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The Bay City Rollers were one of the brightest things to happen in the tumultuous 1970s, illuminating a dark decade marred by falling stock markets, a plummeting economy and industrial unrest. Alan Longmuir, an apprentice plumber from Edinburgh, was inspired by the Beatles to form a band. After enlisting his brother and throwing a dart at a map, they became the Bay City Rollers. In I Ran with the Gang , Alan recounts his incredible journey from the Dalry backstreets to the Hollywood hills and back again. Along the way, he punctures some of the myths and untruths that have swirled around the group, and unflinchingly tells of the acrimony and exploitation that led to the disintegration of the band. Most of all, though, Alan captures the great adventure of five young boys from Edinburgh who for a few heady years threatened to turn the whole world tartan.
“One of the year’s most important books, a gripping meticulously reported account of the rise of one of the world’s most notorious street gangs.” —Mitch Weiss, Pulitzer Prize winner Winner of the Lukas Prize An NPR Best Book of the Year The MS-13 was born from war. In the 1980s, Alex and his brother fled El Salvador for the US and formed the Mara Salvatrucha Stoners. Initially bound by a love of heavy metal music, the group soon took on a harder edge, selling drugs, stealing cars and killing rivals. Gang members like Alex were incarcerated and deported. But in the prison system, the group only grew stronger. Today, MS-13 is one of the most infamous street gangs on earth—and also largely misunderstood. Longtime organized crime investigator Steven Dudley brings readers inside the nefarious group to tell a broader story of flawed US and Central American policies and the exploitative, unequal systems that shape them. “A remarkable feat of reporting; the ways in which the United States is complicit in the creation and preservation of MS-13 might well keep you awake deep into the night, as it did me.” —Rachel Louise Snyder, author of No Visible Bruises “By detailing the experiences of gang members and victims alike, he anatomizes the complex, fluid dynamics of this elusive transnational network. A startling book.” —Patrick Radden Keefe, New York Times–bestselling author of Rogues: True Stories of Grifters, Killers, Rebels and Crooks “The definitive account of MS-13 . . . An outstanding book for true crime readers.” —Library Journal (starred review)
While gangs and gang culture have been around for countless centuries, The Gang is one of the first academic studies of the phenomenon. Originally published in 1927, Frederic Milton Thrasher’s magnum opus offers a profound and careful analysis of hundreds of gangs in Chicago in the early part of the twentieth century. With rich prose and an eye for detail, Thrasher looked specifically at the way in which urban geography shaped gangs, and posited the thesis that neighborhoods in flux were more likely to produce gangs. Moreover, he traced gang culture back to feudal and medieval power systems and linked tribal ethos in other societies to codes of honor and glory found in American gangs. Thrasher approaches his subject with empathy and insightfulness, and creates a multifaceted and textured portrait that still has much to offer to readers today. With handsome images that evoke the era, this unabridged edition of The Gang not only explores an important moment in the history of Chicago, but also is itself a landmark in the history of sociology and subcultural theory.
The Diamonds are a Chicago Street gang whose members are second-generation Puerto Rican youths. For Felix Padilla the young men who join the Diamonds have made a logical choice. The gang is an alternative and dependable route to emotional support, self-respect, material goods, and upward mobility. Although Padilla shares the same ethnic background as the gang members and also grew up in a Chicago barrio, gaining the trust of the Diamonds was not easy. But eventually he was able to get close enough to the members to interview and observe them. Padilla shows us the process behind the decision to join the Diamonds. From early childhood, boys develop positive images of the gang. They realize that the dominant culture promises mobility, but that their paths to that mobility are blocked. By joining a gang they can creatively oppose the dominant culture. Padilla does not paint a romanticized picture of the Diamonds. Some members come to understand that when they sell drugs, they benefit the gang's leaders and suppliers more than themselves. Further, they recognize that the gang is also subject to problems of domination and inequality. Padilla shows that though the Diamonds are sometimes violent, they are not psychopaths. While we need not approve of what they do, Padilla urges us to understand it as a rational response to the doors these young men see closed around them.
This study is based on three years of field work with 99 active gang members and 24 family members. The book describes the attractiveness of gangs, the process of joining, their chaotic and loose organisation, and their members' predominant activities - mostly hanging out, drinking, and using drugs. The authors also discuss gang members' rather slapdash involvement in major property crime and their disorganised participation in drug traffic, as well as the often fatal consequences of their violent life-style. Although the book focuses on the individual, organisational, and institutional aspects of gang membership, it also explores gang members' involvement with other school and neighborhood structures. Extensive interviews with family members provide groundbreaking insights into the gang members' lives. As much as possible, however, the story is told in the gang members' own words.
Arena Stage, Zelda Fichandler, producing director presents "The Gang's All Here," by Jerome Lawrence and Robert E. Lee, with Howard Wierum and the Arena Stage Acting Company, directed by F. Cowles Strickland, settings by Curtiss Cowan, lighting by Leo Gallestein, costumes by Marianna Elliott.
This book challenges the widely held conjecture that gangs represent 'the new face of youth crime', repudiating claims which situate the gang at the heart of sexual violence, mass shooting and control of the illegal drugs trade and examining how better we might understand the violence of the street and the organisations that inhabit it.
Distributed to some depository libraries in microfiche.
Many people believe that gangs are made up of violent thugs who are in and out of jail, and who are hyper-masculine and heterosexual. Vanessa Panfil introduces us to a different world. Meet gay gang members - sometimes referred to in popular culture as "homo thugs" - whose gay identity complicates criminology's portrayal and representation of gangs, gang members, and gang life. In vivid detail, Panfil provides an in-depth understanding of how gay gang members construct and negotiate both masculine and gay identities through crime and gang membership. She draws from interviews with over 50 gay gang- and crime-involved young men in Columbus, Ohio, the majority of whom are men of color in their late teens and early twenties, as well as on-the-ground ethnographic fieldwork with men who are in gay, hybrid, and straight gangs. Panfil provides an eye-opening portrait of how even members of straight gangs are connected to a same-sex oriented underground world. Most of these young men still present a traditionally masculine persona and voice deeply-held affection for their fellow gang members. They also fight with their enemies, many of whom are in rival gay gangs. Most come from impoverished, 'rough' neighborhoods, and seek to defy negative stereotypes of gay and Black men as deadbeats, though sometimes through illegal activity. Some are still closeted to their fellow gang members and families, yet others fight to defend members of the gay community, even those who they deem to be "fags," despite distaste for these flamboyant members of the community.
This facsimile collection makes available classic texts from the Chicago School from the 1920s to the 1940s.