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A woman wants to find a wealthy man to marry finds a lot more than she bargains for when she enters the abode of Knowleton Whitney, who, in turn, finds a lot more than he bargained for.
Inspired by the current public fascination with single women, Single Lives traces the relationship between modern and contemporary representations of single women. The original essays collected here analyze a broad range of texts that examine the ways films, cookbooks, archives, popular literature, and other British and American texts express norms, ideals, and challenges for single women and their relationship to dominant ideals of marriage and the family. This volume looks backwards to constellate existing scholarship, constituent fields, and unrecognized single voices and forward to consider new methods for interdisciplinary singles studies.
Good Press presents to you this carefully created volume of "The Complete Works" of F. Scott Fitzgerald. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Stories 1909–17 This Side of Paradise Flappers and Philosophers Stories 1920–25 The Beautiful and Damned Tales of the Jazz Age The Vegetable The Great Gatsby All the Sad Young Men Stories 1926–34 Tender is the Night Taps at Reveille Stories 1935–40 The Love of the Last Tycoon Stories The Pat Hobby Stories Miscellaneous Writings Francis Scott Key Fitzgerald (1896 – 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age, a term he coined. He is widely regarded as one of the greatest American writers of the 20th century.
A COMPANION TO THE AMERICAN SHORT STORY A Companion to the American Short Story traces the development of this versatile literary genre over the past two centuries. Written by leading critics in the field, and edited by two major scholars, it explores a wide range of writers, from Edgar Allen Poe and Edith Wharton, at the end of the nineteenth century to important modern writers such as Ernest Hemingway, William Faulkner, F. Scott Fitzgerald, and Richard Wright. Contributions with a broader focus address groups of multiethnic, Asian, and Jewish writers. Each chapter places the short story into context, focusing on the interaction of cultural forces and aesthetic principles. The Companion takes account of cutting edge approaches to literary studies and contributes to the ongoing redefinition of the American canon, embracing genres such as ghost and detective fiction, cycles of interrelated short fiction, and comic, social and political stories. The volume also reflects the diverse communities that have adopted this literary form and made it their own, featuring entries on a variety of feminist and multicultural traditions. This volume presents an important new consideration of the role of the short story in the literary history of American literature.
F. Scott Fitzgerald is one of the most challenging authors of American literature. He is known internationally as the author of The Great Gatsby (1925), a twentieth-century literary classic studied by high school students and scholars alike. But Fitzgerald was an amazingly productive writer despite numerous personal and professional difficulties. From the beginning of his literary career with the publication of This Side of Paradise in 1920 to his death in 1940, he wrote 5 novels, roughly 180 short stories, numerous essays and reviews, much poetry, several plays, and some film scripts. Even when he wrote hastily and perhaps bleary-eyed, his works almost always exhibit the flashes of his genius. He is celebrated as a symbol of the Jazz Age and the Roaring Twenties, but beneath all the glitter for which his prose is famous, he warns of the dangers of personal recklessness and praises the redemptive power of love. Through hundreds of alphabetically arranged entries, this reference book provides complete coverage of Fitzgerald's life and writings. The volume begins with a chronology that traces his rise from obscurity to fame, his struggles with alcoholism, and his eventual financial downfall. The entries that follow give a full and detailed picture of Fitzgerald and his work. They present the essential action in Fitzgerald's novels, short stories, plays, and poems; identify all named fictional characters and indicate their significance; and give brief biographical information for Fitzgerald's family members, friends, and professional associates. Many of the entries include bibliographies which emphasize criticism published after 1990, and the volume closes with a general bibliography of the most important broad studies of Fitzgerald and his works. A thorough index and extensive cross references provide additional access to the wealth of information in this reference book and help make it a useful tool for a wide range of users.
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
F. Scott Fitzgerald’s second novel, The Beautiful and Damned, has frequently been dismissed as an outlier and curiosity in his oeuvre, a transitional work from the coming-of-age plot of This Side of Paradise to the masterful critique of American aspiration in The Great Gatsby. The Beautiful and Damned belongs to a genre that is widely misunderstood, the “bright young things” novel in which spoiled and wealthy characters succumb to decay because of their privilege and lack of purpose. Set between 1913 and 1922, Fitzgerald’s longest novel touches on many of the decisive issues that mark the passage from the Gilded Age and the Progressive Era into the Jazz Age: conspicuous consumption, income inequality, yellow journalism, the Great War, the rise of the movie industry, automobile travel, Wall Street stock scams, immigration and xenophobia, and the fixation with youth and aging. Published to coincide with the novel’s centennial in 2022, this collection approaches The Beautiful and Damned for its insights more than its faults. Prominent Fitzgerald scholars analyze major themes and reveal unappreciated issues with attention to history, biography, literary influence, gender studies, and narratology. While acknowledging the novel’s shortcomings, the essayists illustrate that The Beautiful and Damned has much more to say about its milieu than previously recognized. This collection provides a guide for understanding Fitzgerald’s aims while demonstrating the richness of ideas that this novel explores, alongside the anxieties and ambitions that reverberate within it.
F. Scott Fitzgerald on Silent Film is the first full-length monograph focusing on the silent movie adaptations of the celebrated author’s work. This ground-breaking book reveals the crucial role that Hollywood played in establishing Fitzgerald’s burgeoning reputation in the 1920s.
By exploring Fitzgerald's fascination with the intertwined spheres of dance, music, theatre and film, this book demonstrates how Fitzgerald innovatively imported practices from other popular cultural media into his short stories, showing how jazz age culture served as more than mere period detail in his work.
This pictorial autobiography of Scott and Zelda Fitzgerald documents two lives that have become legendary. The book draws almost entirely from the scrapbooks and photograph albums that the Fitzgeralds scrupulously kept as their personal record and provides a wealth of illustrative material not previously available. Minnesota; a photograph of the country club in Montgomery, Alabama, where the two met; reviews of This Side of Paradise; poems to the couple from Ring Lardner; snapshots of their trips abroad; Fitzgerald's careful accounting of his earnings; a photograph of the house on Long Island where The Great Gatsby was conceived; postcards with Fitzgerald's drawings for his daughter. These rare photographs and memorabilia combine into a narrative augmented by selections from Scott's and Zelda's own writings, conveying the spirit of particuular moments in their lives.