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Rediscover the sensational 1942 bestseller that unveiled the Jazz Age as women lived it As seen in THE NEW YORK TIMES BOOK REVIEW and VANITY FAIR Set in Boston, New York, and Virginia, The Prodigal Women tells the intertwined stories of three young women who come of age in the Roaring Twenties, not flappers and golden girls but flesh-and-blood female protagonists looking wearily—and warily—at the paths open to women in a rapidly changing world. Leda March, “frantic with self-consciousness and envy and desire,” is the daughter of poorer relations of a prominent Boston family and an aspiring poet torn between an impulse to conformity and the pursuit of personal freedom. Betsy Jekyll, newly arrived with her family from Virginia, becomes Leda’s closest childhood friend, bringing a beguiling new warmth and openness into the New Englander’s life. But Betsy soon abandons Boston to land a job at a fashion magazine and enjoy life as a single woman in New York before falling in love with—and marrying—an abusive, controlling man. Betsy’s older sister, Maizie, a Southern belle idolized by the two younger friends and pursued by numerous men, grows tired of “running around” and fatefully looks for happiness in marriage to a turbulent artist. When The Prodigal Women was published in 1942, its uncompromising portrayal of women’s shifting roles, open sexuality, and ambivalence toward motherhood made it a succèss de scandale, spending twenty-three weeks on the New York Times Best Sellers list. Now Library of America restores Nancy Hale’s lost classic to print with a new introduction by Kate Bolick exploring how the novel measures “the gap between what liberation looks like, and what it actually is.”
Fiction. Literary History & Criticism. Edited by Dan Chaon, Norah Hardin Lind, and Phong Nguyen. This third volume in the Pleiades Unsung Masters Series focuses on 1930s and 40s fiction writer Nancy Hale, whose stories helped shape the early identity of The New Yorker. By her death in 1988, Hale had slipped into obscurity, and all but one of her more than 30 books were out of print. Featuring seven of Hale's best stories and essay on her work by Ann Beattie, Debra Brenegan, Trudy Lewis, Anne Freeman, G. Thomas Tanselle, and John Beebe, this books makes the case for Hale's continuing importance to American literature.
Serious repercussions arise in the life of a mousy Virginia matron when her anonymously written novel becomes a best seller.
African American artists Hale Woodruff and Nancy Elizabeth Prophet both worked in Paris before they become colleagues in Atlanta. When Woodruff began teaching drawing and painting at Atlanta University in 1931 he opened a new era of art instruction. After Prophet arrived to teach sculpture in 1934, the art offerings expanded exponentially. By the mid-1930s, the Coordinated Art Program at Atlanta University Center was the place in the southeast for African Americans to study art. This generously illustrated book considers the artists' lives and their impact as teachers and mentors. Hale Woodruff (1900-1980) was born in Cairo, Illinois. After briefly attending the Herron Art School and the Art Institute of Chicago, he took a job at the Senate Avenue YMCA in Indianapolis, where he met some of the leading figures of the time, including W. E. B. DuBois, Charles S. Johnson, Walter White, and Countee Cullen. After winning several prizes for his drawings, he left for Paris in 1927. When he joined the newly formed Atlanta University Center, he viewed teaching as his chance to impart a sense of cultural and social responsibility to his students and encouraged them to portray black experience in America honestly. The annual exhibition he initiated became the most important national exhibition for African American artists. Nancy Elizabeth Prophet (1890-1960) was born and raised in Warwick, Rhode Island, and in 1918 became the first African American to graduate from the Rhode Island School of Design. In 1922 she went to Paris, where she studied under the acclaimed sculptor Victor Joseph Jean Ambrose Segoffin and received the prestigious Otto Kahn and Greenough prizes. She was associated with the New Negro Movement, which called on African American artists to learn from African practitioners and to develop their own cultural style. Her arrival in Atlanta added the three-dimensional component necessary for the Atlanta University Center to initiate a degree-granting program in art. Amalia K. Amakiis the curator of the Paul R. Jones Collection and assistant professor of art and Black American studies at the University of Delaware.Andrea D. Barnwellis the director of the Spelman College Museum of Fine Art, Atlanta.
Essays on the art of writing novels, short stories and poetry.
A young boy, his friends, and their parents discover many things about themselves and each other during a hurricane on the Massachusetts coast.
Law and economics is the leading intellectual movement in law today. This book examines the first great law and economics movement in the early part of the twentieth century through the work of one of its most original thinkers, Robert Hale. Beginning in the 1890s and continuing through the 1930s, progressive academics in law and economics mounted parallel assaults on free-market economic principles. They showed first that "private," unregulated economic relations were in fact determined by a state-imposed regime of property and contract rights. Second, they showed that the particular regime of rights that existed at that time was hard to square with any common-sense notions of social justice. Today, Hale is best known among contemporary legal academics and philosophers for his groundbreaking writings on coercion and consent in market relations. The bulk of his writing, however, consisted of a critique of natural property rights. Taken together, these writings on coercion and property rights offer one of the most profound and elaborated critiques of libertarianism, far outshining the better-known efforts of Richard Ely and John R. Commons. In his writings on public utility regulation, Hale also made important contributions to a theory of just, market-based distribution. This first, full-length study of Hale's work should be of interest to legal, economic, and intellectual historians.
Rediscover the masterful stories of a midcentury artist whose multifaceted portraits of women were generations ahead of her time “A stunning, crystalline collection.” —Vogue Nancy Hale was considered one of the preeminent short story artists of her era, a prolific writer whose long association with The New Yorker rivaled that of her contemporary John Cheever. But few readers today will recognize her name. Acclaimed author Lauren Groff has selected twenty-five of Hale's best stories, presented here in the first career-spanning edition of this astonishingly gifted writer's work. These stories seem ahead of their time in their depiction of women--complicated characters, sometimes fragile, possibly wicked, often remarkable in their apparent ordinariness, from an adolescent girl in Connecticut driven into delirium over her burgeoning sexuality in "Midsummer," to a twenty-something New Yorker experiencing culture shock during a visit to a friend's house in Virginia in "That Woman," to a New England widow in search of alcohol while babysitting her grandson in "Flotsam." Other stories touch on memories of childhood, the intense trauma of electroshock therapy, and the spectre of white supremacy. Haunting, vivid, and subversive in the best sense, Where the Light Falls is nothing less than a major literary rediscovery.
When the neighbor boy, the dog, and Nancy's sister are all sick or injured, Nancy finally gets to play nurse to more than her dolls.
Fans of Susan Mallery, Jill Shalvis, and the Netflix hit series Virgin River will love this unforgettable summer romance about family, friendship, and the magic of finding true love from the USA Today bestselling author of The Summer House! Hallie Flynn's favorite place in the world is her aunt Clara's beautiful beachside house, with its inviting wraparound porch and enchanting views across the sparkling turquoise ocean. For Hallie, going to Firefly Beach, filled with magical childhood memories, feels like coming home. But when her adored aunt passes away, Hallie is left brokenhearted -- until she discovers Aunt Clara's last letter and her final wish. Hallie is astonished to find the bucket list she wrote as a young teenager and reluctant to step away from her adult responsibilities to fulfill her youthful dreams. But to honor her beloved aunt, Hallie agrees to embrace Clara's last words and abandon her predicable schedule for the summer. As she spends sun-filled days at Firefly Beach, Hallie begins to remember the things that matter most to her. Best of all, her childhood friend Ben Murray is there, supporting her every step of the way. But when a run-in with wealthy newcomer Gavin leaves her questioning her future, Hallie is forced to face the truths buried deep in her heart. Can Hallie complete the bucket list and change her life? Or will the secret she's been keeping destroy her new beginning -- and her second chance at love?