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In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of their tour-de-force visual power and technical complexity. Among the complementary subjects explored are questions of art making, art viewing and aesthetics in the famed ancient Nigerian city-state, as well as the attendant risks and danger assumed by artists, patrons and viewers alike in certain forms of subject matter and modes of portrayal, including unique genres of body marking, portraiture, animal symbolism and regalia. This volume celebrates art, history and the shared passion and skill with which the remarkable artists of early Ife sought to define their past for generations of viewers.
A rich and accessible account of Yoruba history, society and culture from the pre-colonial period to the present.
"A comprehensive, almost encyclopedic, introduction to Santeria . . . Cros Sandoval's greatest contribution is in tackling the question of why Santeria's Yoruba cosmology has proven so durable and compelling over time, even as it has been transplanted across an ocean and brought into contact with very different traditions in very different societies than its place of origin."--Kristina Wirtz, Western Michigan University "A broad and deep synthesis of scholarship on Santeria . . . fully recognizes the heterogeneous nature of Afro-Cuban religious belief and successfully explores the origins of that heterogeneity."--Theron Corse, Tennessee State University Cros Sandoval's authoritative introduction to the Afro-Cuban religion called Santeria explores how it emerged and developed in Cuba out of transplanted Yoruba beliefs and continues to spread and adjust to changing times and contexts. Systematically exploring every facet of Santeria's worldview, Sandoval examines how practitioners have adapted received beliefs and practices to reconcile them with new environments, from plantation slavery to exile in the United States. Offering a distinctive perspective based on a lifetime of extensive research and firsthand knowledge, Cros Sandoval illuminates Santeria as a theological system and as a vital, continuously evolving community. The adaptation process that gave birth to Santeria was not the singular result of cultural resistance, she argues, but a successful attempt to find meaning linked to alien religious elements in a way that appealed to a diverse following. Beginning with the transatlantic history of how Yoruba traditions came to Cuba and were established and adapted to Cuban society, Sandoval provides a comprehensive comparison of Yoruba and Cuban mythologies, followed by an overview of how Santeria has continued to diffuse and change in response to new contexts and adherents--with an especially illuminating perspective on Santeria among Cubans in Miami. As a reference work and historical treatment of Santeria, Sandoval's work will appeal to both scholars and nonscholars alike, ranging from anthropologists and students of religion and the African Diaspora to psychologists, social workers, and those curious about or inspired by this remarkably durable and adaptable belief system.
During the slave trade, the Yoruba of southwestern Nigeria who were brought to Cuba were forbidden to practice their religion by their Spanish masters. To protect themselves, the slaves opted for the identification and disguise of the Orishas with some of the Catholic Saints worshipped by the Spaniards, allowing them to worship their deities without fear of punishment. This book presents the major Orishas of Santeria in their syncretic identifications with some of the Catholic Saints.
Presents brief entries describing the gods and goddesses from the mythology and religion of a wide variety of cultures throughout history.
Drawing on extensive research and his own wide travels, Ford vividly retells ancient African myths and tales and brings to light their universal meanings.
Gain a deep understanding of the Orishas from A to Z! You are not alone. The spirits of our ancestors are with you. The ancient Orishas, known for their tremendous powers, will help you on your journey through life. With their Ashe at your disposal, you can command tremendous results and ultimately live a fulfilled life. In this book, secrets and praises of the Orishas are laid bare - waiting for you to read, digest, and apply. You don't have to look far for divine answers. This book will show you how to find your answers with ease. In this book, you will: Learn how the Orishas came to be, starting with the source of all things - Olodumare Discover which Orisha to call upon for specific circumstances Find out how to praise and invoke the presence of the Orishas Learn how to get divine answers for your heart's questions using Diloggun Discover how to interpret the answers you get from Obi and Diloggun And so much more! In the book, you'll find truths about the Orishas and the basic steps you need to take to worship the Orisha of your choice - particularly the major Orishas. One thing is certain, Orisha worship is bound to influence your life significantly, and you can determine the energy (positive or negative) that you draw from them. There's more than meets the eye in this book. So what are you waiting for? Click on the "add to cart" button to get your copy of this book!
The first book on Santer�s holiest divination system, the Diloggun. Explores the lore surrounding this mysterious oracle, the living Bible of one of the world's fastest growing faiths. Examines each family of " odu" and how their actions affect the spiritual development of the individual. An indispensable guide to the mysteries of the orishas.
This book offers an interpretation of Yoruba people’s affective responses to an adult Yoruba male with a ‘deviant’ hairstyle. The work, which views hairstyles as a form of symbolic communicative signal that encodes messages that are perceived and interpreted within a culture, provides an ontological and epistemological interpretation of Yoruba beliefs regarding dreadlocks with real-life illustrations of their treatment of an adult male with what they term irun were (insane person’s hairdo). Based on experiential observations as well as socio-cultural and linguistic analyses, the book explores the dynamism of Yoruba worldview regarding head-hair within contemporary belief systems and discusses some of the factors that assure its continuity. It concludes with a cross-cultural comparison of the perceptions of dreadlocks, especially between Nigerian Yoruba people an d African American Yoruba practitioners.