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This is the story of my wife Sandi's Mom's family
Nana (Edna) was born in 1888, and Grandpa (Edwin) was born in 1891. Their story starts back in 1861 in Dierdorf, Germany, with their grandparents. Their family generations lived through immigration to America, the Civil War, a new century, World War I, the Great Depression, and World War II. They lived in the midst of major difficulties in their lives. Learning from their parents and grandparents, Edwin and Edna each developed a strong personal faith and a close-knit family and marriage. With God's wisdom, they passed down that legacy to their children and grandchildren and many future generations.
One man's odyssey into the brutal hive of the National Football League As an unsigned free agent who rose through the practice squad to the starting lineup of the Denver Broncos, Nate Jackson took the path of thousands of unknowns before him to carve out a professional football career twice as long as the average player. Through his story recounted here—from scouting combines to preseason cuts to byzantine film studies to glorious touchdown catches—even knowledgeable football fans will glean a new, starkly humanized understanding of the NFL's workweek. Fast-paced, lyrical, dirty, and hilariously unvarnished, Slow Getting Up is an unforgettable look at the real lives of America's best athletes putting their bodies and minds through hell.
In the 1960s and 1970s, the civil rights movement and other national and cultural movements fractured dominant paradigms of American identity and demanded a reformulation of American values and norms. This book borrows the moral, ethical, and political purposes of these movements to show how film, literature, photography, and television news broadcasts construct essentialist myths about race, gender, sexuality, and nation. It also examines how some visual and literary works and public reactions challenge these essentialist myths by exploring racial, sexual, and national anxieties.
Finalist • National Book Critics Circle Award [Biography] New York Times Book Review • 100 Notable Books of 2022 Shortlisted for the Phi Beta Kappa Society's Ralph Waldo Emerson Award Publishers Weekly • 10 Best Books of 2022 Best Books of 2022: NPR, Oprah Daily, Smithsonian, Boston Globe, Chicago Public Library A stunning counternarrative of the legendary abolitionist Grimke sisters that finally reclaims the forgotten Black members of their family. Sarah and Angelina Grimke—the Grimke sisters—are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality. That the Grimke sisters had Black relatives in the first place was a consequence of slavery’s most horrific reality. Sarah and Angelina’s older brother, Henry, was notoriously violent and sadistic, and one of the women he owned, Nancy Weston, bore him three sons: Archibald, Francis, and John. While Greenidge follows the brothers’ trials and exploits in the North, where Archibald and Francis became prominent members of the post–Civil War Black elite, her narrative centers on the Black women of the family, from Weston to Francis’s wife, the brilliant intellectual and reformer Charlotte Forten, to Archibald’s daughter, Angelina Weld Grimke, who channeled the family’s past into pathbreaking modernist literature during the Harlem Renaissance. In a grand saga that spans the eighteenth century to the twentieth and stretches from Charleston to Philadelphia, Boston, and beyond, Greenidge reclaims the Black Grimkes as complex, often conflicted individuals shadowed by their origins. Most strikingly, she indicts the white Grimke sisters for their racial paternalism. They could envision the end of slavery, but they could not imagine Black equality: when their Black nephews did not adhere to the image of the kneeling and eternally grateful slave, they were cruel and relentlessly judgmental—an emblem of the limits of progressive white racial politics. A landmark biography of the most important multiracial American family of the nineteenth century, The Grimkes suggests that just as the Hemingses and Jeffersons personified the racial myths of the founding generation, the Grimkes embodied the legacy—both traumatic and generative—of those myths, which reverberate to this day.
In a bumpy, anxiety-producing plane ride across the Straits of Florida to Cuba in 1979, graduate student Gerald Poyo knew his life would either end that day in the World War II-era prop airplane or change forever. He survived the trip, and his ten-day visit solidified his academic research and confirmed his career as a history professor. In this wide-ranging examination of his relatives’ migrations in the Western Hemisphere—the Americas—over five generations, Poyo uses his training as a historian to unearth his family’s stories. Beginning with his great-great grandfather’s flight from Cuba to Key West in 1869, this is also about the loss of a beloved homeland. His father was Cuban; his mother was from Flint, Michigan. Poyo himself was six months old when his parents took him to Bogotá, Colombia. He celebrated his eighth birthday in New Jersey and his tenth in Venezuela. He was 12 when he landed in Buenos Aires, where he spent his formative years before returning to the United States for college. “My heart belonged to the South, but somehow I knew I could not escape the North,” he writes. Transnationalism shaped his life and identity. Divided into two parts, the first section traces his parents and ancestors as he links their stories to impersonal movements in the world—Spanish colonialism, Cuban nationalism, United States expansionism—that influenced their lives. The second half explores how exile, migration and growing up a “hemispheric American, a borderless American” impacted his own development and stimulated questions about poverty, religion and relations between Latin America and the United States. Ultimately, this thought-provoking memoir unveils the universal desire for a safe, stable life for one’s family.
My Singing Nana is a compassionate tribute to families dealing with Alzheimer's Disease. This story celebrates the ideals of family, heritage, and happy memories, showing kids that no matter how their loved one might change they always have ways to maintain their special connection. “In a context perfect for the understanding of elementary-aged children, award-winning author and acclaimed literary critic Pat Mora sheds light on the everyday experiences of a family member living with dementia. In My Singing Nana Mora eloquently demonstrates that, despite the hefty toll this devastating disease can take, grandchildren and children alike can still enjoy meaningful and heartfelt relationships with those affected.” —San Francisco Book Review
The Irish nana is a repository of family history, memory and lore. Sometimes, like the Italian nonna, she is also a 'walking cookbook', carrying the old knowledge of how things were best done. Alice's own grandmothers, Nana Taylor and Nana Ballyduane, were the first generation after the Great Famine, born in the 1860s. These women taught their families the Irish traditions and habits of homemaking that survived for centuries, and are now almost gone. Now Alice herself is a nana too, and this book takes us through three generations and almost a century and a half. She explores the old and the new, the 'then' and 'now', the nana of yesteryear and of today, with her characteristic empathy and love.
By analyzing how various media told stories about Jewish celebrities and incest, Unsettling illustrates how Jewish community protective politics impacted the representation of white male Jewish masculinity in the 1990s. Chapters on Woody Allen, Roseanne Barr, and Henry Roth demonstrate how media coverage of their respective incest denials (Allen), allegations (Barr), and confessions (Roth) intersect with a history of sexual antisemitism, while an introductory chapter on Jewish second-wave feminist criticism of Sigmund Freud considers how Freud became “white” in these discussions. Unsettling reveals how film, TV, and literature have helped displace once prevalent antisemitic stereotypes onto those who are non-Jewish, nonwhite, and poor. In considering how whiteness functions for an ethnoreligious group with historic vulnerability to incest stereotype as well as contemporary white privilege, Unsettling demonstrates how white Jewish men accused of incest, and even those who defiantly confess it, became improbably sympathetic figures representing supposed white male vulnerability.