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"Stage to Stage captures Josh's perspective on the notable events that illuminated his extraordinary journey to Broadway. Starting with his Stages album, which featured Broadway classics, the book chronicles the past two + years. Also included are behind the scenes photos and key moments from the making of the Stages Live Television special and the On Stage world tour, culminating in his experiences surrounding his first-ever Broadway performances and his first Tony Nomination."--Publisher
A respected journalist describes the abuse he suffered at the hands of a close family relative, the effect this had on his formative years and how he overcame the anger and self-doubt it left behind.
The book traces the rebirth of Minneapolis's Hennepin Theatre District, as told by the impresario who savedthe Orpheum, State and Pantages Theatres on Hennepin Avenue, spearheaded their restoration, and bookedthe Broadway and live shows which have sustained them for more than forty years.Share Fred Krohn's personal recollections on the amazing shows and legendary artists he has worked with,and which have led to the resurgence of downtown Minneapolis- shows like A CHORUS LINE, JOSEPH ANDTHE AMAZING TECHNICOLOR DREAMCOAT and the World Premiere of THE LION KING, and artists asdiverse as ELLA FITZGERALD, TONY BENNETT, DOLLY PARTON, WAYLON JENNINGS, TINA TURNER,ELTON JOHN, U2, BILLY JOEL, GORDON LIGHTFOOT, and many others.And discover the amazing tales of City intrigue detailing how each of the three theatres was saved from thewrecking ball, restored to its former glory, and brought to life with an impressive array of live shows.And finally, share the backstage tales of how St. Paul's Ordway Theatre attempted to steal the theatres fromKrohn, and how a unique group of investors worked together to craft a long-term financial plan for theirpreservation.
Winner of the Sheridan Morley Prize for theatre biography and Theatre book of the Year, 2010-The Times.
In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.
"Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Londre chronicles the "first golden age" of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I"--Provided by publisher.
 Dancer Robert Barnett trained under legendary choreographer Bronislava Nijinska. His professional ballet career was launched when he joined the Colonel de Basil Original Ballet Russe company. In the late 1940s, when George Balanchine and Lincoln Kirstein formed the New York City Ballet, Barnett was among the first generation of dancers. Under Balanchine's direction, he rose from corps de ballet to soloist. In 1958 he became principal dancer and associate artistic director of the Atlanta Ballet--the oldest continuously operating company in America--and served as artistic director for more than thirty years. He was head coach of the American delegation to the International Ballet Competitions in Varna, Bulgaria, in 1980 and in Moscow in 1981. Barnett's autobiography recounts the life of a dancer and artistic director, offers insight into what is involved in pursuing a professional career in dance and provides a history of ballet in America from the early 1920s through 2019.
The mega-bestselling tale of fiery, spirited Victorian foundling, Hetty Feather. London, 1876. Hetty Feather is just a tiny baby when her mother leaves her at the Foundling Hospital. The Hospital cares for abandoned children - but Hetty must first live with a foster family until she is big enough to go to school. Life in the countryside is sometimes hard, but with her foster brothers, Jem and Gideon, Hetty helps in the fields and plays vivid imaginary games. Together they sneak off to visit the travelling circus, and Hetty is mesmerised by the show - especially the stunning Madame Adeline and her performing horses. But Hetty's happiness is threatened once more when she must return to the Foundling Hospital to begin her education. The new life of awful uniforms and terrible food is a struggle for her, and she desperately misses her beloved Jem. But now she has the chance to find her real mother. Could she really be the wonderful Madame Adeline? Or will Hetty find the truth is even more surprising? Jacqueline Wilson will surprise and delight old fans and new with this utterly original historical novel. The first book featuring feisty Victorian heroine, Hetty Feather, this is a compelling, moving, funny and totally fascinating tale that will thrill and captivate readers.
Beloved stage and screen actor Danny Aiello’s big-hearted memoir reveals a man of passion, integrity, and guts—and lays bare one of the most unlikely success stories ever told. Danny Aiello admits that he backed into his acting career by mistake. That’s easy to see when you begin at the beginning: raised by his loving and fiercely resilient mother in the tenements of Manhattan and the South Bronx, and forever haunted by the death of his infant brother, Danny struggled early on to define who he was and who he could be. It wasn’t until he took to the stage in the wee hours to belt out standards that Danny Aiello found his voice and his purpose: he was born to act. Performing in converted churches and touring companies led to supporting roles in such films as The Godfather: Part II and Moonstruck, and an Oscar nomination for his role as the embattled Salvatore in Spike Lee’s Do the Right Thing. For a guy who had never set foot in an acting class, this was supreme validation for being an outsider who followed his heart. In a raw and real chronicle of his gritty urban past, Danny Aiello looks back with appreciation, amusement, and frank disbelief at his unconventional road to success. He offers candid observations on working with luminary directors Francis Ford Coppola, Woody Allen, and Robert Altman, among others, and a vast roster of actors, including Robert De Niro, Paul Newman, Madonna, Cher, and Lauren Bacall. He opens up about friends he loved, friends he lost, and the professional relationships that weren’t meant to be. Above all, Danny Aiello imparts a life lesson straight out of his own experience to anyone who’s ever felt like an outsider: It’s never too late to become who you want to be, to find happiness and fulfillment, and to embrace the winding road to get there.