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America in 1968 is in turmoil and the leafy Holloman, Connecticut, suburb of Carew is being silently terrorized by a series of vicious and systematic rapes. When finally one victim finds the courage to speak out and go to the police, the rapist escalates to murder. For Captain Carmine Delmonico, it seems to be a case with no clues.
Now in paperback—the gripping follow-up to Too Many Murders, in which Colleen McCullough pits Captain Carmine Delmonico against a dangerous villain and a difficult case. Once again, Captain Carmine Delmonico and his trusted detectives must restore peace to their small university town. 1968 was that kind of year. Martin Luther King, Jr. and Robert Kennedy were both assassinated, riots raged in Detroit, and Richard Nixon was elected president. Amidst the new era of paranoia, Capt. Carmine Delmonico faces new challenges. Sex and greed dominate two new murder cases. And tension strains Carmine’s ties to colleagues, Desdemona and his elder son. The result will astound and test Delmonico as never before. Since her success with The Thorn Birds, Colleen McCullough has proved whether she’s writing about a Roman emperor, Mr. Darcy, or an American detective, her fans know they can expect an entertaining page-turner and Naked Cruelty is no exception.
The cross of Christ is undeniably central to the Christian faith. But, how can the cruelty and brutality of a two-thousand-year-old Roman cross touch base with a hedonistic world that has been so desensitized towards violence? Within the postmodern setting of a body-obsessed culture, Christianity urgently requires an innovative and stimulating way of understanding the cross and its atoning significance. At the heart of this book is the Naked Christ--an emblem through which the author draws on the rich resources of the Christian tradition in its portrayal of the cross. He explores how the metaphors of nakedness and clothing can encapsulate aspects of atonement and enable them to be understood within a variety of contemporary contexts. The Naked Christ is a useful resource for anyone seeking fresh ways to express what the cross of Christ means to contemporary culture.
Amid the professional challenges of defending a wealthy client accused of murdering his wife and helping a rape victim cope with her trauma, William Riordan is also forced to examine his personal life when his wife demands a divorce.
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Luther’s 95 Theses begin and end with the concept of suffering, and the question of why a benevolent God allows his creations to suffer remains one of the central issues of religious thought. In order to chart the processes by which religious discourse relating to pain and suffering became marginalized during the period from the Renaissance to the end of the seventeenth century, this book examines a number of works on the subject translated into English from (mainly) Spanish and Italian. Through such an investigation, it is possible to see how the translators and editors of such works demonstrate, in their prefaces and comments as well as in their fidelity or otherwise to the original text, an awareness that attitudes in England are different from those in Catholic countries. Furthermore, by comparing these translations with the discourse of native English writers of the period, a number of conclusions can be drawn regarding the ways in which Protestant England moved away from pre-Reformation attitudes of suffering and evolved separately from the Catholic culture which continued to hold sway in the south of Europe. The central conclusion is that once the theological justifications for undergoing, inflicting, or witnessing pain and suffering have been removed, discourses of pain largely cease to have a legitimate context and any kind of fascination with pain comes to seem perverse, if not perverted. The author observes an increasing sense of discomfort throughout the seventeenth century with texts which betray such fascination. Combining elements of theology, literature and history, this book provides a fascinating perspective on one of the key conundrums of early modern religious history.