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Comedian and writer Lily Bragge knows what it is to be a user and a taker, a liar, cheat and thief. It wasn't until she had lost everything - custody of her son, her friends, her career, her possessions and , almost, her sanity - that she was able to gain some kind of understanding of herself and rebuild her life from a blank, empty slate. In My Dirty Shiny Life, she traces with verve and humour her experience growing up with the chaos, fear and violence of a career-criminal father, and her survival of sexual abuse, heroin addiction, clinical depression and incarceration - and her ultimate redemption. Both harrowing and hilarious, My Dirty Shiny Life is a story of blood ties that bind and inordinate familial love.
This early work by Fergus Hume was originally published in 1886 and we are now republishing it with a brand new introductory biography. 'The Mystery of a Hansom Cab' is a tricky tale set in Australia and is Hume's most famous crime novel. Fergusson Wright Hume was born on 8th July 1859 in England, the second son of Dr. James Hume. The family migrated to New Zealand where Fergus was enrolled at Otago Boys' High School, and later continued his legal and literary studies at the University of Otago. Hume returned to England in 1888 where he resided in London for a few years until moving to the Essex countryside. There he published over 100 novels, mainly in the mystery fiction genre, though none had the success of his début work.
WINNER OF THE 2022 VICTORIAN PREMIER'S PRIZE FOR LITERATURE WINNER OF THE 2022 VICTORIAN PREMIER'S LITERARY AWARD FOR INDIGENOUS WRITING SHORTLISTED FOR THE DOUGLAS STEWART PRIZE FOR NONFICTION The story of an Aboriginal woman who worked as a police officer and fought for justice both within and beyond the Australian police force. A proud Gunai/Kurnai woman, Veronica Gorrie grew up dauntless, full of cheek and a fierce sense of justice. After watching her friends and family suffer under a deeply compromised law-enforcement system, Gorrie signed up for training to become one of a rare few Aboriginal police officers in Australia. In her ten years in the force, she witnessed appalling institutional racism and sexism, and fought past those things to provide courageous and compassionate service to civilians in need, many Aboriginal themselves. With a great gift for storytelling and a wicked sense of humour, Gorrie frankly and movingly explores the impact of racism on her family and her life, the impact of intergenerational trauma resulting from cultural dispossession, and the inevitable difficulties of making her way in the white- and male-dominated workplace of the police force. Black and Blue is a memoir of remarkable fortitude and resilience, told with wit, wisdom, and great heart.
Where's the Red Button is the memoir of a former state ward in Victoria, Australia -- a true story of heartbreak and hope. When Lavinia Wilson is four years old, before going on a ride at the Melbourne Show, her big sister tells her, 'If you get scared, there's a red button you can press to get off.' It's a set-up by their dad -- there is no red button. Neither Lavinia nor her sister Mel can escape the ride. Or the father who threatens to kill them, in their home full of guns, junk and misery. Lavinia has no superpowers and no fairy godmother. But she is desperate and gutsy, so she runs away. However the government institutions that take her in don't give love and security either. By adulthood she is tired of fighting for survival?until she finds her red button.
Helen Garner’s gritty, lyrical first novel divided the critics on its publication in 1977. Today, Monkey Grip is regarded as a masterpiece—the novel that shines a light on a time and a place and a way of living never before presented in Australian literature: communal households, music, friendships, children, love, drugs, and sex. When Nora falls in love with Javo, she is caught in the web of his addiction; and as he moves between loving her and leaving, between his need for her and promises broken, Nora’s life becomes an intense dance of loving and trying to let go. Helen Garner is one of Australia’s finest authors. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham–Campbell Prize for non-fiction. Her novels include Monkey Grip, The Children’s Bach, Cosmo Cosmolino and The Spare Room. I rolled and rolled in the water, deafening my ears while I thought of, and discarded, all the reasons why I shouldn’t go. I popped up, hanging on to the rail, hair streaming on my neck. ‘OK. I’ll come.’ Javo was looking at me. So, afterwards, it is possible to see the beginning of things, the point at which you had already plunged in, while at the time you thought you were only testing the water with your toe. ‘Garner is a natural storyteller.’ James Wood, New Yorker ‘Her use of language is sublime.’ Scotsman ‘This is the power of Garner’s writing. She drills into experience and comes up with such clean, precise distillations of life, once you read them they enter into you. Successive generations of writers have felt the keen influence of her work and for this reason Garner has become part of us all.’ Australian ‘Its embattled characters are so real that by the last page you feel not just that you have read a magnificent novel but that you have experienced life itself.’ The Times on The Spare Room 'What Garner offers in these novels is an alternative to the cloying metafiction of the late 20th century and the washed-out realism of the 21st. They are undeniably of their time – the 1970s commitment to the liberating possibilities of sex, drugs and communal living in Monkey Grip, the hangover nursed in the 1980s in The Children’s Bach – but they also belong to a literary epoch we think of as long gone, as they earnestly strive to resurrect a modernist art of estrangement.' London Review of Books
Vashti believes that she cannot draw, but her art teacher's encouragement leads her to change her mind and she goes on to encourage another student who feels the same as she had.
Theatrical Events. Borders, Dynamics and Frames is written to develop the concept of ‘Eventness’ in Theatre Studies. The book as a whole stresses the importance of understanding theatre performances as aesthetic-communicative encounters of a wide range of agents and aspects. The Theatrical Event concept means not only that performers and spectators meet, but also that the specific mental sets, backgrounds and cultural contexts they bring in, strongly contribute to the character of a particular event. Moreover, this concept gives space to the study of the role societal developments – such as technological, political, economical or educational ones – play in theatrical events.
Explores the true history, folklore, and mythology behind the magical practices, creatures and personalities that appear in J. K. Rowling's Harry Potter books.
The most-trusted film critic in America." --USA Today Roger Ebert actually likes movies. It's a refreshing trait in a critic, and not as prevalent as you'd expect." --Mick LaSalle, San Francisco Chronicle America's favorite movie critic assesses the year's films from Brokeback Mountain to Wallace and Gromit: The Curse of the Were-Rabbit. Roger Ebert's Movie Yearbook 2007 is perfect for film aficionados the world over. Roger Ebert's Movie Yearbook 2007 includes every review by Ebert written in the 30 months from January 2004 through June 2006-about 650 in all. Also included in the Yearbook, which is about 65 percent new every year, are: * Interviews with newsmakers such as Philip Seymour Hoffman, Terrence Howard, Stephen Spielberg, Ang Lee, and Heath Ledger, Nicolas Cage, and more. * All the new questions and answers from his Questions for the Movie Answer Man columns. * Daily film festival coverage from Cannes, Toronto, Sundance, and Telluride. *Essays on film issues and tributes to actors and directors who died during the year.