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As a young girl spends time at her grandmother's apartment, she is treated to traditional Jewish tales, including "Bavsi's Feast," "The Golden Shoes," "The Garden of Talking Flowers," and "A Phantom at the Wedding."
A young Native American woman creates a hauntingly beautiful tribute to an age-old way of life in this fascinating portrait of the women of the Blackfoot Indians. A captivating tapestry of personal and tribal history, legends and myths, and the wisdom passed down through generations of women, this extraordinary book is also a priceless record of the traditional skills and ways of an ancient culture that is vanishing all too fast. Including many rare photographs, The Ways of My Grandmothers is an authentic contribution to our knowledge and understanding of Native American lore -- and a classic that will speak to women everywhere.
With 200 thought-provoking and lighthearted writing prompts and exercises organized into chapters based on her life, My Grandmother’s Life guides your grandmother to begin her life’s memoir and create a fully realized record of her adventures, stories, and wisdom for you and your family to cherish for future generations.
What if the most steadfast faith you'll ever encounter comes from a Black grandmother? The church mothers who raised Yolanda Pierce, dean of Howard University School of Divinity, were busily focused on her survival. In a world hostile to Black women's bodies and spirits, they had to be. Born on a former cotton plantation and having fled the terrors of the South, Pierce's grandmother raised her in the faith inherited from those who were enslaved. Now, in the pages of In My Grandmother's House, Pierce reckons with that tradition, building an everyday womanist theology rooted in liberating scriptures, experiences in the Black church, and truths from Black women's lives. Pierce tells stories that center the experiences of those living on the underside of history, teasing out the tensions of race, spirituality, trauma, freedom, resistance, and memory. A grandmother's theology carries wisdom strong enough for future generations. The Divine has been showing up at the kitchen tables of Black women for a long time. It's time to get to know that God.
When Heena came out of her house, Rainbow was waiting in her garden, glowing like a pearl in the light of the Blessing Moon.
A NATIONAL BESTSELLER "My Grandmother's Hands will change the direction of the movement for racial justice."— Robin DiAngelo, New York Times bestselling author of White Fragility In this groundbreaking book, therapist Resmaa Menakem examines the damage caused by racism in America from the perspective of trauma and body-centered psychology. The body is where our instincts reside and where we fight, flee, or freeze, and it endures the trauma inflicted by the ills that plague society. Menakem argues this destruction will continue until Americans learn to heal the generational anguish of white supremacy, which is deeply embedded in all our bodies. Our collective agony doesn't just affect African Americans. White Americans suffer their own secondary trauma as well. So do blue Americans—our police. My Grandmother's Hands is a call to action for all of us to recognize that racism is not only about the head, but about the body, and introduces an alternative view of what we can do to grow beyond our entrenched racialized divide. Paves the way for a new, body-centered understanding of white supremacy—how it is literally in our blood and our nervous system. Offers a step-by-step healing process based on the latest neuroscience and somatic healing methods, in addition to incisive social commentary. Resmaa Menakem, MSW, LICSW, is a therapist with decades of experience currently in private practice in Minneapolis, MN, specializing in trauma, body-centered psychotherapy, and violence prevention. He has appeared on the Oprah Winfrey Show and Dr. Phil as an expert on conflict and violence. Menakem has studied with bestselling authors Dr. David Schnarch (Passionate Marriage) and Dr. Bessel van der Kolk (The Body Keeps the Score). He also trained at Peter Levine's Somatic Experiencing Trauma Institute.
Bloomfield Academy was founded in 1852 by the Chickasaw Nation in conjunction with missionaries. It remained open for nearly a century, offering Chickasaw girls one of the finest educations in the West. After being forcibly relocated toøIndian Territory, the Chickasaws viewed education as instrumental to their survival in a rapidly changing world. Bloomfield became their way to prepare emerging generations of Chickasaw girls for new challenges and opportunities. Amanda J. Cobb became interested in Bloomfield Academy because of her grandmother, Ida Mae Pratt Cobb, an alumna from the 1920s. Drawing on letters, reports, interviews with students, and school programs, Cobb recounts the academy?s success story. In stark contrast to the federally run off-reservation boarding schools in operation at the time, Bloomfield represents a rare instance of tribal control in education. For the Chickasaw Nation, Bloomfield?a tool of assimilation?became an important method of self-preservation.
When most people think of their grandmother’s knitting, they might not immediately see the connection to a modern knitter’s life. But in My Grandmother’s Knitting, Larissa Brown shows us that nothing could be further from the truth. Many of today’s hippest and most popular knitters found their passion for knitting under the tutelage of their grandmother or another revered family member, and in this book, they share stories and patterns inspired by their memories and their gratitude. Among the 26 contributors to My Grandmother’s Knitting are STC Craft authors Wendy Bernard (Custom Knits series), Teva Durham (Loop-d-Loop series), Norah Gaughan (Knitting Nature), Joan McGowan-Michael (Knitting Lingerie Style), and Leigh Radford (AlterKnits series and One More Skein) as well as many other popular designers such as Jared Flood, Cookie A., Ysolda Teague, Anne Hanson, Kay Gardiner, and Meg Swansen. Praise for My Grandmother's Knitting: “This is a pattern book with a twist. . . . Full of useful information and easy-to-knit garments, Custom Knits 2 is a good choice for knitters looking to adapt designs and venture into designing their own garments.” —Creative Knitting Magazine “In [My Grandmother’s Knitting], Brown weaves family stories and early knitting memories of her interview subjects into poignant evidence that today’s knitters have a strong connection to the knitters who came before them.” —CraftSanity “This is a thoroughly charming book . . . A heartfelt celebration of shared creativity.” —Knitty.com "Wonderful family stories are shared by those such as Meg Swansen, Norah Gaughan, Kirsten Kapur and Kay Gardiner. The projects in this book, as you can imagine, with the star-studded lineup of designers, are a beautiful assortment of accessories and women's garments. The look and feel of this book is so inviting and beautiful, with lovely photography by Michael Crouser. In all ways, this book is a true work of art and heart." —Petite Purls
A cloth bag containing 10 paperback copies of the title, 1 large print edition, 1 audio book, that may also include a folder with sign out sheets.
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.” In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and bringing him home to her family, adopting two children from Ethiopia, and living and teaching in a primarily white New England college town. Each of these essays sets out to discover a new way of talking about race and of telling the truth as the author has lived it. "Black Is the Body is one of the most beautiful, elegant memoirs I've ever read. It's about race, it's about womanhood, it's about friendship, it's about a life of the mind, and also a life of the body. But more than anything, it's about love. I can't praise Emily Bernard enough for what she has created in these pages." --Elizabeth Gilbert WINNER OF THE CHRISTOPHER ISHERWOOD PRIZE FOR AUTOBIOGRAPHICAL PROSE NAMED A BEST BOOK OF THE YEAR BY NPR AND KIRKUS REVIEWS ONE OF MAUREEN CORRIGAN'S 10 UNPUTDOWNABLE READS OF THE YEAR