Download Free My First Book Of Animal World Book in PDF and EPUB Free Download. You can read online My First Book Of Animal World and write the review.

Learn more than just names of animals through this unique, attractive and colourful My First Book of Animal World. This book is a perfect tool for toddlers to learn basic concepts and new words sharing and enjoying them with others as well. There are fun-filled sentences and delightful picture tabs throughout the book, encouraging children to slip right to the page of their choice.
Nicola Davies, the award-winning author of A First Book of Nature, presents a spellbinding treasury of poems about the animal world, illustrated in breathtaking detail by Petr Horacek. Polar bears playing on the ice, tigers hunting in the jungle, fireflies twinkling in the evening sky and nightingales singing in the heart of the woods - there are animals everywhere. From blue whales to bumblebee bats and everything in between, A First Book of Animals takes you all over the planet to visit all kinds of different creatures. This book is a glorious celebration of life in the wild in all its variety and splendour, and belongs on every child's bookshelf.
Explore the animal kingdom with kids ages 3 to 5 From gigantic elephants to tiny frogs, we share this planet with many wonderful animals. Introduce kids to the world's most incredible creatures with My First Book of Animals. Kids will go wild for toothy sharks, plump penguins, sleepy sloths, and many more. Amazing animal trivia—Did you know kangaroos can jump 10 feet high? This animal book has tons of fascinating facts to expand kids' knowledge. Big, colorful images—Take kids up close and personal with some of the world's most exciting animals. Lions, tigers, and bears—From the world's biggest beasts to the cutest creatures, kids will learn how these animals live, how they eat, and where to find them! Grab this animal facts book for kids today and help them discover the wild, fascinating lives of Earth's animals!
My First Book by Various: This anthology collects a wide range of stories and essays written by young authors, showcasing the talent and diversity of the next generation of writers. With its engaging storytelling and unique perspectives, "My First Book" is a must-read for anyone interested in the future of literature and writing. Key Aspects of the Book "My First Book": Diversity: The book features a wide range of authors from different backgrounds, showcasing the rich and varied perspectives of the next generation of writers. New Voices: The book provides a platform for young writers to showcase their talent and creativity, introducing readers to a whole new generation of literary voices. Inspiration: The book serves as an inspiration for aspiring writers, highlighting the importance of hard work, dedication, and creativity in the pursuit of literary excellence. Various refers to the many young authors whose stories and essays are included in this anthology. The book is a celebration of the diversity and creativity of the next generation of writers, and serves as a reminder of the important role that literature plays in our lives.
The experiences of EXPERIENCES of Walter Besant, Robert Michael Ballantyne, James Payn, Israel Zangwill, William Clark Russell, Morley Roberts, Grant Allen, David Christie Murray, Hall Caine, Marie Corelli, George R. Sims, Jerome K. Jerome, Rudyard Kipling, John Strange Winter, A. Conan Doyle, Bret Harte, M. E. Braddon, 'Q.', F. W. Robinson, Robert Buchanan, H. Rider Haggard, Robert Louis Stevenson
My First Book (1894) is a collection of reminiscences by some of the leading fiction writers of the Victorian era. Beginning with a heartfelt introduction by English humorist Jerome K. Jerome, the collection includes reflections by such literary titans as Robert Louis Stevenson, Rudyard Kipling, and Arthur Conan Doyle. “It rose to my lips to answer him that it was not always the books written very, very well that brought in the biggest heaps of money [...] But something about the almost baby face beside me, fringed by the gathering shadows, silenced my middle-aged cynicism.” In his brilliant introduction, Jerome recalls a scenario that will be familiar to writers at any stage in their career. A young and ambitious artist seeks the advice of an older mentor. The mentor longs to warn the writer about the difficulties of obtaining success, but knows that to do so would risk breaking the essential innocence necessary for making art. Conscious of this dynamic, the contributors to My First Book endeavor to demystify the writing process as well as the trajectory of their own careers by sharing with readers how their first major works came into being. Heartfelt, humorous, and ultimately honest, their reflections remain invaluable to writers from all walks of life. With a beautifully designed cover and professionally typeset manuscript, this edition My First Book is a classic of British literature reimagined for modern readers.
In the fated year I came to live with my father and mother at Kinnaird, above Pitlochry. Then I walked on the red moors and by the side of the golden burn; the rude, pure air of our mountains inspirited, if it did not inspire us, and my wife and I projected a joint volume of logic stories, for which she wrote 'The Shadow on the Bed,' and I turned out 'Thrawn Janet' and a first draft of 'The Merry Men.' I love my native air, but it does not love me; and the end of this delightful period was a cold, a fly-blister, and a migration by Strathairdle and Glenshee to the Castleton of Braemar. There it blew a good deal and rained in a proportion; my native air was more unkind than man's ingratitude, and I must consent to pass a good deal of my time between four walls in a house lugubriously known as the Late Miss McGregor's Cottage. And now admire the finger of predestination. There was a schoolboy in the Late Miss McGregor's Cottage, home from the holidays, and much in want of 'something craggy to break his mind upon.' He had no thought of literature; it was the art of Raphael that received his fleeting suffrages; and with the aid of pen and ink and a shilling box of water colours, he had soon turned one of the rooms into a picture gallery. My more immediate duty towards the gallery was to be showman; but I would sometimes unbend a little, join the artist (so to speak) at the easel, and pass the afternoon with him in a generous emulation, making coloured drawings. On one of these occasions, I made the map of an island; it was elaborately and (I thought) beautifully coloured; the shape of it took my fancy beyond expression; it contained harbours that pleased me like sonnets; and with the unconsciousness of the predestined, I ticketed my performance 'Treasure Island.' I am told there are people who do not care for maps, and find it hard to believe. The names, the shapes of the woodlands, the courses of the roads and rivers, the prehistoric footsteps of man still distinctly traceable up hill and down dale, the mills and the ruins, the ponds and the ferries, perhaps theStanding Stone or the Druidic Circle on the heath; here is an inexhaustible fund of interest for any man with eyes to see or twopence worth of imagination to understand with! No child but must remember laying his head in the grass, staring into the infinitesimal forest and seeing it grow populous with fairy armies. Somewhat in this way, as I paused upon my map of 'Treasure Island,' the future character of the book began to appear there visibly among imaginary woods; and their brown faces and bright weapons peeped out upon me from unexpected quarters, as they passed to and fro, fighting and hunting treasure, on these few square inches of a flat projection. The next thing I knew I had some papers before me and was writing out a list of chapters. How often have I done so, and the thing gone no further!
How do you become a writer, and why? Maggie Gee's journey starts a long way from the literary world in a small family in post-war Britain. At seventeen, Maggie goes, a lamb to the slaughter, to university. From the 1960s onwards she lives the defining events of her generation: the coming of the Pill and sexual freedom, tremors in the British layer-cake of class and race. In the 1980s, Maggie finally gets published, falls in love, marries and has a daughter -- but for the next three decades and beyond, she survives, and sometimes thrives, by writing. This frank, bold memoir dares to explore the big questions: success and failure, sex, death and parenthood -- our animal life. 'A wise and beautiful book about what it feels like to be alive -- I really loved it' Zadie Smith 'Exceptionally interesting and brave ... a wonderful book' Claire Tomalin 'A fine, honest, complex portrait of an artist's mind' Michele Roberts, Independent 'Every word strikes like a hammer on an anvil, throwing off sizzling sparks' Bidisha, The f word 'Anyone who yearns for that lost post-war Britain would do well to read this vivid, minutely observed memoir ...Gee has a sensuous eye for detail' Sinclair McKay, Telegraph 'It is a testament to Gee's skill with structure, her lightness of touch and her honesty, particularly about the most painful episodes, that she has fashioned this account of a fundamentally satisfying and happy writer's life into such a page-turner.' Melissa Benn, New Statesman 'Maggie Gee writes with such courage and wit. This is a vivid portrait of a woman finding her way through the maze of class ridden post war England, the 60's, feminism and how to be a mother and a writer.' Diana Melly 'Highly recommended for all aspiring writers' Bernardine Evaristo 'Observant, honest and sensitively-written...' Michael Holroyd 'Fresh and funny ... with a zest for living that bounces off the page...' Psychologies 'Sensitive, honest, courageous, stylish' The Times '[Gee's] utterly compelling on the rollercoaster of writing life, from early success to rock-bottom rejection. Often joyous; infinitely wise; passionate and poised, this is a book you'll want to sit in silence with and hug to yourself -- then start again.' Daily Mail