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When Jill spends the summer on her grandmother's ranch in Texas, she and B.J. struggle with their friendship as both girls begin their journey toward womanhood.
Already excerpted in the New Yorker, Black Cloud Rising is a compelling and important historical novel that takes us back to an extraordinary moment when enslaved men and women were shedding their bonds and embracing freedom By fall of 1863, Union forces had taken control of Tidewater Virginia, and established a toehold in eastern North Carolina, including along the Outer Banks. Thousands of freed slaves and runaways flooded the Union lines, but Confederate irregulars still roamed the region. In December, the newly formed African Brigade, a unit of these former slaves led by General Edward Augustus Wild—a one-armed, impassioned Abolitionist—set out from Portsmouth to hunt down the rebel guerillas and extinguish the threat. From this little-known historical episode comes Black Cloud Rising, a dramatic, moving account of these soldiers—men who only weeks earlier had been enslaved, but were now Union infantrymen setting out to fight their former owners. At the heart of the narrative is Sergeant Richard Etheridge, the son of a slave and her master, raised with some privileges but constantly reminded of his place. Deeply conflicted about his past, Richard is eager to show himself to be a credit to his race. As the African Brigade conducts raids through the areas occupied by the Confederate Partisan Rangers, he and his comrades recognize that they are fighting for more than territory. Wild’s mission is to prove that his troops can be trusted as soldiers in combat. And because many of the men have fled from the very plantations in their path, each raid is also an opportunity to free loved ones left behind. For Richard, this means the possibility of reuniting with Fanny, the woman he hopes to marry one day. With powerful depictions of the bonds formed between fighting men and heartrending scenes of sacrifice and courage, Black Cloud Rising offers a compelling and nuanced portrait of enslaved men and women crossing the threshold to freedom.
This riveting debut from poet Faylita Hicks is a reclamation of power for black women and nonbinary people whose bodies have become the very weapons used against them. HoodWitch tells the story of a young person who discovers that they are "something that can & will survive / a whole century of hunt." Through a series of poems based on childhood photographs, Hicks invokes the spirits of mothers and daughters, sex workers and widows, to conjure an alternative to their own early deaths and the deaths of those whom they have already lost. In this collection about resilience, Hicks speaks about giving her child up for adoption, mourning the death of her fianc , and embracing the nonbinary femme body--persevering in the face of medical malpractice, domestic abuse, and police violence. The poems find people transformed, "remade out of smoke & iron" into cyborgs and wolves, machines and witches--beings capable of seeking justice in a world that refuses them the option. ​Exploring the intersections of Christianity, modern mysticism, and Afrofuturism in a sometimes urban, sometimes natural setting, Hicks finds a place where "everyone everywhere is hands in the air," where "you know they gonna push & pull it together. / Just like they learned to." It is a place of natural magick--where someone like Hicks can have more than one name: where they can be both dead and alive, both a mortal and a god.
Heating Up in Texas! When Justin McCabe hires a master carpenter to help build his ranch for troubled teens, tall, gorgeous blonde Amanda Johnson isn't quite what he'd imagined. But not only can she do the job, she has a thing or two to teach him about judging by appearances. And, more important, she has a knack for reaching the kind of kid Justin wants to help. Amanda hadn't counted on her new boss—all strapping six foot five of him—being so utterly irresistible. Working side by side under the scorching Texas sun, the two of them make a great team—in every way possible. The heat of summer is no match for the sizzle they generate whenever they're together. But when a crisis forces Amanda to face her past, she'll need to make a heart-wrenching decision about her future…whether Justin is in it or not.
Winner of the 2015 Dashiell Hammett Prize and 2016 Shamus Award 1959. Delpha Wade killed a man who was raping her. Wanted to kill the other one too, but he got away. Now, after fourteen years in prison, she’s out. It’s 1973, and nobody’s rushing to hire a parolee. Persistence and smarts land her a secretarial job with Tom Phelan, an ex-roughneck turned neophyte private eye. Together these two pry into the dark corners of Beaumont, a blue-collar, Cajun-influenced town dominated by Big Oil. A mysterious client plots mayhem against a small petrochemical company-why? Searching for a teenage boy, Phelan uncovers the weird lair of a serial killer. And Delpha — on a weekend outing — looks into the eyes of her rapist, the one who got away. The novel's conclusion is classic noir, full of surprise, excitement, and karmic justice. Sandlin's elegant prose, twisting through the dark thickets of human passion, allows Delpha to open her heart again to friendship, compassion, and sexuality. Lisa Sandlin's story "Phelan's First Case" was anthologized in Lone Star Noir and was later re-anthologized in Akashic's Best of the Noir series, USA Noir. The Do-Right is her first full-length mystery. Lisa was born in Beaumont, currently lives and teaches in Omaha, Nebraska, and summers in Santa Fe, New Mexico.
"Desperately affecting." —The New York Times “Generous and epic...takes us through generations of a singular family, whose loves and losses also tell us a story about America itself." —Eliot Schrefer, National Book Award finalist, author of Endangered Justin Deabler's Lone Stars follows the arc of four generations of a Texan family in a changing America. Julian Warner, a father at last, wrestles with a question his husband posed: what will you tell our son about the people you came from, now that they're gone? Finding the answers takes Julian back in time to Eisenhower's immigration border raids, an epistolary love affair during the Vietnam War, crumbling marriages, queer migrations to Cambridge and New York, up to the disorienting polarization of Obama's second term. And in these answers lies a hope: that by uncloseting ourselves—as immigrants, smart women, gay people—we find power in empathy.
After her mother dies in 1975, ten-year-old Lemonade must live with her grandfather in a small town famous for Bigfoot sitings and soon becomes friends with Tobin, a quirky Bigfoot investigator.
USA TODAY bestselling author Colleen Coble delivers romance and suspense in a beautiful West Texas setting. Five years ago, Shannon Astor left the beautiful high-mountain country of West Texas as a single mother. She was desperate for a fresh start and a way to keep the secrets of her past buried. It almost worked. Until a chance to make a better life for her daughter leads her right back home. To the very place of the past betrayals. But it also leads Shannon to horse-trainer Jack MacGowan--her handsome high-school nemesis, now a widowed father. His daughter looks so startlingly like her own that Shannon can't help but question the circumstances surrounding her daughter's birth. Wary of each other's intentions, Shannon and Jack reluctantly join forces to untangle a deep mystery that swirls around Shannon's parents, a lost Spanish treasure, and a legendary black stallion. If Shannon can learn to entrust her secrets to the man falling in love with her, the truth just might set her free. Full-length romantic suspense Includes discussion questions for book clubs Part of the Lonestar series, but can be read as a standalone Book One: Lonestar Sanctuary Book Two: Lonestar Secrets Book Three: Lonestar Homecoming Book Four: Lonestar Angel
Fourteen-year-old Marina and sixteen-year-old Jed accompany their parents' religious cult, the Believers, to await the end of the world atop a remote mountain, where they try to decide what they themselves believe.