Download Free My Deah Book in PDF and EPUB Free Download. You can read online My Deah and write the review.

In this outlandish re-working of Euripides' "Medea," Gator Hedgepeth, a former Mississippi football star, plans to abandon his wife My Deah ¿ an ex-beauty queen from Louisiana ¿ and marry Simplicity Bullard, the daughter of the corrupt Mississippi governor. My Deah's bridge-playing buddies show up to play their weekly card game. Instead they get the domestic scoop from the touchy housekeeper Lillie V., and the physical education tutor of My Deah's sons, closeted homosexual Coach McCallister. My Deah confronts her card-dealing friends as well as the Governor, and she lays her bloody plans. Her vengefulness leads to the murders of trashy Simplicity and her father, and ultimately to the deaths of her own senseless sons, Skipper and Scooter. Deus ex machina, faux-Greekstyle, enables My Deah to attempt getaway to anonymity in wild, inebriated, immediately pre- Hurricane Katrina New Orleans. She hits the road, leaving Gator behind to live with the tragedy wrought by MY DEAH.
A rumination on survival, queer aging, and estrangement that was a finalist for the Republic of Consciousness Prize. My dead friends are back. I lie in bed at night and see them. Haunted by insomnia and the past as he approaches his fiftieth birthday, the narrator of My Dead Book flips through scenes of his youth and memories of dozens of friends who are no longer with him. Living alone and working odd jobs in Wisconsin, he ruminates on survival, queer aging, his years as a teenage throwaway, and estrangement, wondering whether he has outlived his place in the world. First published in 2021, Lippens’s debut novel was hailed as “a brutally acerbic novel of queer pessimism” (Donna Marcus, AnOther Magazine). As Lindsay Lerman observed in Southwest Review, “My Dead Book is not transgressive because it follows a gay man as he struggles to survive on the fringes of multiple worlds. … It is continually transgressing. It’s a living book (a living dead book), moving around in time, making tangential connections.” This new edition includes an introduction by LAMBDA Literary Award-winning American poet and writer, Eileen Myles.
Not since Betty Eadie’s Embraced by the Light has a personal account of a Near-Death Experience (NDE) been so utterly different from most others—or nearly as compelling. "This is a book you devour from cover to cover, and pass on to others. This is a book you will quote in your daily conversation. Storm was meant to write it and we were meant to read it." —from the foreword by Anne Rice In the thirty years since Raymond Moody’s Life After Life appeared, a familiar pattern of NDEs has emerged: suddenly floating over one’s own body, usually in a hospital setting, then a sudden hurtling through a tunnel of light toward a presence of love. Not so in Howard Storm’s case. Storm, an avowed atheist, was awaiting emergency surgery when he realized that he was at death’s door. Storm found himself out of his own body, looking down on the hospital room scene below. Next, rather than going “toward the light,” he found himself being torturously dragged to excruciating realms of darkness and death, where he was physically assaulted by monstrous beings of evil. His description of his pure terror and torture is unnerving in its utter originality and convincing detail. Finally, drawn away from death and transported to the realm of heaven, Storm met angelic beings as well as the God of Creation. In this fascinating account, Storm tells of his “life review,” his conversation with God, even answers to age-old questions such as why the Holocaust was allowed to take place. Storm was sent back to his body with a new knowledge of the purpose of life here on earth. This book is his message of hope.
Named one of Esquire's "Best Nonfiction Books of 2018" "Sharp and searching...a potent look at the fraught, painful, and complicated relationship between parents and children, and the mysteries — revelatory, difficult — that can and cannot be solved." — Boston Globe Anya Yurchyshyn grew up in a narrow townhouse in Boston, every corner filled with the souvenirs of her parents’ adventurous international travels. On their trips to Egypt, Italy, and Saudi Arabia, her mother, Anita, and her father, George, lived an entirely separate life from the one they led as the parents of Anya and her sister – one that Anya never saw. The parents she knew were a brittle, manipulative alcoholic and a short-tempered disciplinarian: people she imagined had never been in love. When she was sixteen, Anya’s father was killed in a car accident in Ukraine. At thirty-two, she became an orphan when her mother drank herself to death. As she was cleaning out her childhood home, she suddenly discovered a trove of old letters, photographs, and journals hidden in the debris of her mother’s life. These lost documents told a very different story than the one she’d believed to be true – of a forbidden romance; of a loving marriage, and the loss of a child. With these revelations in hand, Anya undertook an investigation, interviewing relatives and family friends, traveling to Wales and Ukraine, and delving deeply into her own difficult history in search of the truth, even uncovering the real circumstances of her father’s death – not an accident, perhaps, but something more sinister. In this inspiring and unflinchingly honest debut memoir, Anya interrogates her memories of her family and examines what it means to be our parents’ children. What do we inherit, and what can we choose to leave behind? How do we escape the ghosts of someone else’s past? And can we learn to love our parents not as our parents, but simply as people? Universal and personal; heartbreaking and redemptive, My Dead Parents helps us to see why sometimes those who love us best hurt us most.
The Map of My Dead Pilots is about flying, pilots, and Alaska, the beautiful and deadly Last Frontier. Author Colleen Mondor spent four years running dispatch operations for a Fairbanks-based commuter and charter airline, and she knows all too well the gap between the romance and reality of small plane piloting in the wildest territory of the United States. From overloaded aircraft to wings covered in ice, from flying sled dogs and dead bodies, piloting in Alaska is about living hard and working even harder. What Mondor witnessed day to day would make anyone’s hair stand on end. Ultimately, it is the pilots themselves—laced with ice and whiskey, death and camaraderie, silence and engine roar—and their harrowing tales who capture her imagination. In fine detail, this series of stories reveals the technical side of flying, the history of Alaskan aviation, and a world that demands a close communion with extreme physical danger and emotional toughness.
From the authors of the breakout best seller All my friends are dead comes a brand-new illustrated compendium of the humorous existential ruminations of people, animals, legendary monsters, and inanimate objects.
For more than thirty years, Ana Castillo has been mesmerizing and inspiring readers from all over the world with her passionate and fiery poetry and prose. Now the original Xicanista is back to her first literary love, poetry, and to interrogating the social and political upheaval the world has seen over the last decade. Angry and sad, playful and wise, Castillo delves into the bitter side of our world—the environmental crisis, COVID-19, ongoing systemic racism and violence, children in detention camps, and the Trump presidency—and emerges stronger from exploring these troubling affairs of today. Drawings by Castillo created over the past five years are featured throughout the collection and further showcase her connection to her work as both a writer and a visual artist. My Book of the Dead is a remarkable collection that features a poet at the height of her craft.
This volume, a powerful short prose piece by Blanchot with an extended essay by Derrida, records a remarkable encounter in critical and philosophical thinking.
In Lydia Cooper's wry and absorbing debut novel, we are introduced to Mickey Brandis, a brilliant twenty-eight-year-old doctoral candidate in medieval literature who is part Lisbeth Salander and part Dexter. She lives in her parents' garage and swears too often, but she never complains about the rain or cold, she rarely eats dead animals, and she hasn't killed a man since she was ten. Her life is dull and predictable but legal, and she intends to keep it that way. But the careful existence Mickey has created in adulthood is upended when she is mysteriously led to a condemned house where she discovers an exquisitely mutilated corpse. The same surreal afternoon, she is asked by a timid, wall-eyed art student to solve a murder that occurred twenty years earlier. While she gets deeper and deeper into the investigation, she begins to lose hold on her tenuous connection to reality--to her maddening students and graduate thesis advisor; to her stoic parents, who are no longer speaking; to her confused, chameleon-like adolescent brother; and to her older brother, Dave, a zany poet who is growing increasingly erratic and keenly interested in Mickey's investigation. Driven by an unforgettable voice, and filled with razor-sharp wit and vivid characters, My Second Death is a smart, suspenseful novel and a provocative examination of family, loyalty, the human psyche, and the secrets we keep to save ourselves.
This is a powerful memoir of a near-death experience. After a Native American sweat lodge, the author loses control of his body and then his life. He begins a passage that leads to a personal hell. He discovers a way to escape and emerges into an amazing exploration of the soul’s journey. In this intense adventure, there are insights into stages of consciousness and encounters of blissful perfection. This spiritual, inspirational book is meant to be an aid to removing the universal fear of the final journey we are all taking. “The stories and the pictures are absolutely fascinating. It certainly deserves to be widely read!” –Dr. Jeffrey Long, M.D., author of Evidence of the Afterlife “Mr. Kagan has created a sprawling, intensely sensory world. The highly allusive style lends itself well to the book’s marvelous evocation of the heady delirium and urgency of the primary death experience.” –Abigail Holstein, Associate Editor, Ecco “The prose is good and strong. I read every word of My Death, wishing there were more.” –Virginia Barber, literary agent “The message of the book is deeply beautiful and timely.” –Janet Mills, Amber-Allen Publishing, Inc.