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"Compiles most of [the author's] long-running comic series of the same name, serialized in the largest Chicago alternative weekly, the 'Chicago reader,' every other week, for over a decade"--An author's not
This volume explores the importance and significance that music has in our lives. The relationship between music and identity is based on conceptions about meanings and identification, especially powerful when connected with youth and popular music. We narrate ourselves in a musical way and we must study ‘music as culture’ rather than ‘music in culture’. The contributions to this book attend to emerging phenomena such as the rise of the Reggaeton music around the world, the importance of music in anime media, and music industry changes and uncertainties in the new millennium. Music is art, but it is also an industry and a business, and the two are intertwined: through the sale of tickets, original formulas are obtained and, in the same way, products (not just musical, but multimedia) are born from alternative culture, eventually becoming mainstream. In addition, this book also takes into account iconic artists such as Nirvana, David Bowie or Miley Cyrus, and the important contribution of music to the narrative and success of popular TV series, analysing cases such as Babylon Berlin and Vikings. From Blade Runner (1982) to current television mainstream productions, the music-image alliance does not only satisfy and distract us, but also challenges us and forces us to rethink our view of the world.
Everybody needs someone who gets their crazy Hank Kirby can't catch a break. He doesn't mean to screw up. It just happens. Case in point: his attempt to ask out the girl he likes literally goes up in flames when he spelled "prom" in sparklers on Amanda Carlisle's lawn...and nearly burns down her house, without ever asking her the big question. Hank just wants to pretend the incident never happened. And he might've gotten away with it—except there is a witness. Peyton Breedlove, brooding loner and budding pyromaniac, saw the whole thing, and she blackmails Hank into an unusual friendship. Sure, Hank may be headed for his biggest disaster yet, but it's only when life falls apart that you can start piecing it back together. "Funny, authentic, and, at turns, heartbreaking."—Jessi Kirby, author of Things We Know by Heart and Moonglass "I had so much fun reading this book."—Adi Alsaid, author of Never Always Sometimes and Let's Get Lost
New Yorker writer and author of The Library Book takes readers on a series of remarkable journeys in this uniquely witty, sophisticated, and far-flung travel book. In this irresistible collection of adventures far and near, Orlean conducts a tour of the world via its subcultures, from the heart of the African music scene in Paris to the World Taxidermy Championships in Springfield, Illinois—and even into her own apartment, where she imagines a very famous houseguest taking advantage of her hospitality. With Orlean as guide, lucky readers partake in all manner of armchair activity. They will climb Mt. Fuji and experience a hike most intrepid Japanese have never attempted; play ball with Cuba’s Little Leaguers, promising young athletes born in a country where baseball and politics are inextricably intertwined; trawl Icelandic waters with Keiko, everyone’s favorite whale as he tries to make it on his own; stay awhile in Midland, Texas, hometown of George W. Bush, a place where oil time is the only time that matters; explore the halls of a New York City school so troubled it’s known as “Horror High”; and stalk caged tigers in Jackson, New Jersey, a suburban town with one of the highest concentrations of tigers per square mile anywhere in the world. Vivid, humorous, unconventional, and incomparably entertaining, Susan Orlean’s writings for The New Yorker have delighted readers for over a decade. My Kind of Place is an inimitable treat by one of America’s premier literary journalists.
Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement. Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns. Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
"A lucid and passionate case for a more mindful way of listening to and engaging with musical, natural, and manmade sounds." —New York Times In this tour of the world’s most unexpected sounds, Trevor Cox—the “David Attenborough of the acoustic realm” (Observer)—discovers the world’s longest echo in a hidden oil cavern in Scotland, unlocks the secret of singing sand dunes in California, and alerts us to the aural gems that exist everywhere in between. Using the world’s most amazing acoustic phenomena to reveal how sound works in everyday life, The Sound Book inspires us to become better listeners in a world dominated by the visual and to open our ears to the glorious cacophony all around us.
A small-town mayor’s search for a new Santa yields a handsome surprise in this heartwarming holiday romance by a New York Times bestseller. Returning to Branding Iron, Texas, is Travis Morgan’s last resort, and the abandoned ranch he inherited isn’t much more welcoming than the prison cell where he spent the last three years doing time for a tragic accident. Completely without funds or family, Travis finds celebrating Christmas is the last thing on his mind, but there’s no escaping the holiday spirit in this close-knit little town—not with Branding Iron’s longtime Santa retiring, and sweetly stubborn Mayor Maggie Delaney determined to find a replacement. When her no-nonsense façade slips to reveal the sensual, vulnerable woman beneath it, Travis realizes Maggie just might be as lonely as he is—and that this holiday season, love could be the gift that heals them both. Praise for Janet Dailey and her Christmas novels “The spirit of Christmas permeates this charming holiday romance.” —RT Book Reviews on Merry Christmas, Cowboy “In what has become a delightful annual tradition, Dailey creates a lovely Christmas romance.” —RT Book Reviews on A Cowboy Under My Christmas Tree “A definite stocking stuffer.” —Library Journal “A surefire winner.” —Publishers Weekly
Young readers will love to feel the different textures and hear the first words in this interactive, sturdy board book designed for children ages 3 and up. Includes an on/off switch on the back cover to extend battery life. Touch, feel, and hear first words in this interactive, sturdy board book, packed with photographs, tactile textures, and spoken words to help young readers develop simple vocabulary. Six spoken words with sounds are included along with many photographs of first words.
From the author of The Salt House and This Is Home comes a profound novel about the power of community and a small town’s long-buried secrets as a group of New England islanders come together for a recently orphaned girl. On Ichabod Island, a jagged strip of land thirteen miles off the coast of Massachusetts, ten-year-old Sky becomes an orphan for the second time after a tragic accident claims the lives of her adoptive parents. Grieving the death of his best friends, Leo’s life is turned upside down when he finds himself the guardian of young Sky. Back on the island and struggling to balance his new responsibilities and his marriage to his husband, Leo is supported by a powerful community of neighbors, many of them harboring secrets of their own. Maggie, who helps with Sky’s childcare, has hit a breaking point with her police chief husband, who becomes embroiled in a local scandal. Her best friend Agnes, the island busybody, invites Sky’s estranged grandmother to stay for the summer, straining already precarious relationships. Their neighbor Joe struggles with whether to tell all was not well in Sky’s house in the months leading up to the accident. And among them all is a mysterious woman, drawn to Ichabod to fulfill a dying wish. Perfect for fans of Celeste Ng and Ann Leary, My Kind of People is a riveting, impassioned novel about the resilience of community and what connects us all in the face of tragedy.
USA Today bestselling author Vivienne Lorret continues her charming new trilogy with a bluestocking whose search for information on the mating habits of scoundrels has her stumbling upon the missing heir to an earldom... in the London underworld. Jane Pickerington never intended to start a brawl in a brothel. She only wanted to research her book. Yet when her simple study of scoundrels goes awry, she finds herself coming to the rescue of a dark, enigmatic stranger… who turns out to be far more than an average rake out for a night of pleasure. He’s positively wild! Only the most feral and cunning could have survived foundling homes and work houses. Orphaned as an infant, Raven never had another name. At least… not until he meets her. Now he’s face-to-face with the one person who recognizes the strange birthmark on his arm and can reinstate him to his blue-blooded birthright. All at once, Raven’s life takes a turn. His knowledge of dark alleys and gaming hells never prepared him for gilded ballrooms. So Jane becomes his tutor. Yet, the more lessons in decorum she offers, the more this untamed scoundrel wants to teach her all the ways to be wicked.