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The diverse forms of regional connectivity in the ancient world have recently become an important focus for those interested in the deep history of globalisation. This volume represents a significant contribution to this new trend as it engages thematically with a wide range of connectivities in the later prehistory of the Mediterranean, from the later Neolithic of northern Greece to the Levantine Iron Age, and with diverse forms of materiality, from pottery and metal to stone and glass. With theoretical overviews from leading thinkers in prehistoric mobilities, and commentaries from top specialists in neighbouring domains, the volume integrates detailed case studies within a comparative framework. The result is a thorough treatment of many of the key issues of regional interaction and technological diversity facing archaeologists working across diverse places and periods. As this book presents key case studies for human and technological mobility across the eastern Mediterranean in later prehistory, it will be of interest primarily to Mediterranean archaeologists, though also to historians and anthropologists.
Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
The aim of this handbook is to make Mycenaean pottery more accessible to the general reader by presenting a brief description of the different types, placing it against its archaeological and historical background. Mountjoy expands on the illustrations from her 1986 guide Mycenaean Decorated Pottery to include material from different areas of Greece, allowing an examination of the exchange and trade of Mycenean pottery. Particular emphasis is made to the definition of ceramic phases, for although imprecise, changes in pottery style are the best chronological measure for the Aegean Bronze Age.
Excavations on the Koukounaries Hill, Paros, Greece from 1976-1992 revealed a 12th century B.C.E. Mycenaean building, an Iron Age settlement, and an Archaic sanctuary. This volume presents the pottery from five areas inside the building, as well as the pottery from a limited reoccupation after the building's destruction and abandonment.
Here is a vividly written and fully illustrated assessment of the figured decoration on Late Bronze Age vessels from the Greek mainland, Cyprus, and the Aegean islands. It will become a standard source on the Mycenaean imagination. Emily Vermeuele and Vassos Karageorghis describe the hunting scenes, chariots, sphinxes and griffins, bulls and birds, people dancing or fighting, and cult scenes on Mycenaean pottery. They analyze forms and styles, sources and influences, and the development of conventions. They relate what is known about the painters and their workshops, and the overseas trade. A catalogue of the 700 remaining whole and broken examples, now in museums around the world, is appended. Over 950 illustrations provide a comprehensive view of the art. This study tells us much about Bronze Age civilization, and it opens the way to an understanding of the relationship of Greek art to figure drawing in pre-Classical times.
Anthology of essays originally part of the postgraduate courses of professors Moliné y Lura and Gregorio that examine the important role of European academicism design in the conformation of the urban image of the city of Rosario during the late 18th century.
Highlighting one of the Peabody Museum's most important archaeological expeditions—the excavation of the Swarts Ranch Ruin in southwestern New Mexico by Harriet and Burton Cosgrove in the mid-1920s—Steven LeBlanc's book features rare, never-before-published examples of Mimbres painted pottery, considered by many scholars to be the most unique of all the ancient art traditions of North America. Made between A.D. 1000 and 1150, these pottery bowls and jars depict birds, fish, insects, and mammals that the Mimbres encountered in their daily lives, portray mythical beings, and show humans participating in both ritual and everyday activities. LeBlanc traces the origins of the Mimbres people and what became of them, and he explores our present understanding of what the images mean and what scholars have learned about the Mimbres people in the 75 years since the Cosgroves' expedition.
Mycenaean Art: A Psychological Approach