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The characters and stories of the numerous gods as they appear in ancient writings are explored in this book of ancient mythology. Through the myths and stories, readers are invited to speculate about how people who lived thousands of years ago perceived the world around them. Myths are presented from the principal ancient cultures that affected the lives of Western people, including Sumeria, Mesopotamia, Persia, ancient Egypt, ancient Greece, and ancient Rome. This book shows how the mythology of the classical world played an essential role in molding the face and nature of the Western world.
In spite of the growing amount of important new work being carried out on uses of myth in particular ancient contexts, their appeal and reception beyond the framework of one culture have rarely been the primary object of enquiry in contemporary debate. Highlighting the fact that ancient societies were linked by their shared use of mythological narratives, Wandering Myths aims to advance our understanding of the mechanisms by which such tales were disseminated cross-culturally and to investigate how they gained local resonances. In order to assess both wider geographic circulations and to explore specific local features and interpretations, a regional approach is adopted, with a particular focus on Anatolia, the Near East and Italy. Contributions are drawn from a range of disciplines, and cross a wide chronological span, but all are interlinked by their engagement with questions focusing on the factors that guided the processes of reception and steered the facets of local interpretation. The Preface and Epilogue evaluate the material in a synoptic way and frame the challenging questions and views expressed in the Introduction.
Inspired by the achievements of the ancient Greeks, the Romans made their city the center of an empire unsurpassed in size and influence for more than a thousand years. Its rich legacy shaped the medieval world and continues to amaze us today. Life, Myth, and Art in Ancient Rome celebrates the many achievements of Roman culture and delves into its fascinating dark side. Romans erected structures so well-built and engineered that they still stand millennia later, yet these same buildings also showcased blood sports as public entertainment. The Romans instituted just government, impartial legal and political institutions, and concepts of citizenship, yet its population included slaves as well as patricians and plebeians, and was often riven by intrigue, superstition, and savagery. This volume is a richly illustrated introduction to a fascinating, at times paradoxical, civilization and its art and architecture, ranging from magnificent temples and aqueducts, to exquisite mosaics and jewelry. Placing the art in its cultural context, the author covers themes that have long inspired the Western imagination, including the rise and fall of emperors, the life and death of the gladiator, the belief in omens and prophecy, and, ultimately, the establishment of Christianity.
For centuries, the epics, legends and myths of Mesopotamia's ancient civilization lay buried under the desert sands, along with great cities like Babylon, Nineveh, Ur, and Ashur, waiting for the day when archaeologists would reveal them to the modern world. These myths represent some of the earliest literature ever found. Peopled with characters like the goddess Ishtar and the warrior-king Gilgamesh, they are filled with universal themes that resonate even today.
Why do spiders hide in dark corners? How did the world come into being? Explore the rich mythologies and legends of the many cultures of the peoples of Africa. Famous Myths and Legends is a beautifully photographed and illustrated 12-volume series designed to narrate the ancient mythologies and inherited stories from the many diverse cultures throughout the world.
An essential visual handbook for anyone interested in Greek myth written by T. H. Carpenter, one of the world’s leading experts on myth in ancient art. The ancient Greeks recorded their mythology on vase paintings, engraved gems, and bronze and stone sculptures, offering depictions that often predate any references to the myths in literature or recount alternative, unfamiliar versions of these tales. In some cases, visual art provides our only evidence of these myths, as there are no surviving accounts in ancient Greek literature of stories such as the Fall of Troy or Theseus and the Minotaur. Art and Myth in Ancient Greece is a comprehensive survey of myth as it appears in Greek art. This classic volume has been updated with text and full-color images of more than three hundred scenes from Greek sculptures, vases, and gems. Aiding in the identification of mythological scenes and explaining chronological developments in style and subject matter, this book is an essential reference for anyone interested in the art, drama, poetry, or religion of ancient Greece.
Myth in the Ancient World provides a complete introduction to this important field of study. It contains a selection of readings from ancient texts and a comprehensive glossary designed for readers meeting the people and places of the ancient world for the first time. The book asks what a myth is and how it differs from other narratives, such as legends and folktales. It also looks at interpretations of meaning in mythology. The focus is on Ancient Greek myth, but Roman reinterpretation of Greek stories and the invention of Roman myth are also discussed. Texts from Egypt, the peoples of Mesopotamia, and the Jewish traditions found in the Bible broaden the context and deepen our understanding of myth. The book examines the relevance of key themes to the cultures in which the myths arose or in which they were adapted and retold. Looking at the reflection of the ancient world through myth helps us to identify important religious, social and political aspects of ancient cultures.
Surely the ancient Greeks would have been baffled to see what we consider their "mythology." Here, Claude Calame mounts a powerful critique of modern-day misconceptions on this front and the lax methodology that has allowed them to prevail. He argues that the Greeks viewed their abundance of narratives not as a single mythology but as an "archaeology." They speculated symbolically on key historical events so that a community of believing citizens could access them efficiently, through ritual means. Central to the book is Calame's rigorous and fruitful analysis of various accounts of the foundation of that most "mythical" of the Greek colonies--Cyrene, in eastern Libya. Calame opens with a magisterial historical survey demonstrating today's misapplication of the terms "myth" and "mythology." Next, he examines the Greeks' symbolic discourse to show that these modern concepts arose much later than commonly believed. Having established this interpretive framework, Calame undertakes a comparative analysis of six accounts of Cyrene's foundation: three by Pindar and one each by Herodotus (in two different versions), Callimachus, and Apollonius of Rhodes. We see how the underlying narrative was shaped in each into a poetically sophisticated, distinctive form by the respective medium, a particular poetical genre, and the specific socio-historical circumstances. Calame concludes by arguing in favor of the Greeks' symbolic approach to the past and by examining the relation of mythos to poetry and music.
Traces the story of how ancient cultures envisioned artificial life, automata, self-moving devices and human enhancements, sharing insights into how the mythologies of the past related to and shaped ancient machine innovations.