful expedition through the emerging landscape of nanotechnology, offering a light-hearted yet critical account of our high-tech world of fun and games. This expedition ventures into discussions of the first nanocars, the popular video games Second Life, Crysis, and BioShock, international nanosoccer tournaments, and utopian nano cities. Along the way, Milburn shows how the methods, dispositions, and goals of nanotechnology research converge with video game culture. With an emphasis on play, scientists and gamers alike are building a new world atom by atom, transforming scientific speculations and video game fantasies into reality. Milburn suggests that the closing of the gap between bits and atoms entices scientists, geeks, and gamers to dream of a completely programmable future. Welcome to the wild world of Mondo Nano.