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After seeing a mysterious stranger in an abandoned house on Halloween, the members of the Spotlight Club try to learn his identity.
“A whirlwind love affair, a wife who dies under mysterious circumstances, and a string of murder—and ghosts!—all set in a crumbling countryside estate in Provence. This haunting tale is everything you could want in a Gothic mystery that doesn’t also include a heroine named Jane Eyre.” — Redbook Set in the lush countryside of Provence, Deborah Lawrenson’s The Lantern is an atmospheric modern gothic tale of love, suspicion, and murder, in the tradition of Daphne du Maurier's Rebecca. Drawn to a confident and artistic wealthy older man she barely knows, bookish Eve recklessly embarks on a whirlwind affair that soon offers a new life and a new home—Les Genévriers, a charming yet decaying hamlet nestled amid the fragrant lavender fields of Provence. But with autumn’s arrival the days begin to cool—and so, too, does Dom. Though Eve knows he bears the emotional scars of a failed marriage—which he refuses to talk about—his silence arouses suspicion and uncertainty. And, like its owner, Les Genévriers is also changing. Bright, warm rooms have turned cold and uninviting; shadows now fall unexpectedly; and Eve senses a presence moving through the garden. Is it a ghost from the past—or a manifestation of her current troubles with Dom? Can she trust Dom—or could her life truly be in danger? An evocative tale of romantic and psychological suspense, The Lantern masterfully melds past and present, secrets and lies, appearances and disappearances—along with our age-old fear of the dark.
Jane of Lantern HillLucy Maud Montgomery Jane of Lantern Hill is a novel by Canadian author L. M. Montgomery. The book was adapted into a 1990 telefilm, Lantern Hill, by Sullivan Films, the producer of the highly popular Anne of Green Gables television miniseries and the television series Road to Avonlea.Montgomery began formulating an idea on May 11, 1936, began writing on August 21, and wrote the last chapter on February 3, 1937. She finished typing up the manuscript on February 25, as she could not hire a typist to do it for her. This novel was dedicated to "JL", her companion cat.The novel was written at Montgomery's house, "Journey's End"; the environment influenced Montgomery's writing to create a
This work is the only comprehensive guide to sequels in English, with over 84,000 works by 12,500 authors in 17,000 sequences.
“Transported me effortlessly…Haunting, harrowing and heartbreaking, this is a novel that will stay with you.” --Ashley Audrain, New York Times bestselling author of The Push “A ghost story and fantastically gripping psychological investigation rolled into one. It is also a pitch-perfect piece of writing. . . . As with Shirley Jackson’s work or Sarah Waters’s masterpiece Affinity, in Stonex’s hands the unspoken, unexamined, unseen world we can call the supernatural, a world fed by repression and lies, becomes terrifyingly tangible.” --The Guardian (London) Inspired by a haunting true story, a gorgeous and atmospheric novel about the mysterious disappearance of three lighthouse keepers from a remote tower miles from the Cornish coast--and about the wives who were left behind. What strange fate befell these doomed men? The heavy sea whispers their names. Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent. It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear. And the clocks have all stopped at 8:45. Two decades later, the keepers' wives are visited by a writer determined to find the truth about the men's disappearance. Moving between the women's stories and the men's last weeks together in the lighthouse, long-held secrets surface and truths twist into lies as we piece together what happened, why, and who to believe. In her riveting and suspenseful novel, Emma Stonex writes a story of isolation and obsession, of reality and illusion, and of what it takes to keep the light burning when all else is swallowed by dark.
The Spotlight Club detectives discover strange happenings & stage a rescue on a forgotten island in the north woods.
Sir Henry Marquis is the Chief of Criminal Investigation Department of Scotland Yard, who used to be in charge of the English secret service on the frontier of the Shan states, and at the time he was in Asia. Intensely interested in crime solving, Sir Henry is a linking component between the various cases, each presenting him in a new light. In some tales he's an investigator, actively involved in the case, and in some he listens to other's twisting accounts about some strange incident. Table of Contents: The Thing on the Hearth The Reward The Lost Lady The Cambered Foot The Man in the Green Hat The Wrong Sign The Fortune Teller The Hole in the Mahogany Panel The End of the Road The Last Adventure American Horses The Spread Rails The Pumpkin Coach The Yellow Flower Satire of the Sea The House by the Loch Melville Davisson Post (1869-1930) was an American author, born in West Virginia. Post's best-known character is the mystery solving, justice dispensing West Virginian backwoodsman, Uncle Abner. Post also wrote number of stories about Randolph Mason, a brusque New York lawyer who is highly skilled at turning legal loopholes and technicalities to his clients' advantage. Post's other recurring characters include Sir Henry Marquis of Scotland Yard, the French policeman Monsieur Jonquelle and the Virginia lawyer Colonel Braxton.
This volume describes and lists series published for young people from early elementary grades through high school. Fiction series from 1976 through 1990 (and new titles in existing series through 1991) are included, as well as nonfiction series, which are limited to in-print titles only.