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A bohemian and an iconoclast, the figure of Saadat Hasan Manto looms large over the literature of the Indian subcontinent. We know of his stories on the horrors of Partition and the struggles of prostitutes. But neither Partition nor prostitution gave birth to the genius of Manto. They only furnished him with an occasion to reveal the truth of the human condition. My Name Is Radha is a path-breaking edition of stories which delves deep into Manto’s creative world, and refreshingly brings into focus Manto the writer rather than Manto the commentator. Muhammad Umar Memon’s inspired selection of Manto’s best-known stories along with those less talked about, and his precise and elegant translation showcase an astonishing writer being true to his calling. ‘The undisputed master of the modern Indian short story’ Salman Rushdie ‘An errant genius’ The Hindu
Radha and Krishna have been worshipped as a couple for so many ages. Despite this, why is Rãdhã not listed as one of Krishna’s 16,000 wives? There are many unasked and unanswered questions about the relationship of Rãdhã and Krishna. Due to many myths and folklore, the divine relationship is mistaken as unethical. Rãdhã is said to have been married to Rayan. At the same time, there are numerous stories of Krishna’s and her amorous pastime in the isolated woods of the Vrindavan. It is also said that once Krishna left Vrindavan, he didn’t turn back to Rãdhã. Are all these the partial truths, are they facts or just white lies? My Affair with Rãdhã is a book that unfolds many untold stories about Rãdhã and Krishna—stories beyond their birth, about their passionate love and love-making, about the reason behind their incarnation and separation, stories about their reunion and return from planet Earth. It is an attempt to glorify the divine love.
She is referred to as the mysterious Radha! Some people do not believe she ever existed. Others believe she was an adulteress. The truth is that Radha was a soul that lacked self-love. However, her love for Sri Krishna was boundless and unconditional. In this contemporary 21st century story about Radha’s reincarnation, you will learn how her consciousness contrived a plan to give Sri Krishna the Shakti he needed from her while simultaneously breaking her heart. She even chose for him to never speak to her until she had become enlightened herself. She thought nothing of her own self-preservation or the great suffering she would inevitably endure. The questions that remain to be answered are: Will Radha be able to heal from such a traumatic experience? Will she be able to forgive Sri Krishna for breaking her heart? And finally, will she eventually be able to merge with Krishna as they had originally planned? Read Radha’s story to find the answers disclosed within. -- “Written through the framework of choosing the journey of our lives on the path to enlightenment, the author forces us to consider what we have chosen to endure and why. Beautifully written through the eyes of a reincarnation story and the suffering of the soul on its way to salvation and becoming a goddess. This precious story of spiritual mates on their evolutionary journey reminds us of our mortality and declares that our life journey is a special, and personal, experience meant for spiritual growth. Inspired by traditional beliefs, we rediscover, or uncover for the first time, that we choose our suffering, which ultimately helps us advance as humans and have purpose during our cycles of life on Earth.” - Kat Lahr Writer, Researcher, Educator Southern New Hampshire University
Who was Radha, and why has she captured the imagination of so many writers across centuries? No other goddess combines the elements of bhakti and shringara quite as exquisitely as the divine milkmaid. She spans a vivid rainbow of imagery-from the playfulness of the Ras Lila to the soulfulness of her undying love, from the mystic allure of her depictions in poetry, art and sculpture to her enduring legacy in Vrindavan. In a way that sets her apart from other female consorts, Radha is idealized and dreamed of in a way that is almost more elemental than mythical. Namita Gokhale and Malashri Lal, who brought us In Search of Sita: Revisiting Mythology, now present an anthology on the mysterious Radha, the epitome of love, who defies all conventional codes yet transcends social prohibitions through the power of the spiritual and the sensual, the sacred and the erotic. Finding Radha is the first of its kind: a collection of poetry, prose and translation that enter the historical as well as the artistic dimensions of the eternal romance of Radha and Krishna.
Neera Gupta grew up in Abu Dhabi U.A.E. she completed her Bachelor’s degree in Dental Surgery from India and then moved to Sydney. Whilst living in Sydney she gave up dentistry and made her entry into the corporate world. Alongside she acquired MBA from MGSM, a leading management school in Australia. Neera’s passion for writing has also seen her winning awards in school competitions. At the aga of 10, she even published three volumes of a children’s magazine called ‘Fun Times’ which she had the opportunity to present to then President of India, Late R.Venkataraman. Neera currently resides in Singapore where she’s working on her second book, ‘To Extract or Not To Extract’ Which is about her life in dental school. She has travelled to and lived in many countries. In her free time she enjoys painting, drumming, modeling, dancing and partying with her friends.
This book, with its focus on the dancing body, is the first of its kind within the larger context of dance in India. The Dancing Body is a body that exists, survives, inhabits and performs in multiple space and time, by moving, laboring, migrating and straddling across geographic, cultural and emotional borders, writing different cultural meanings at different moments of time. In India, discourses around the body in dance have long been trapped within hagiographic histories in and around dancers and their dance. During the last few decades, however, significant scholarly inroads were made into the domain of dance by shaking up the stereotypes, assertions and labels, shaped and moulded by patriarchy, class, caste and power. This book brings together emerging discourses around dance and the body that have become central in the Indian nation-state. Contemporary discourses around identity politics, moral policing, politics of exclusion, and neo-liberal dispossessions vis a vis sexual labour, means of survival, pleasure and agency of dancers have helped frame the focus around labour, leisure and livelihood concerning the everyday existence of the body in dance. This volume will be of great value to students, researchers and scholars in dance, gender studies, cultural studies, and performance studies, with a particular interest in Asian and South Asian Studies. The chapters in this book were originally published in a special issue of South Asian History and Culture. The chapters in this book were originally published in a special issue of South Asian History and Culture.
For nearly half a century the charismatic, strikingly handsome spiritual teacher J. Krishnamurti gathered an enormous following throughout Europe, India, Australia and North America. From the age of eighteen he was the forerunner of the type of iconoclasm that would bring immediate fame to cult figures in the late twentieth century. Yet recent biographies have left large areas of his life in mystifying darkness. This, however, is no ordinary study of Krishnamurti, for it is written by one whose earliest memories are dominated by his presence as a doting second fathertolerant of pranks and pets, playful and diligent. For over two decades in their Ojai California haven, where Aldous Huxley and other pacifists found respite during the war years,Krinsh developed his philosophical message. He also placed himself at the centre of her parents Rosalind and Rajagopals marriage. In a spirit of tenderness, fairness, objective inquiry, and no little remorse, the author traces the rise of Krishnamurti from obscurity in India by selection of the Theosophical Society to be the vehicle of a new incarnation of their world teacher. Breaking from Theosophy, Krishnamurti inspired his own following, retaining the dedication of his longtime friend Rajagopal, himself highly educated, to oversee all practicalities and the editing and publication of his writings. How this bond of trust was breached and became clouded in confusion with a new wave of devoteeism lies at the heart of this extraordinary story. So does a portrait of intense romantic intimacy and the conundrum of Krishnamurtis own complex character.
The gentle dhobi who transforms into a killer, a prostitute who is more child than woman, the cocky, young coachman who falls in love at first sight, a father convinced that his son will die before his first birthday. Saadat Hasan Manto’s stories are vivid, dangerous and troubling and they slice into the everyday world to reveal its sombre, dark heart. These stories were written from the mid 30s on, many under the shadow of Partition. No Indian writer since has quite managed to capture the underbelly of Indian life with as much sympathy and colour. In a new translation that for the first time captures the richness of Manto’s prose and its combination of high emotion and taut narrative, this is a classic collection from the master of the Indian short story.