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Published in 1923, this is a collection of treatises on mysticism by Isaac of Nineveh. Translated from Bedjan's syriac text with an introduction and registers.
Fairacres Publications 128 In recent decades there has been a notable renewal of interest in St Isaac the Syrian, a seventh-century master of the ascetic life. This selection of short sayings is part of Dr Brock’s work on a fuller, long-neglected manuscript which he is making available to English readers. Each sentence holds the mind steadily in the light of a truth about the spiritual life. St Isaac’s vivid images drawn directly from nature, husbandry and general human experience speak for themselves and draw us to penitence and prayer.
The earliest major Islamic treatise on mystical love, this work reflects a moderate version of the ecstatic mysticism of the Sufi martyr al-Hallaj. Writing around 1000 C.E., the author summarizes the views of lexicographers, belletrists, philosophers, physicians, theologians, and mystics on love, providing much information that would otherwise have been lost. In setting forth his own opinions he relies heavily on erotic poetry with accompanying frame stories from the Umayyad and early Abbasid periods, Sufi biography, the lives of the prophets, and personal information.
Reproduction of the original.
Embark on a spiritual journey through the Middle Ages with this collection of seven mystical treatises. These devotional writings, printed by Henry Pepwell in 1521, provide a deep dive into the religious thought and practices of the time. Edited by Edmund G. Gardner, the treatises explore themes of mysticism, devotion, and the quest for divine knowledge. A treasure trove for historians and those interested in religious studies, this collection offers a window into the spiritual life of medieval Great Britain.
The text of The Brothers Karamazov is removed from English-speaking readers today not only by time but also by linguistic and cultural boundaries. Victor Terras's companion work provides readers with a richer understanding of the Dostoevsky novel as the expression of a philosophy and a work of art. In his introduction, Terras outlines the genesis, main ideas, and structural peculiarities of the novel as well as Dostoevsky's political, philosophical, and aesthetic stance. The detailed commentary takes the reader through the novel, clarifying aspects of Russian life, the novel's sociopolitical background, and a number of polemic issues. Terras identifies and explains hundreds of literary and biblical quotations and allusions. He discusses symbols, recurrent images, and structural stylistic patterns, including those lost in English translation.