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Adam McOmber's lush, hallucinatory stories are both familiar and wholly original. Drawn from the historical record, Biblical lore, fairy tales, science fiction, and nightmares, these offbeat and fantastical works explore gender and sexuality in their darkest and most beautiful manifestations. In the tradition of Angela Carter or Kelly Link, My House Gathers Desires is covertly funny and haunting, seeking fresh ways to consider sexual identity and its relation to history. In "Sodom and Gomorrah," readers encounter a subversive, ecstatic new version of the Old Testament story. In "The Re'em," a medieval monk's search for a mythic beast conjures forbidden desire. And in "Notes on Inversion," the German psychiatrist Kraft-Ebbing receives a surreal retort to his clinical descriptions of same-sex desire. From "Sodom and Gomorrah": The strangers then are no longer like two men at all. They have undressed themselves, giving up the pretense of skin and becoming a denser part of the air. We are hungry for them. Ours is a sacred desire that was buried too long in our chests, like some city beneath the sand. Adam McOmber is the author of The White Forest (Touchstone, 2012) and This New & Poisonous Air (BOA, 2011), from which he had stories nominated for two 2012 Pushcart Prizes. His work has appeared in Conjunctions, Kenyon Review, and Fairy Tale Review. He served as the managing and associate editor of Hotel America at Columbia College Chicago from 2007-2015. He now lives in Los Angeles, CA, where he teaches at Loyola Marymount University.
Jane Silverlake, a young woman from the wild heath regions of Victorian England, uses her paranormal ability to see the souls of handcrafted objects to infiltrate a mysterious dream-manipulation cult into which the man she loves has gone missing.
Henry Coxton, a fledgling occult detective with one too many secrets of his own, has recently taken up stewardship of a ghost finding firm in the heart of Edwardian London. Along with his friends and associates, Violet Asquith (a telekinetic with a mysterious and troubled past) and Christopher X (a difficult but amiable monster), Henry must work to solve the agency’s most terrifying case. Secrets from the pasts of all three detectives begin to surface and threaten the group’s bond of friendship, as well as—it would seem—the very fabric of reality. Strongly influenced by the weird fictions of Algernon Blackwood, Lord Dunsany and M.R. James, The Ghost Finders explores the darkest corners of London’s occult realities.
She admits she is pleased when the new placard is raised, "Madame Tussaud's House of Wax." She stands in the crowd with François at her side. He leans close enough to touch her ear with the fringe of his mustache and whispers, "What part of the museum would the famous Madame Tussaud like to survey on her inaugural visit?" "The Chamber of Horrors, I think," she says softly. "Really, my dear? All that grim fantasy and blood?" "There is no fantasy about it, François. It is an embryo, a showing of what is to come." Blending historical fiction with fantasy and the macabre, Adam McOmber's debut short story collection brings the influence of Angela Carter, Isak Dinesen, and Edgar Allan Poe to the next generation. In "The Automatic Garden," a solitary architect from the court at Versailles builds a water-powered pleasure garden; in "There Are No Bodies Such as This," we read a haunted and romantic fiction about the creation of Madame Tussaud's wax museum; in "Fall, Orpheum," a small town movie palace becomes the temple for an entire town's devotion and sacrifice. McOmber seamlessly blends history, artifice, and desire to create a dream of the past that intertwines with our own notions of modern life. Adam McOmber's stories appear in Conjunctions, StoryQuarterly, Third Coast, The Greensboro Review, Arts & Letters, and Quarterly West. He is assistant director of creative nonfiction at Columbia College Chicago and associate editor of the literary magazine Hotel Amerika.
Jesus and John is a Weird re-imagining of the New Testament as a novel of allegorical horror. John, a fisherman from the rural village of Bethsaida in Galilee, is tasked with protecting the risen body of Yeshua. The pair take a a dangerous pilgrimage to a mysterious mansion in Rome known as the Gray Palace.
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
Not Here is a flight plan for escape and a map for navigating home; a queer Vietnamese American body in confrontation with whiteness, trauma, family, and nostalgia; and a big beating heart of a book. Nguyen’s poems ache with loneliness and desire and the giddy terrors of allowing yourself to hope for love, and revel in moments of connection achieved.
From bestselling author of The Book of Delights and award-winning poet, a book of lyrical mini-essays celebrating the everyday that will inspire readers to rediscover the joys in the world around us. In Ross Gay’s new collection of small, daily wonders, again written over the course of a year, one of America’s most original voices continues his ongoing investigation of delight. For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the “nefarious” scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren. As always, Gay revels in the natural world—sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbor’s fig tree—and the trillion mysterious ways this glorious earth delights us. The Book of (More) Delights is a volume to savor and share.
A memoir in essays that expands on the viral sensation “The Crane Wife” with a frank and funny look at love, intimacy, and self in the twenty-first century. From friends and lovers to blood family and chosen family, this “elegant masterpiece” (Roxane Gay, New York Times bestselling author of Hunger) asks what more expansive definitions of love might offer ​us all. A BEST BOOK OF THE YEAR: TIME, THE GUARDIAN, GARDEN & GUN "Hauser builds their life's inventory out of deconstructed personal narratives, resulting in a reading experience that's rich like a complicated dessert—not for wolfing down but for savoring in small bites." —The New York Times “Clever, heartfelt, and wrenching.” —Time “Brilliant.” —Oprah Daily Ten days after calling off their wedding, CJ Hauser went on an expedition to Texas to study the whooping crane. After a week wading through the gulf, they realized they'd almost signed up to live someone else's life. What if you released yourself from traditional narratives of happiness? What if you looked for ways to leave room for the unexpected? In Hauser’s case, this meant dissecting pop culture touchstone, from The Philadelphia Story to The X Files, to learn how not to lose yourself in a relationship. They attended a robot convention, contemplated grief at John Belushi’s gravesite, and officiated a wedding. Most importantly, they mapped the difference between the stories we’re asked to hold versus those we choose to carry. Told with the late-night barstool directness of your wisest, most bighearted friend, The Crane Wife is a book for everyone whose path doesn't look the way they thought it would; for everyone learning to find joy in the not-knowing and to build a new sort of life story, a new sort of family, a new sort of home to live in.
As The Giving Tree turns fifty, this timeless classic is available for the first time ever in ebook format. This digital edition allows young readers and lifelong fans to continue the legacy and love of a classic that will now reach an even wider audience. "Once there was a tree...and she loved a little boy." So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein. This moving parable for all ages offers a touching interpretation of the gift of giving and a serene acceptance of another's capacity to love in return. Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk...and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave. This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein's incomparable career as a bestselling children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. He is also the creator of picture books including A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, The Missing Piece, The Missing Piece Meets the Big O, and the perennial favorite The Giving Tree, and of classic poetry collections such as Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, Don't Bump the Glump!, and Runny Babbit. And don't miss the other Shel Silverstein ebooks, Where the Sidewalk Ends and A Light in the Attic!