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Fergus has lived in England for almost seven years. He hasn't been back to his hometown in five. Using animation, storytelling and spoken word, my heart is hitchhiking down peachtree st is a one man show about living far away from home. It's about the stories you tell people when they ask where you're from. It's about knowing that once you leave, you can't go back.
One wants to restore the image of the Church, gain back the community's trust. And as you know, this part of town has long been resistant to social progress. Otherwise Sister Bernadine wouldn't need to work so hard. Sister Bernie D'Amato doesn't look like a nun. In an oversize Bob Marley T-shirt, she smokes pot, befriends local gangs and passes out condoms to the Ukrainian prostitutes who cruise around their New Jersey slum. When the women's shelter Bernie runs comes under threat from a property developer, she vows to fight back, and recruits a teenage X-Factor wannabe and an ageing ex-nun to help. But as pressure mounts on the shelter to take their pay-out and close down, tensions start to mount in a community struggling to survive. We Wait In Joyful Hope is a funny and touching exploration of religion and capitalism in contemporary USA. Theatre503 Writer in Residence Brian Mullin delivers a sparkling 'state of the nation' debut drama. This edition is published to coincide with the play's world premiere at Theatre503, London, in May 2016.
Two performance texts by Hannah Jane Walker and Chris Thorpe The Oh Fuck Moment Fucking up is the truest, funniest, most terrifying moment you can experience. Poet Hannah Jane Walker and theatre-maker Chris Thorpe examine the poetic guts of mistakes in a bundle of words and strip lighting. The Oh Fuck Moment is an award-winning conversation around a desk for brave souls to hold their hands up and admit they fucked up, or for people to laugh at us because we did. ‘A brilliant celebration of our mistakes and evolutionary reflexes’ Guardian I Wish I Was Lonely I Wish I Was Lonely is an interactive show about contactability asking whether the invisible waves we’re tethered to might be drowning who we are. It’s a show in which the audience commit to leaving their phones on. A show investigating what it means to participate in communication – or not. There are poems, there are stories and there is conversation. I Wish I Was Lonely sees Hannah Jane Walker and Chris Thorpe ask how much of ourselves we’ve given up to the new gods in our pockets. Hannah Jane Walker is a poet and Chris Thorpe is a theatre-maker.Together they make award-winning work that is part performance, part poetry gig and part interactive experience. Their work is based around an honest encounter between themselves, an audience and the difficult but often uplifting moments we all face in the process of living. Their shows feel like a generous, open conversation, with poetry and storytelling at their heart and space for audiences to contribute in a meaningful way.
“Being on a tightrope is living, everything else is waiting.” When Gary Maddocks rejoins Mike Evans and his Counter IED Team in Afghanistan he is pleased. He has been finding life back home with Emma dull and is impatient to get back to the job he loves, but if he had known what fate had in store for him would he have been so eager? Of course he would: it's like an addiction, and if your luck runs out there's nothing you can do about it, is there? But was it bad luck, faulty equipment, or something worse? Mike has been acting strange lately and Emma appears to be hiding something. When you step on a pressure plate you think you hear the click, or you think you feel it, but you don't know for sure. And you can't know because what you remember . . . well some of it isn't real. Ross Ericson's play Casualties explores how love, friendship and truth are not so certain in the context of war.
The bestselling solo R&B artist finally opens up about her rocky past and her path to redemption While Toni Braxton may appear to be living a charmed life, hers is in fact a tumultuous story: a tale of personal triumph after a public unraveling. In her heartfelt memoir, the six-time Grammy Award-winning singer and star of WE tv's hit reality series Braxton Family Values is unapologetically honest in revealing the intimate details of her journey. Toni and the entire Braxton clan have become America's favorite musical family, but what fans may not know is the intense guilt Toni once felt when she accepted a recording deal that excluded her sisters. That decision would haunt Toni for years to come, tainting the enormous fame she experienced as a popular female vocalist at the top of the charts. Despite her early accomplishments, Toni's world crumbled when she was forced to file for bankruptcy twice and was left all alone to pick up the pieces. Always the consummate professional, Toni rebuilt her life but then found herself in the midst of more heartache. The mother of an autistic child, Toni had long feared that her son's condition might be karmic retribution for some of the life choices that left her filled with remorse. Later, when heart ailments began plaguing her at the age of forty-one and she was diagnosed with lupus, Toni knew she had to move beyond the self-recrimination and take charge of her own healing—physically and spiritually. Unbreak My Heart is more than the story of Toni's difficult past and glittering success: it is a story of hope, of healing, and, ultimately, of redemption.
Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. This book profiles dozens of outsider musicians, both prominent and obscure—figures such as The Shaggs, Syd Barrett, Tiny Tim, Jandek, Captain Beefheart, Daniel Johnston, Harry Partch, and The Legendary Stardust Cowboy—and presents their strange life stories along with photographs, interviews, cartoons, and discographies. About the only things these self-taught artists have in common are an utter lack of conventional tunefulness and an overabundance of earnestness and passion. But, believe it or not, they're worth listening to, often outmatching all contenders for inventiveness and originality. A CD featuring songs by artists profiled in the book is also available.
This proceedings contains 16 papers on recreation and adventure programming, outdoor education, and outdoor leadership training. The papers are: (1) "Beyond Recreation: Our Classroom Is Wild America" (Barry Auskern); (2) "Outward Bound Leadership Model: An Exploratory Study of Leadership Variables" (Natalie L. Bartley); (3) "'Putting a Little Flavor in Your Outings!' Getting to Know the World of Edible and Useful Wild Plants" (Charles Chase); (4) "Risk Management in High Adventure Outdoor Pursuits" (Jerry Cinnamon); (5) "The Identification and Modification of Situational Fears Associated with Outdoor Recreation" (Alan Ewert); (6) "Outdoor Programming in the Southern United States" (Jim Gilbert and Wayne Taylor); (7) "Winter Wilderness Travel and Camping" (Norman Gilchrest); (8)"Environmental Activism, Public Education and Outdoor Programming: A Union of Necessity" (Terry Hartig and Peter Bowler); (9) "Technical Tree Climbing" (Peter Jenkins); (10) "Leadership: The Development of Self Concept" (Rick Matishak and Lyle Benson); (11) "Survey Compilation: Status and Concerns of the Outdoor Recreation Profession" (Rodney K. Neubert and Julian A. McPhee); (12) "Freshman Wilderness Orientation Programs: Model Programs across the Country" (Marty O'Keefe); (13) "Eagle Mount--Montana's Premiere Handicapped Outdoor Recreation Program" (Curt Shirer); (14) "Successfully Adapting Financially Subsidized Outdoor Programs to 'Pay Their Own Way' Programs" (Alf Skrastins); (15) "Passages: Helping College Students Matriculate through Outdoor Adventure" (Bob Stremba); and (16) "How To Successfully Change from a Financially Subsidized Outdoor Program to a Pays-Its-Own-Way Outdoor Program" (David J. Webb). Appendices include descriptions of conference presentations and events, a list of conference participants, and biographical information on presenters. (KS)
A new collection of essays from the bomb-throwing intellectual who described the historical origins and evolution of whiteness and white supremacy, and taught us how we might destroy it. For sixty years, Noel Ignatiev provided an unflinching account of “whiteness”—a social fiction and an unmitigated disaster for all working-class people. This new essay collection from the late firebrand covers the breadth of his life and insights as an autodidact steel worker, a groundbreaking theoretician, and a bitter enemy of racists everywhere. In these essays, Ignatiev confronts the Weather Underground and recounts which strategies proved most effective to winning white workers in Gary, Indiana, to black liberation. He discovers the prescient political insights of the nineteenth-century abolition movement, surveys the wreckage of the revolutionary twentieth century with C.L.R. James, and attends to the thorny and contradictory nature of working-class consciousness. Through it all, our attentions are turned to the everyday life of “ordinary” people, whose actions anticipate a wholly new society they have not yet recognized or named. In short, Ignatiev reflects on the incisive questions of his time and ours: How can we drive back the forces of racism in society? How can the so-called “white” working class be wn over to emancipatory politics? How can we build a new human community?"
An account of the life and career of the noted journalist and mother of three children.