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Illustrated in full color throughout, this delightful collection puts the riches of world mythology at the fingertips of students and storytellers alike. It is a treaury of favorite and little-known tales from Africa, Asia, Europe, the Americas, Australia, and Oceania, gracefully retold and accompanied by fascinating, detailed information on their historic and cultural backgrounds. The introduction provides an informative overview of mythology, its purpose in world cultures, and myth in contemporary society and popular culture. Mythic themes are defined and the often-misunderstood difference between myth and legend explained. Following this, the main sections of the book are arranged thematically, covering The Creation, Death and Rebirth, Myths of Origins, Myths of the Gods, and Myths of Heroes. Each section begins by comparing its theme cross-culturally, explaining similarities and differences in the mthic narratives. Myths from diverse cultures are then presented, introduced, and retold in a highly readable fashion. A bibliography follows each retelling so readers can find more information on the culture, myth, and deities. Character, geographical, and general indexes round out this volume, and a master bibliography facilitates research. For students, storytellers, or anyone interested in the wealth of world mythology, Mythology: Stories and Themes from Around the World provides answers to common research questions, sources for myths, and stories that will delight, inform, and captivate.
From New York Times bestselling, award-winning creator John Hendrix comes The Mythmakers, a graphic novel biography of two literary lions—C.S. Lewis and J.R.R. Tolkien—following the remarkable story of their friendship and creative fellowship, and how each came to write their masterworks Through narrative and comic panels, Hendrix chronicles Lewis and Tolkien’s near-idyllic childhoods, then moves on to both men’s horrific tour of the trenches of World War I to their first meeting at Oxford in 1929, and then the foreshadowing, action, and aftermath of World War II. He reveals the shared story of their friendship, in all its ups and downs, that gave them confidence to venture beyond academic concerns (fantasy wasn’t considered suitable for adult reading, but the domain of children), shaped major story/theme ideas, and shifted their ideas about the potential of mythology and faith. The Mythmakers also shows the camaraderie and the importance of the social/literary circle of friends called the Inklings, and how the friendship of these two great men fell apart and came together again. Hendrix concludes describing how the writings of C.S. Lewis and J.R.R. Tolkien had re-enchanted the 20th century, after two World Wars. In writing aimed at scholars, adults, and young people, these two tweedy academics altered the course of storytelling and embraced the concept that fantasy writing for an adult audience was an accepted form of literature. The format is similar to The Faithful Spy: prose interspersed with images and narrative comics. The narration is often conversations between a knowledgeable wizard and a comical lion. Through brisk conversation between these two friends, they explain some of the bigger ideas in an approachable and entertaining way. Throughout the story, there are “gateways” that lead readers to the back matter where certain themes, such as how myth/fantasy evolved or the art of world-building, are discussed more fully. This device keeps the main story flowing quickly and smoothly for those readers not interested in the more academic ideas behind the narrative. Among the ideas covered in the narrative and back matter: ‑ Tolkien’s world-building ‑ The “Theology of Creation” linking their faith to their writings ‑ The meaning of real friendship ‑ Notions of modernity and mythology ‑ The value of fantasy ‑ The power of a creative community ‑ An exploration of the different kinds of storytelling in Narnia and The Lord of the Rings, both relying on “the Myth” as a storytelling device, but differing in the use of allegory vs. symbolism ‑ The creative differences of Lewis and Tolkien: the high standards of Tolkien’s fiction and the faster and more immediate approach of Lewis’s ‑ Logos vs. Mythos: Lewis created from images, Tolkien created from language ‑ The mixing of mythologies Also included are an author’s note, endnotes, bibliography and index.
Since the beginning of human history, stories have helped people make sense of their lives and their world. Today, an understanding of storytelling is invaluable as we seek to orient ourselves within a flood of raw information and an unprecedented variety of supposedly true accounts. In Stories Make the World, award-winning screenwriter Stephen Most offers a captivating, refreshingly heartfelt exploration of how documentary filmmakers and other storytellers come to understand their subjects and cast light on the world through their art. Drawing on the author’s decades of experience behind the scenes of television and film documentaries, this is an indispensable account of the principles and paradoxes that attend the quest to represent reality truthfully.
Myths are the timeless expression of the imagination born out of the need to make sense of the universe. Moving across the centuries, they resonate with our deepest feelings about the fragility and grandeur of existence. Mythology is a comprehensive, richly illustrated survey of the mythic imagination in all its forms around the world, from the odysseys, quests and battles of ancient Greece and Rome to the living beliefs of indigenous cultures in the Americas, Africa and Oceania. Looking at each major myth-making culture in turn, this book retells some of the most significant and captivating stories in a lively, contemporary style. Generously illustrated with more than 700 color photographs, Mythology brings you the vibrant stories that echo time and again in our lives.
A dire prophecy is fulfilled when Tahnadra s royal moon is attacked and overthrown by religious extremists. Now a fugitive, Princess Eladria finds herself embroiled in a sinister experiment that threatens to destroy her world and countless others. With the barriers between dimensions rapidly collapsing and her planet in the midst of a bitter war, Eladria must travel to the forbidden land of Drantak, where a dark and ravenous force seeks to unleash its fury on a universe it was long ago banished from. Only Eladria can prevent a universal armageddon, but in order to do so she must confront a shockingly familiar adversary and be willing to make a devastating sacrifice.
A New York Times Editors’ Choice Named a Best New Book of the Year by Harper’s Bazaar Named a Best Book of the Summer by Shondaland, SheReads, The Boston Globe, Harper’s Bazaar, and Reader’s Digest From an acclaimed senior editor at Vanity Fair comes a “laudable” (The New York Times) debut novel about a young journalist who discovers a short story that’s inexplicably about her life—leading to an entanglement with the author’s widow, daughter, and former best friend. Sal Cannon’s life is in shambles. Her relationship is crumbling, and her career in journalism hits a low point after it’s revealed that her profile of a playwright is full of inaccuracies. She’s close to rock-bottom when she reads a short story by Martin Keller: a much older author she met at a literary event years ago. Much to her shock, the story is about her and the moment they met. When Sal learns the story is excerpted from his unpublished novel, she reaches out to the story’s editor—only to learn that Martin is deceased. Desperate to leave her crumbling life behind and to read the manuscript from which the story was excerpted, Sal decides to find Martin’s widow, Moira. Moira has made it clear that she doesn’t want to be contacted. But soon Sal is on a bus to upstate New York, where she slowly but surely inserts herself into Moira’s life. Or is it the other way around? As Sal sifts through Martin’s papers and learns more about Moira, the question of muse and artist arises—again and again. Even more so when Martin’s daughter’s story emerges. Who owns a story? And who is the one left to tell it? The Mythmakers is a nesting doll of a book that grapples with perspective and memory, as well as the batteries between creative ambition and love. It’s a “page-turner” (theSkimm) about the trials and tribulations of finding out who you are, at any stage in your life, and how inspiration might find you in the strangest of places.
A provocative scholar delivers the first book on the new science of storytelling: the latest thinking on why we tell stories and what stories reveal about human nature.
For centuries, authors have used the veil of fiction to cast a critical eye over the wider societal issue, such as Aldous Huxley, Tolkein and Mary Shelley. In an unprecedented collection, AK Pressbring together some of the biggest name in contemporary fiction to illuminate this relationship with a specific focus on anarchist politics. Ranging in scope from serious political discussions to hilarious personal anecdotes, the interviews collected here paint an intimate portrait of the author as a political agent.