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SERIES 1Australia's most feared restaurant critic, Matthew Evans, has thrown in his city life for small farm living in Tasmania.Having spent most of his life writing about what is good food, he now wants to go to the source; to find the best local produce, and to rear and grow it himself.He doesn't know how to chop wood, he knows nothing about growing plants and even less about rearing animals. However, he does know how to eat - how hard can it be?SERIES 2In the return series of Gourmet Farmer, we're in for a surprise. Once a single man trying his hand at farming and experimenting with making artisanal produce, Matthew's now a fully fledged family man with partner, Sadie, and son, Hedley. Matthew must now explore ingenious and inventive ways of expanding his business.
Te Rauparaha is most well known today as the composer of the haka &‘Ka mate', made famous the world over by the All Blacks. A major figure in nineteenth-century history, Te Rauparaha was responsible for rearranging the tribal landscape of a large part of the country after leading his tribe Ngati Toa to migrate to Kapiti Island. He is venerated by his own descendants but reviled with equal passion by the descendants of those tribes who were on the receiving end of his military campaigns in the musket-war era. He Pukapuka Tataku i nga Mahi a Te Rauparaha Nui is a 50,000-word account in te reo Maori of Te Rauparaha's life, written by his son Tamihana Te Rauparaha between 1866 and 1869. A pioneering work of Maori (and, indeed, indigenous) biography, Tamihana's narrative weaves together the oral accounts of his father and other kaumatua to produce an extraordinary record of Te Rauparaha and his rapidly changing world. Edited and translated by Ross Calman, a descendant of Te Rauparaha, He Pukapuka Tataku i nga Mahi a Te Rauparaha Nui makes available for the first time this major work of Maori literature in a parallel Maori/English edition.
Maori oral tradition is the rich, poetic record of the past handed down by voice over generations through whakapapa, whakatauki, korero and waiata. In genealogies and sayings, histories, stories and songs, Maori tell of ‘te ao tawhito' or the old world: the gods, the migration of the Polynesian ancestors from Hawaiki and life here in Aotearoa. A voice from the past, today this remarkable record underpins the speeches, songs and prayers performed on marae and the teaching of tribal genealogies and histories. Indeed, the oral tradition underpins Maori culture itself. This book introduces readers to the distinctive oral style and language of the traditional compositions, acknowledges the skills of the composers of old and explores the meaning of their striking imagery and figurative language. And it shows how nga korero tuku iho – the inherited words – can be a deep well of knowledge about the way of life, wisdom and thinking of the Maori ancestors.
‘Us Maoris used to practice slavery just like them poor Negroes had to endure in America . . .' says Beth Heke in Once Were Warriors. ‘Oh those evil colonials who destroyed Maori culture by ending slavery and cannibalism while increasing the life expectancy,' wrote one sarcastic blogger. So was Maori slavery ‘just like' the experience of Africans in the Americas and were British missionaries or colonial administrators responsible for ending the practice? What was the nature of freedom and unfreedom in Maori society and how did that intersect with the perceptions of British colonists and the anti-slavery movement? A meticulously researched book, Outcasts of the Gods? looks closely at a huge variety of evidence to answer these questions, analyzing bondage and freedom in traditional Maori society; the role of economics and mana in shaping captivity; and how the arrival of colonists and new trade opportunities transformed Maori society and the place of captives within it.
Vols. for 1892-1941 contain the transactions and proceedings of the society.
As we find ourselves in a technological revolution and the computer screen takes over the printed page, the history of the book has become a subject of study throughout the world. This collection of 15 essays looks at at a wide variety of topics from the history of the printed word in New Zealand.
"Māori dictionary with English definitions and Polynesian comparisons"--BIM.
The annotated collection of waiata made by the distinguished Maori leader and scholar Sir Apirana Ngata and previously published in four volumes by the Polynesian Society with English translations of the first three volumes by another great Maori scholar Pei Te Hurinui Jones. This completely redesigned and reset edition, published in association with the Polynesian Society, preserves the integrity of Ngata's text and Jones?s translations and their commentary but modernises the typography by the inclusion of macrons. It also includes a CD of waiata drawn from the Archive of Maori and Pacific Music at the University of Auckland.