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A girl whose father is a fisherman worries about him getting home safely, so she builds her own lighthouse to guide him back.
Equal parts personal memoir and literary history, Jazmina Barrera's "collection" of lighthouses explores the allure of loneliness and asks how we use it to create meaning
A cloth bag containing ten copies of the title.
Pandora the cat becomes a lighthouse keeper and saves the life of Seabold the dog, and together the two of them create a family with three young mice rescued from the sea.
Lighthouses hold a perennial fascination for all sorts of people--an indicator of danger, a beacon of the sea, filled with history and romance, and a magnet for coastal walkers, holiday makers, and tourists. This book is a beautifully presented panorama of over 150 lighthouses from 56 countries around the world, all of which are accessible, and many of which can be visited. From lighthouses boldly beaming their lights from clifftops, to those clinging to the edge of cliff faces, this is a spectacular and unusual celebration of lighthouses from every continent. With details of their height, year of build, history, and accessibility to visitors, this is both a practical as well as an aspirational collection which will inspire and enthrall anyone who is drawn by the romance of the iconic lighthouse. This is a wonderful gift book in original packaging and a novel format which is just perfect for presenting lighthouses in all their glory.
From The New York Times bestselling author of The Girl Who Came Home comes a historical novel inspired by true events, and the extraordinary female lighthouse keepers of the past two hundred years. “They call me a heroine, but I am not deserving of such accolades. I am just an ordinary young woman who did her duty.” 1838: Northumberland, England. Longstone Lighthouse on the Farne Islands has been Grace Darling’s home for all of her twenty-two years. When she and her father rescue shipwreck survivors in a furious storm, Grace becomes celebrated throughout England, the subject of poems, ballads, and plays. But far more precious than her unsought fame is the friendship that develops between Grace and a visiting artist. Just as George Emmerson captures Grace with his brushes, she in turn captures his heart. 1938: Newport, Rhode Island. Nineteen-years-old and pregnant, Matilda Emmerson has been sent away from Ireland in disgrace. She is to stay with Harriet, a reclusive relative and assistant lighthouse keeper, until her baby is born. A discarded, half-finished portrait opens a window into Matilda’s family history. As a deadly hurricane approaches, two women, living a century apart, will be linked forever by their instinctive acts of courage and love.
A beautiful memoir from John Cook, one of Tasmania's last kerosene lighthouse keepers. A story about madness and wilderness, shining a light onto the vicissitudes of love and nature. In Tasmania, John Cook is known as: 'The Keeper of the Flame'. John's renowned as one of the last of the "kerosene keepers": he spent a good part of his 26-year career in Tasmanian lighthouses tending kerosene, not electrical, lamps. He joined the lighthouse service in 1969, after a spell in the merchant marine. Far from reviling work on isolated islands such as Tasman and Maatsuyker, Australia's southernmost lighthouse, he discovered that he loved the solitude and delighted in the sense of purpose that light keeping gave him. He did two stints on Tasman, in 1969-71 and 1977, and was the head keeper on Maatsuyker for eight years. Tasman's kerosene light was a pressure lamp fuelled by two big bottles that had to be pumped up to 75 pounds per square inch (about 516 kilopascals): "It was the equivalent of pumping up a tyre every 20 minutes," John says. "Then you had to wind up the weights - they went down the tower and turned the prism around like a big clockwork. If the weights went all the way to the bottom, the light would stop. "The main thing was that 365 nights of the year you sat in that tower, 100 feet up, and you had to stay awake," John says of Tasman. "If you fell asleep the light would stop and then you were in trouble." Keepers took watches around the clock, in a system similar to that on a ship. Day watches weren't a chance to slack off: standing orders required the watchkeeper to look seawards at least every half-hour and to log sightings of any vessels, and their course, in the area. "But the main thing was there was always maintenance to do," John says. "Because Mother Nature was your boss. She'd blow gutters off, that sort of thing - she was always stickin' her bib in, and you were repairin' it." Tasman keepers also ran a herd of up to 500 sheep. They didn't have a freezer, so they'd kill and dress a sheep every fortnight. John supplemented his bulk stores, delivered every three months by the lighthouse supply vessel, with extras brought on the bi-monthly mail boat, and by keeping chooks, ducks and turkeys. "I never ran out of things to do," he says. "In my free time I used to do correspondence courses - I did navigation, diesel mechanics, business management and accounting." In 1977, keepers left the Tasman quarters forever. "I've got such strong memories of those places with people in them, and kids' voices rattlin' around," John says. "It breaks my heart to think about those places sittin' out there empty with no lights on."
A Toronto Star bestseller * A Globe and Mail bestseller * A New York Post "must-read" book The Light Between Oceans meets The Language of Flowers in this beautiful debut novel by an acclaimed Canadian children’s author. Elizabeth's eyes have failed. She can no longer read the books she loves or see the paintings that move her spirit, but her mind remains sharp and music fills the vacancy left by her blindness as she ruminates on the secrets in her family's past. When her late father's journals are discovered on a shipwrecked boat, she enlists the help of a delinquent teenager, Morgan, who is completing community service at the senior home where Elizabeth lives. An unlikely relationship develops between the two as they work to decipher the books and are drawn into the musty words he penned more than seventy years before as he manned the lighthouse on Porphyry Island. In the process they come to realize that they are both connected to the isolated island, their lives touched by Elizabeth's enigmatic twin sister Emily and the beautiful but harsh Lake Superior environment. While the discovery of Morgan's connection sheds light onto her own family mysteries, the faded pages of the journals hold more questions than answers for Elizabeth, and threaten the very core of who she is. Combining an emotional story of human connection with a mystery spanning decades, this tale of family, identity, and art will captivate and resonate with readers.
A tale of feline adventure told by the irrepressible Mrs. Moore who recounts the pleasures and perils of life at sea.
Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New York--from experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life. McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs--believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate. A mirror of manners, the book is also a meditation on the languages--rich, ludicrous, exact, and also American--in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.