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From the author of The Covenant of Water and New York Times bestseller Cutting for Stone: a story of medicine in the American heartland, and confronting one's deepest prejudices and fears. “Remarkable.... An account of the [AIDS] plague years in America. Beautifully written…by a doctor who was changed and shaped by his patients.” —The New York Times Book Review Nestled in the Smoky Mountains of eastern Tennessee, the town of Johnson City had always seemed exempt from the anxieties of modern American life. But when the local hospital treated its first AIDS patient, a crisis that had once seemed an “urban problem” had arrived in the town to stay. Working in Johnson City was Abraham Verghese, a young Indian doctor specializing in infectious diseases. Dr. Verghese became by necessity the local AIDS expert, soon besieged by a shocking number of male and female patients whose stories came to occupy his mind, and even take over his life. Verghese brought a singular perspective to Johnson City: as a doctor unique in his abilities; as an outsider who could talk to people suspicious of local practitioners; above all, as a writer of grace and compassion who saw that what was happening in this conservative community was both a medical and a spiritual emergency.
When in the course of childhood events, it becomes necessary for one (small) person to create a separate and equal hiding spot to which the laws of growing up entitle them, the truth will be self-evident: they should declare their very own country! Full of tongue-in-cheek instructions— Make your own flag.Your own currency.Your own laws. —this picture book offers a hilarious lesson in junior civics that shows every budding future-president exactly how he or she can create a very special place all their own.
A moving and unsettling exploration of a young man's formative years in a country still struggling with its past As a Jew in postwar Germany, Yascha Mounk felt like a foreigner in his own country. When he mentioned that he is Jewish, some made anti-Semitic jokes or talked about the superiority of the Aryan race. Others, sincerely hoping to atone for the country's past, fawned over him with a forced friendliness he found just as alienating. Vivid and fascinating, Stranger in My Own Country traces the contours of Jewish life in a country still struggling with the legacy of the Third Reich and portrays those who, inevitably, continue to live in its shadow. Marshaling an extraordinary range of material into a lively narrative, Mounk surveys his countrymen's responses to "the Jewish question." Examining history, the story of his family, and his own childhood, he shows that anti-Semitism and far-right extremism have long coexisted with self-conscious philo-Semitism in postwar Germany. But of late a new kind of resentment against Jews has come out in the open. Unnoticed by much of the outside world, the desire for a "finish line" that would spell a definitive end to the country's obsession with the past is feeding an emphasis on German victimhood. Mounk shows how, from the government's pursuit of a less "apologetic" foreign policy to the way the country's idea of the Volk makes life difficult for its immigrant communities, a troubled nationalism is shaping Germany's future.
This book teaches readers the basics of building a nation and highlights events that have shaped countries throughout history.
LONGLISTED FOR THE NATIONAL BOOK AWARD “Nothing short of magic.” —Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa’s “30 Under 30” list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flower its sweetness garlands made for pretty girls i imagine her yasmeen bright & alive & i ache to have been born her instead Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen—the name her parents meant to give her at birth—Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.
The 1971 East Pakistan tragedy was not just a failure of the military but also a collapse of civil society in the West Wing. The few voices raised against the military action were too feeble to make the army change its course, a course that lead to military defeat and the break-up of the country. At the time, the author was GOC 14 Division in East Pakistan. Apart from his direct narration of the events, his portrayal of the major dramatis personae, such as Field Marshal Ayub Khan, General Yahya Khan, Lt. Gen. Tikka Khan and Lt. Gen. A.A.K. Niazi, are insightful. A necessary text that demands scrutiny from all interested in the course of Pakistan's history.
On a November night in 1984, Susan Rosenberg sat in the passenger seat of a U-Haul as it swerved along the New Jersey Turnpike. At the wheel was a fellow political activist. In the back were 740 pounds of dynamite and assorted guns. That night I still believed with all my heart that what Che Guevara had said about revolutionaries being motivated by love was true. I also believed that our government ruled the world by force and that it was necessary to oppose it with force. Raised on New York City's Upper West Side, Rosenberg had been politically active since high school, involved in the black liberation movement and protesting repressive U.S. policies around the world and here at home. At twenty-nine, she was on the FBI's Most Wanted list. While unloading the U-Haul at a storage facility, Rosenberg was arrested and sentenced to an unprecedented 58 years for possession of weapons and explosives. I could not see the long distance I had traveled from my commitment to justice and equality to stockpiling guns and dynamite. Seeing that would take years. Rosenberg served sixteen years in some of the worst maximum-security prisons in the United States before being pardoned by President Clinton as he left office in 2001. Now, in a story that is both a powerful memoir and a profound indictment of the U.S. prison system, Rosenberg recounts her journey from the impassioned idealism of the 1960s to life as a political prisoner in her own country, subjected to dehumanizing treatment, yet touched by moments of grace and solidarity. Candid and eloquent, An American Radical reveals the woman behind the controversy--and reflects America's turbulent coming-of-age over the past half century.
Marion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon. Orphaned by their mother’s death and their father’s disappearance and bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution. Moving from Addis Ababa to New York City and back again, Cutting for Stone is an unforgettable story of love and betrayal, medicine and ordinary miracles—and two brothers whose fates are forever intertwined.
“I lived the same life as everyone else, the life of ordinary people, the masses.” Sitting in a prison cell in the autumn of 1944, the German author Hans Fallada sums up his life under the National Socialist dictatorship, the time of “inward emigration”. Under conditions of close confinement, in constant fear of discovery, he writes himself free from the nightmare of the Nazi years. He records his thoughts about spying and denunciation, about the threat to his livelihood and his literary work and about the fate of many friends and contemporaries. The confessional mode did not come naturally to Fallada, but in the mental and emotional distress of 1944, self-reflection became a survival strategy. Fallada’s frank and sometimes provocative memoirs were thought for many years to have been lost. They are published here for the first time.