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A collection of essays on public topics authored by Pratheek Praveen Kumar
Seventeen-year-old Phil has felt like an outsider as long as he can remember. All Phil has ever known about his father is that he was Number Three on his mother’s long list—third in a series of affairs that have set Phil’s family even further apart from the critical townspeople across the river. As for his own sexuality, Phil doesn’t care what the neighbors will think; he’s just waiting for the right guy to come along. But Phil can’t remain a bystander forever. Not when he’s surrounded by his mother, Glass, who lives by her own rules and urges Phil to be equally strong; his sister, Dianne, who is abrupt and willful, with secrets to share; his uncle Gable, a restless mariner, defined by his scars; his best friend, Kat, who is generous but possessive. And finally, there is distant Nicholas, with whom Phil falls overwhelmingly in love—until he faces the ultimate betrayal and must finally find his worth . . . and place in the world.
In The World as Idea Charles P. Webel presents an intellectual history of one of the most influential concepts known to humanity—that of "the world." Webel traces the development of "the world" through the past, depicting the history of the world as an intellectual construct from its roots in ancient creation myths of the cosmos, to contemporary speculations about multiverses. He simultaneously offers probing analyses and critiques of "the world as idea" from thinkers ranging from Plato, Aristotle, and St. Augustine in the Greco-Roman period to Kant, Schopenhauer, Nietzsche, Wittgenstein, Merleau-Ponty, and Derrida in modern times. While Webel mainly focuses on Occidental philosophical, theological, and cosmological notions of worldhood and worldliness, he also highlights important non-Western equivalents prominent in Islamic and Asian spiritual traditions. This ensures the book is a unique overview of what we all take for granted in our daily existence, but seldom if ever contemplate—the world as the uniquely meaningful environment for our lives in particular and for life on Earth in general. The World as Idea will be of great interest to those interested in the "world as idea," scholars in fields ranging from philosophy and intellectual history to political and social theory, and students studying philosophy, the history of ideas, and humanities courses, both general and specialized.
Your favorite occupation? Pondering and musing. Your idea of happiness? Pondering and musing. Your most extreme aversion? Pedantry and a sense of order. Of what are you afraid? Punctuality. These quotations are from a questionnaire filled in by a young man in his late twenties. That person, Rudolf Steiner, would later initiate Spiritual Science, or Anthroposophy, and the many practical disciplines that arose from it. Eventually, he would write his Autobiography: Chapters in the Course of My Life, although its completion would be interrupted by his unexpected death. This book is an essential complement to Steiner's unfinished Autobiography. It gathers a wealth of personal testimonies--including lectures, r sum s, notebook entries, a questionnaire, as well as biographical notes written for douard Schur --much of which has not been previously published in English. The various materials, together with rare photographs, have been expertly collated and introduced by Walter Kugler. See also the comprehensive biography by Christoph Lindenberg, Rudolf Steiner: A Biography.
In Marlene, the legendary Hollywood icon is vividly brought to life, based on a series of conversations with the star herself and with others who knew her well. In the mid-1970s Charlotte Chandler spoke with Marlene Dietrich in Dietrich’s Paris apartment. The star’s career was all but over, but she agreed to meet because Chandler hadn’t known Dietrich earlier, “when I was young and very beautiful.” Dietrich may have been retired, but her appearance and her celebrity—her famous mystique—were as important to her as ever. Marlene Dietrich’s life is one of the most fabulous in Hollywood history. She began her career in her native Berlin as a model, then a stage and screen actress during the silent era, becoming a star with the international success The Blue Angel. Then, under the watchful eye of the director of that film, her mentor Josef von Sternberg, she came to America and became one of the brightest stars in Hollywood. She made a series of acclaimed pictures—Morocco, Shanghai Express, Blonde Venus, Destry Rides Again, among many others—that propelled her to international stardom. With the outbreak of World War II, the fiercely anti-Nazi Dietrich became an American citizen and entertained Allied troops on the front lines. After the war she embarked on a new career as a stage performer, and with her young music director, the gifted Burt Bacharach—whom Chandler interviewed for the book—Dietrich had an outstanding second career. Dietrich spoke candidly with Chandler about her unconventional private life: although she never divorced her husband, Rudi Sieber, she had numerous well-publicized affairs with his knowledge (and he had a longtime mistress with her approval). By the late 1970s, plagued by accidents, Dietrich had become a virtual recluse in her Paris apartment, communicating with the outside world almost entirely by telephone Marlene Dietrich lived an extraordinary life, and Marlene relies extensively on the star’s own words to reveal how intriguing and fascinating that life really was.
In the autumn of 1960, twenty-year-old humanities student Pamela McCorduck encountered both the fringe science of early artificial intelligence, and C. P. Snow's Two Cultures lecture on the chasm between the sciences and the humanities. Each encounter shaped her life. Decades later her lifelong intuition was realized: AI and the humanities are profoundly connected. During that time, she wrote the first modern history of artificial intelligence, Machines Who Think, and spent much time pulling on the sleeves of public intellectuals, trying in futility to suggest that artificial intelligence could be important. Memoir, social history, group biography of the founding fathers of AI, This Could Be Important follows the personal story of one AI spectator, from her early enthusiasms to her mature, more nuanced observations of the field.
The migration experiences, career paths, and scholarship of historians born in Germany who started emigrating to North America in the 1950s have had a unique impact on the transatlantic practice of Central European History. German Migrant Historians in North America analyzes the experiences of this postwar group of scholars, and asks what informed their education and career choices, and what motivated them to emigrate to North America. The contributors reflect on how these migration experiences informed their own research and teaching, and particularly discuss the more general development of the transatlantic exchange between German and American historians in the scholarship on Modern Central European History.
Notes from the Valley of Slaughter is an eyewitness journal and diary of the Holocaust, written in the ghetto of Šiauliai, Lithuania, by Dr. Aharon Pick (1872–1944). A physician, scholar, and community leader, Pick was a keen observer of the hardships of ghetto life, and his journal represents a detailed account of the tragic events he witnessed as well as a sensitive, almost poetic personal testament. Pick's journal covers the tumultuous late 1930s, the 1940–41 Soviet occupation of Lithuania, and the catastrophic German invasion and occupation, during which more than 90 percent of Lithuania's Jews were murdered. Pick was among a handful of Šiauliai Jewish physicians spared execution and allowed to work for the occupiers. Although Pick succumbed to illness in spring 1944, shortly before the ghetto was liquidated, his son Tedik buried the manuscript before fleeing the ghetto, retrieved it after liberation, and carried it with him to Israel. Notes from the Valley of Slaughter is one of only a handful of diaries to survive the annihilation of Lithuanian Jewry. Translated for the first time into English and extensively annotated, it conveys Pick's voice to a wider international audience for the first time.
This book explores both theoretical and practical issues of language use in a migration context, using data from a German urban immigrant community in Canada. Through this transcontinental perspective, the book makes a new contribution to the literature on both language and identity and language and globalization.