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In the tradition of the Paris Review, The Notebooks is an exciting collection of original short fiction and in-depth interviews from Canada’s most celebrated and innovative young writers. A provocative examination of the writer’s life in the twenty-first century, The Notebooks charts a new direction in Canadian literature. It brings together a unique collection of accomplished fiction, ranging from the classic storytelling of Michael Redhill to the more experimental style of Lynn Crosbie. In his keenly observed story “Seratonin,” Russell Smith captures the sensuous pleasures and dizzying energy of the rave scene. “Big Trash Day,” a hybrid of fiction and poetry by Esta Spalding, is a devastating commentary on poverty and a striking portrait of the shorthand that develops within intimate relationships. In a sample from a novel-in-progress, Yann Martel shares the process through which rough sketches become realized characters, and disparate moments become fleshed-out scenes. The interviews, remarkable for their honesty and insight, bring us into the writer’s world, revealing the passion and inspiration that motivates these young writers, as well as the hardships they endure in pursuit of their art. By asking thoughtful and probing questions, Michelle Berry and Natalee Caple elicit frank and intriguing details of how writers work, structure their days, and order their physical space to facilitate the act of writing. Many of the authors here explore the impact of technological innovation and mass culture on contemporary fiction, as well as the influence of various art forms on the way they imagine stories. The writers in The Notebooks speak candidly about their political engagement, their passion for writing, and their desire to produce art that will last. Contributors: Catherine Bush, Eliza Clark, Lynn Coady, Lynn Crosbie, Steven Heighton, Yann Martel, Derek McCormack, Hal Niedzviecki, Andrew Pyper, Michael Redhill, Eden Robinson, Russell Smith, Esta Spalding, Michael Turner, R.M. Vaughan, Michael Winter, Marnie Woodrow "These seventeen writers come from different backgrounds, different parts of the country, have different lifestyles, and write very different kinds of fiction, yet the connections between them are still plentiful. As a group they are highly engaged with the world around them, politically sophisticated, intelligent, modest about their potential success, and passionate about the act of writing. We hope that The Notebooks inspires an ongoing discussion with young writers at work and answers some of the silent questions that readers have longed to ask." -- From the Introduction
The Pulitzer Prize and National Book Award-winning author of House and the editor of Atlantic Monthly share stories from their literary friendship and respective careers, offering insight into writing principles and mechanics that they have identified as elementary to quality prose.
Tap into your inner writer with this book of practical advice by the bestselling author of How Writers Work and the ALA Notable Book Fig Pudding. Writers are just like everyone else—except for one big difference. Most people go through life experiencing daily thoughts and feelings, noticing and observing the world around them. But writers record these thoughts and observations. They react. And they need a special place to record those reactions. Perfect for classrooms, A Writer’s Notebook gives budding writers a place to keep track of all the little things they notice every day. Young writers will love these useful tips for how to use notes and jottings to create stories and poems of their own.
The author of The Arab of the Future chronicles the hilarious and heartbreaking true life of a young girl growing up in Paris. "Funny, well-observed...contains immense daring and depth...Sattouf has drawn a portrait of a generation." —Observer, "Graphic Novel of the Month" Once a week for three years, the comic book artist Riad Sattouf had a chat with his friend’s outgoing young daughter, Esther, in which she told him about her family, her school, her friends, her hopes, her dreams, and her fears. After each meeting, he would create a one-page comic strip based on what she had said. Esther’s Notebooks gathers 156 of those strips, spanning Esther’s life from ages nine through twelve, giving us a delightful look into the daily dramas of this thoughtful, intelligent, and high-spirited girl. As The Guardian noted: “Each page of Esther’s Notebooks is self-contained—there’s usually a neat punchline—but read them all, and you come to see that Sattouf has drawn a portrait of a generation: their hopes, dreams and cultural references; the way that their personalities, backgrounds—many of the children portrayed have parents who are immigrants—and preconceived ideas about sexuality begin to play out even before they’ve begun secondary school. The result is a bit like a cartoon version of Michael Apted’s landmark TV series, Up. These funny, well-observed comics are fantastically daring.”
"Fugard registers and captures the keen images that are the very stuff of vibrant theatre."--Time
Status Quo were one of the most successful, influential and innovative bands of the 1970s. During the first half of the decade, they wrote, recorded and performed a stream of inventive and highly complex rock compositions, developed 12 bar forms and techniques in new and fascinating ways, and affected important musical and cultural trends. But, despite global success on stage and in the charts, they were maligned by the UK music press, who often referred to them as lamebrained three-chord wonders, and shunned by the superstar Disk Jockeys of the era, who refused to promote their music. As a result, Status Quo remain one of the most misunderstood and underrated bands in the history of popular music. Cope redresses that misconception through a detailed study of the band’s music and live performances, related musical and cultural subtopics and interviews with key band members. The band is reinstated as a serious, artistic and creative phenomenon of the 1970s scene and shown to be vital contributors to the evolution of rock.
Do you sometimes wish you could hit the “pause” button on your busy life? Are you frequently frustrated at the end of the day by all you have yet to do? Are you tired of living for the weekend and ready to start living now? If you answered yes to one or more of these questions, then you need this book. This book is a treasure trove of immediately applicable strategies for finding balance in the midst of life’s kaleidoscopic changes. Rather than prescribing a particular path or offering a one-size-fits-all model, this book offers a flexible process, adaptable to your particular style, situation, and season. If you are discouraged by the stacks of books you intend to read but never get to, there’s no need to feel daunted by this one. After a beginning balancing process, the book is divided, by season, into collections of short, stand-alone readings which draw wisdom from everyday experiences. Prepare to smile, squirm, laugh, and get misty-eyed, as you undoubtedly recognize yourself in these pages. Balance-seekers will benefit from: o innovative tools such as Stepping Stones TM o engaging inquiries that invite action o motivating stories o introspective exercises o practical tips and techniques Accept the invitation to Balance with Grace and embark on a journey to greater joy and fulfillment in every season.
This practical book offers a comprehensive approach to teaching literacy that puts students at the centre of the learning process.
Coleridge was one of the Romantic Age's most enigmatic figures and author of some of the most famous poems in the English language. He confided his thoughts and emotions to his notebooks, a selection of which are presented in this text.
2018 ALA Book Club October Pick, Things that Go Bump: Paranormal Mysteries David Randall's perfect family life came derailed when his little daughter Lindsey died in a car crash. Thrown out by his second wife and wanting to leave a dead-end detective agency to start his own, he reluctantly accepts his psychic friend Camden's invitation to stay in Camden's boarding house in Parkland, North Carolina. Meanwhile, working the case of the murder of Albert Bennett, Randall's only clue is a notebook filled with odd musical notation. When another client, Melanie Gentry, hires him to prove her great-grandmother was murdered by her lover, composer John Burrows Ashford, over authorship of "Patchwork Melodies," Randall sets out to find a connection to Bennett's murder, as well as to the murder of a Smithsonian director, who was preparing a new PBS documentary on early American music. Randall's investigations lead him to another notebook, where he finds not only "Two Hearts Singing," Ashford's most famous song, but a valuable early copy of Stephen Foster's "Oh! Susanna," hidden in the cover. But things become more complicated when Ashford's spirit parks itself in Cam...and refuses to leave until Randall proves Ashford's innocence.