Download Free My Mother Wore A Yellow Dress Book in PDF and EPUB Free Download. You can read online My Mother Wore A Yellow Dress and write the review.

'I learned about conflict from my parents.' So begins Christina McKenna's haunting memoir of her lonely early life. Recounting scenes from her childhood in Ulster, she paints a memorable and poignant picture of violence and oppression with her brutal father and protective mother, whose retalliation to her husband's meaness came in the form of a secret yellow dress. This is a rite-of-passage account of two generations of Irish women, told with great humour and compassion. On the one hand is the writer; on the other the heroic mother who showed her love as best she could. McKenna concludes that our past, no matter how painful, need not keep us bound - once we choose love over hate. That choice, she suggests, will set us free.
JOHN is brought up on an isolated farm near York, spends his spare time birdwatching, lives with an unsympathetic stepfather and loving mother, and attends Hull University as the government pays his expenses. He worries about serious relationships with girls and has no idea of what career to follow. His experience so far is as a farm hand and a hospital porter. A letter he finds at home confirms his biological father is alive but has no intention of helping him. On Bonfire Night 1965 (Guy Fawkes Night), during his final undergraduate year, he meets a fellow student, JEAN-LOUISE, and a romantic relationship develops. In many ways she is different from John; she is a town girl, brought up by loving parents, is an only child, has opposing politics and knows what she wants to be – a fashion buyer for Marks & Spencer. The obstacle is her mother is ill with muscular dystrophy and she must help take care of her parents. She surprises John by encouraging his birdwatching. John joins Ford of Britain as a graduate trainee and after an uncertain start, is placed in industrial relations and decides to study for a graduate degree with the Institute of Personnel Management. He also discovers more about his real father. What happens to the couple during the subsequent 10 years as they navigate their careers, have to deal with events that take place in Britain during the period and manage personal issues at home, are the subjects of this book. There is panic buying during the 1974, 3-day working week, the affects on home life of Britain's entry into the Common Market, annual inflation driven above 25 percent in part because of trade union militancy, and many other national incidents. A unique feature of the novel is the use of bird species to illustrate human behavior and character. At the end of each chapter there is an illustration of the featured bird from that chapter to provide a summary of the bird's appearance and habitat in case the reader is interested. The novel blends British history, ornithology, success at work, discrimination against women and the challenges of home life into a single story.
A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.
A memoir from the award-winning author of My Lesbian Husband, Barrie Jean Borich’s Body Geographic turns personal history into an inspired reflection on the points where place and person intersect, where running away meets running toward, and where dislocation means finding oneself. One coordinate of Borich’s story is Chicago, the prototypical Great Lakes port city built by immigrants like her great-grandfather Big Petar, and the other is her own port of immigration, Minneapolis, the combined skylines of these two cities tattooed on Borich’s own back. Between Chicago and Minneapolis Borich maps her own Midwest, a true heartland in which she measures the distance between the dreams and realities of her own life, her family’s, and her fellow travelers’ in the endless American migration. Covering rough terrain—from the hardships of her immigrant ancestors to the travails of her often-drunk young self, longing to be madly awake in the world, from the changing demographics of midwestern cities to the personal transformations of coming out and living as a lesbian—Body Geographic is cartography of high literary order, plotting routes, real and imagined, and putting an alternate landscape on the map.
This study investigates Louis MacNeice in two major central strands, exploring MacNeice's ambiguous positioning as an Irish poet and the self-consciousness in his writing.
A woman in a township in Zimbabwe is surrounded by throngs of dusty children but longs for a baby of her own; an old man finds that his new job making coffins at No Matter Funeral Parlor brings unexpected riches; a politician's widow stands quietly by at her husband's funeral, watching his colleagues bury an empty casket. Petina Gappah's characters may have ordinary hopes and dreams, but they are living in a world where a loaf of bread costs half a million dollars, where wives can't trust even their husbands for fear of AIDS, and where people know exactly what will be printed in the one and only daily newspaper because the news is always, always good. In her spirited debut collection, the Zimbabwean writer Petina Gappah brings us the resilience and inventiveness of the people who struggle to live under Robert Mugabe's regime. She takes us across the city of Harare, from the townships beset by power cuts to the manicured lawns of privilege and corruption, where wealthy husbands keep their first wives in the "big houses" while their unofficial second wives wait in the "small houses," hoping for a promotion. Despite their circumstances, the characters in An Elegy for Easterly are more than victims—they are all too human, with as much capacity to inflict pain as to endure it. They struggle with the larger issues common to all people everywhere: failed promises, unfulfilled dreams, and the yearning for something to anchor them to life.
The beloved New York Times bestselling author tells the poignant love story of caring for her parents in their final years in this beautifully written memoir. “I’ll Be Seeing You moved me and broadened my understanding of the human condition.”—Wally Lamb, author of I Know This Much Is True Elizabeth Berg’s father was an Army veteran who was a tough man in every way but one: He showed a great deal of love and tenderness to his wife. Berg describes her parents’ marriage as a romance that lasted for nearly seventy years; she grew up watching her father kiss her mother upon leaving home, and kiss her again the instant he came back. His idea of when he should spend time away from her was never. But then Berg’s father developed Alzheimer’s disease, and her parents were forced to leave the home they loved and move into a facility that could offer them help. It was time for the couple’s children to offer, to the best of their abilities, practical advice, emotional support, and direction—to, in effect, parent the people who had for so long parented them. It was a hard transition, mitigated at least by flashes of humor and joy. The mix of emotions on everyone’s part could make every day feel like walking through a minefield. Then came redemption. I’ll Be Seeing You charts the passage from the anguish of loss to the understanding that even in the most fractious times, love can heal, transform, and lead to graceful—and grateful—acceptance.
God is real. This amazing true story brings to light that the Lord has a plan for each life before we are born. The awesome power of prayer, the miracles He performs and how He reveals Himself today are demonstrated in this book. We are all Gods children and He loves every one of us.
No matter how hard Rachid tries to recreate himself, to become educated and worldly—to “learn English”—it is impossible for this hip Beiruti with his cell phone and high-speed internet to sever the connection to his past in the Lebanese village of Zgharta, known for its “tough guys” and old-fashioned clan mentality. When the news of his father’s murder, a case of blood revenge, reaches him by chance through a newspaper report, it drags him inescapably back into the world of his past. Suddenly he is plunged once again into the endless questions that plagued his childhood: questions about his parents’ marriage and his own legitimacy, questions he would rather have forgotten and which threaten not only his new lifestyle, but now, according to the protocol of vendetta culture, his very life. The accomplished al-Daif hooks his readers from page one of this, his ninth, novel—partly with pieces and fragments of suspense-filled plot and partly with his typically idiosyncratic narrator, whose bizarre stories, comical asides and uncannily perceptive comments on human nature lead us through this tantalizing, funny, and sober book about the hold the past has on Lebanon, and on us all.
Nick Swansen pretty much knows what it means to be Special Ed.: You can't drive, even if you're sixteen and your parents have two cars; the regular kids in school don't talk to you much; and even if you can memorize every fact about amphibians, it's hard to make sense of all the other stuff swirling in your mind. What he doesn't know is whether being Special Ed. means you shouldn't go to the prom. But since no rule says you can't, Nick decides to ask Shana. But the prom doesn't turn out at all the way Nick expects it to, and everything bad seems to get all mixed up together: the prom, what Shana does, and the terrible thing that happened to Nick's sister nine years ago. Nick doesn't want to think about any of it, but he begins to realize that unless he makes peace with all the memories that trouble him, they will haunt him forever....