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Richard Stivers’ concern is with the social construction of evil, that is, with how modern societies, in a partly unconscious way, create evil as a category of the sacred and how symbols, myths, and rituals of evil are related to this. He is interested, moreover, in how modern societies provoke individuals to commit evil actions. This fascinating and stimulating book is the first attempt to work out in detail how the concepts of the sacred, symbol, myth, and ritual form a cultural configuration in modern technological societies, and not just in traditional societies.
Veiling is a globally polarizing issue, a locus for the struggle between Islam and the West and between contemporary and traditional interpretations of Islam. This book examines the vastly misunderstood and multi-layered world of the veil. It explores and analyzes the cultures, politics, and histories of veiling.
`Innes has produced a brilliant, sensitive, articulate statement. It deserves serious study by all those whose practice and commitment is toward an understanding and expression of this century's theatre'. - Choice
In those moments when focus on creative work overrides input from the outside world, we are in a creative trance. This psychologically significant altered state of consciousness is inherent in everyone. It can take the form of daydreams generating scientific or creative ideas, hyperfocus in sports, visualizations that impact entire civilizations, life-changing audience experiences, or meditations for self-transformation that may access states beyond trance, becoming gateways to transcendence. Artist and psychologist Tobi Zausner shows how creative trance not only operates in scientific inventions and works of art in all media, but is also important in creating and recreating the self. Drawing on insights from cognitive neuroscience, clinical psychology and post-materialist psychology, this book investigates the diversity of the creative trance ranging from non-industrial societies to digital urban life, and its presence in people from all backgrounds and abilities. Finally, Zausner investigates the future of trance in our rapidly changing world.
In an analysis that deftly unites feminist criticism, psychoanalysis, and Catholic theology, Kelley Raab explores the symbolic implications of women at the altar, providing rich insight into issues of gender, symbolism, and power.
The present volume reviews and revisits the life and work of Spanish writer, editor, and intellectual Esther Tusquets (1936–2012). The author of some seven novels, three collections of short stories, two books for children, seven volumes of essays and memoirs, and an extensive corpus of journalistic and other short prose texts, Tusquets’s contributions to contemporary Spanish culture and literature are vast and heterogeneous. Most academic scholarship to date has been dedicated to Tusquets’s groundbreaking novelistic trilogy (El mismo mar de todos los veranos [1978], El amor es un juego solitario [1979], Varada tras el último naufragio [1980]) and to her unified short-story collection, Siete miradas en el mismo paisaje (1979). The essays contained in Esther Tusquets: Scholarly Correspondences offer new readings of the author’s canonical fiction and delve into the largely unexplored terrain of her non-fiction. Participating faculty-scholars include Nina L. Molinaro (University of Colorado at Boulder); Maureen Tobin Stanley (University of Minnesota Duluth); Inmaculada Pertusa-Seva (Western Kentucky University); Laura Lonsdale (Queen’s College, University of Oxford); Stacey Dolgin Casado (University of Georgia); Abigail Lee Six (Royal Holloway, University of London); María Elena Soliño (University of Houston); Mayte de Lama (Elon University); Catherine G. Bellver (University of Nevada, Las Vegas); Rosalía Cornejo Parriego (University of Ottawa); Meri Torras Francès (Universitat Autònoma de Barcelona); and Mary S. Vázquez (Davidson College). The volume concludes with a complete bibliography by Tiffany L. Malloy of works by and about Tusquets.
A study linking the novels of Eudora Welty to a tradition of Southern romance writers. Beginning with the Civil War diarists, the author isolates and defines the components of the Southern romance, tracing Welty's adaptation of each component within the novels themselves and revealing a twofold importance: it connects the literature of the Civil War diarists to the work of Eudora Welty in a meaningful way while illuminating her work in the light of a Southern Romance tradition.