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Henry Hart Milman's 'Nala and Damayanti and Other Poems' is a collection of epic poems that delves into themes of love, betrayal, and fate. Written in a classical poetic style reminiscent of Homer and Virgil, Milman weaves a captivating narrative of the doomed love story between Nala and Damayanti, two legendary figures from Indian mythology. The rich symbolism and vivid imagery used in the poems transport the reader to a bygone era, where love and destiny collide in a tumultuous dance. Milman's skillful use of language and meter adds depth and emotion to the characters and events, creating a truly immersive reading experience. 'Nala and Damayanti and Other Poems' is a masterpiece of literary craftsmanship that continues to resonate with readers today.
When travel writer Christopher Stewart arrives at a riverside resort in Kerala, India to meet Koman, Radha's uncle and a famous dancer, he enters a world of masks and repressed emotions. From their first meeting, both Radha and her uncle are drawn to the enigmatic young man with his cello and his incessant questions about the past. The triangle quickly excludes Shyam, Radha's husband, who can only watch helplessly as she embraces Chris with a passion that he has never been able to draw from her. Also playing the role of observer-participant is Koman; his life story, as it unfolds, captures all the nuances and contradictions of the relationships being made—and unmade—in front of his eyes. Booklist calls Mistress "Tempestuously exotic, Nair's intricately woven multicultural and multigenerational saga pulsates with passion and desire."
Tarzan the Magnificent Edgar Rice Burroughs - The bones of a dead man, a black runner still clutching a cleft stick containing a message...Tarzan, mighty man of the forest, finds it and learns of the captivity of a white man and his beautiful daughter. Courageously going to their rescue, Tarzan finds they are in the hands of the Kaji, a mysterious tribe of warrior women who will mate only with white men. Thus begins Tarzan's most fantastic adventure, one that will keep you on the edge of your seat in excitement. Tarzan encounters a lost race with uncanny mental powers, after which he revisits the lost cities of Cathne and Athne, previously encountered in the earlier novel Tarzan and the City of Gold. As usual, he is backed up by Chief Muviro and his faithful Waziri warriors.
Encourages men to allow God to help them complete their spiritual growth through the six stages of manhood, which will better equip them as fathers to initiate their sons into manhood.
Arguably the oldest form of health care, Ayurveda is often referred to as the "Mother of All Healing." Although there has been considerable scientific research done in this area during the last 50 years, the results of that research have not been adequately disseminated. Meeting the need for an authoritative, evidence-based reference, Scientific Basis for Ayurvedic Therapies is the first book to analyze and synthesize current research supporting Ayurvedic medicine. This book reviews the latest scientific information, evaluates the research data, and presents it in an easy to use format. The editor has carefully selected topics based on the availability of scientific studies and the prevalence of a disease. With contributions from experts in their respective fields, topics include Ayurvedic disease management, panchkarma, Ayurvedic bhasmas, the current status of Ayurveda in India, clinical research design, and evaluation of typical clinical trials of certain diseases, to name just a few. While there are many books devoted to Ayurveda, very few have any in-depth basis in scientific studies. This book provides a critical evaluation of literature, clinical trials, and biochemical and pharmacological studies on major Ayurvedic therapies that demonstrates how they are supported by scientific data. Providing a natural bridge from Ayurveda to Western medicine, Scientific Basis for Ayurvedic Therapies facilitates the integration of these therapies by health care providers.
In his passionate, luminous novels, David James Duncan has won the devotion of countless critics and readers, earning comparisons to Harper Lee, Tom Robbins, and J.D. Salinger, to name just a few. Now Duncan distills his remarkable powers of observation into this unique collection of short stories and essays. At the heart of Duncan's tales are characters undergoing the complex and violent process of transformation, with results both painful and wondrous. Equally affecting are his nonfiction reminiscences, the "river teeth" of the title. He likens his memories to the remains of old-growth trees that fall into Northwestern rivers and are sculpted by time and water. These experiences—shaped by his own river of time—are related with the art and grace of a master storyteller. In River Teeth, a uniquely gifted American writer blends two forms, taking us into the rivers of truth and make-believe, and all that lies in between.
Bhagawan Sri Sathya Sai Baba wrote a series of articles under the Vahini series, for Sanathana Sarathi, a monthly magazine being published by Sri Sathya Sai Sadhana Trust, Publications Division, Prasanthi Nilayam. These precious articles are brought out now, under the title “Geeta Vahini”, in this book, for the benefit of readers. This is not a commentary or summary of the divine message that was given by Lord Krishna to Arjuna. It conveys the same message in a simpler form to us, in order to remove our delusion and confer faith and strength on us, so that we may realise our own reality. Bhagawan says, “Drawing on the Divine that is inherent in us is the lesson of Geeta… Arjuna is the jiva and Krishna is the Deva. When both are in contact, impregnable might results… Krishna had to work in and through Arjuna, so that the reign of Dharma (righteousness) is re-established. Arjuna means white, pure, unblemished. Hence, he is the proper instrument.” We too can become proper instruments in restoring Dharma, if we follow the lessons that Bhagawan teaches through this book.