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I love God and I know he loves me, so why can’t I move beyond my past? Many have psychological fractures due to abuse and trauma that can cause conflicts between what they know is true about God and their lived experience. This book explores the importance of psychological justice by delving into the author’s multiple encounters with death, grief, trauma, betrayal, sickness, and abuse. Walk with her and draw out the theological and psychological ways God has passionately brought psychological justice to her life. Tracing the threads of one’s story can open a door of hope leading to a deeper and more congruent grace-filled walk with God the Father, our wonderful Savior Jesus, and the ever-present Holy Spirit. The author’s prayer is that her vulnerability might give readers courage to find their own voice and begin to map out their own story.
This book theorizes dance technique as the Greek techne translated as art, and shows how movement can inspire epistemic, philosophical, and cultural conversations in technology studies. Combining dance studies, religious studies, and technology studies, it argues that dance can be a technology of social justice bringing equanimity, liberation and resistance. It focuses on the eastern Indian art form Odissi and applied experimentations with motion capture technology, virtual reality (VR) gaming, and Arduino. It specifically examines tthe work of Ananya Dance Theatre (ADT), a Minnesota based contemporary Indian dance company that deconstructs Odissi towards social justice activism.
Dance, Human Rights, and Social Justice: Dignity in Motion presents a wide-ranging compilation of essays, spanning more than 15 countries. Organized in four parts, the articles examine the regulation and exploitation of dancers and dance activity by government and authoritative groups, including abusive treatment of dancers within the dance profession; choreography involving human rights as a central theme; the engagement of dance as a means of healing victims of human rights abuses; and national and local social/political movements in which dance plays a powerful role in helping people fight oppression. These groundbreaking papers_both detailed scholarship and riveting personal accounts_encompass a broad spectrum of issues, from slavery and the Holocaust to the Bosnian and Rwandan genocides to the Israeli-Palestinian conflict; from First Amendment cases and the AIDS epidemic to discrimination resulting from age, gender, race, and disability. A range of academics, choreographers, dancers, and dance/movement therapists draw connections between refugee camp, courtroom, theater, rehearsal studio, and university classroom.
Music is powerful and transformational, but can it spur actual social change? A strong collection of essays, At the Crossroads of Music and Social Justice studies the meaning of music within a community to investigate the intersections of sound and race, ethnicity, religion, gender, sexual orientation, and differing abilities. Ethnographic work from a range of theoretical frameworks uncovers and analyzes the successes and limitations of music's efficacies in resolving conflicts, easing tensions, reconciling groups, promoting unity, and healing communities. This volume is rooted in the Crossroads Section for Difference and Representation of the Society for Ethnomusicology, whose mandate is to address issues of diversity, difference, and underrepresentation in the society and its members' professional spheres. Activist scholars who contribute to this volume illuminate possible pathways and directions to support musical diversity and representation. At the Crossroads of Music and Social Justice is an excellent resource for readers interested in real-world examples of how folklore, ethnomusicology, and activism can, together, create a more just and inclusive world.
This book demonstrates the use of dance/movement therapy to directly counteract social injustices and promote healing in international settings. It also demonstrates the potential for dance/movement therapy in prevention and wellness in clinical and community settings. The use of improvisational and creative dance is presented throughout the book as a tremendously clear, strong and powerful inroad to healing in every setting. The chapters in this book do not directly address social justice in dance/movement therapy, but rather provide provoking social justice related positions. This call for a provoking re-examination of the definition of dance/movement therapy is fitting as we—as a community—challenge our identity as dance/movement therapists, educators, supervisors and as human beings who have internalized oppression in various forms through our many identifiers and the unique intersections of those identifiers. The editors and authors posit that social justice cannot be fully addressed by focusing solely on the social issues. Rather, we must be aware of where and how the social issues come into the individual(s), the setting, and the therapy process itself. Chapter “‘Breaking Free': One Adolescent Woman's Recovery from Dating Violence Through Creative Dance" is available open access under a Creative Commons Attribution 4.0 International license via link.springer.com.
When Abortion was Against the Law, Attorney Clara Foltz Confronts the EstablishmentMa In the fifth mystery of the Portia of the Pacific series, Attorney and Detective Clara Shortridge Foltz and her partner, Attorney Laura de Force Gordon, become involved in two trials. One, an administrative case, Clara defends the accused, an abortifacient merchant, who is allegedly the incestuous father of a child by his sixteen-year-old daughter, who dies during an abortion attempt. But since this is 1887, no criminal charges can be made on the father, so the San Francisco police go after the midwife, a Chinese-American who treated the deceased, a half-Navajo girl, with acupuncture. Clara and Laura call in witnesses from the past, including a Medicine Man from the victim’s mother’s tribe in the Arizona Territory, the famous Claflin sisters, suffragists who live in England, and the State Supreme Court Justice, Oliver Wendell Holmes, Junior. The supernatural curse of the tribe’s Skinwalker witches, in the form of a coyote, which allegedly can run on two legs like a man, and the strange practices of the Navaho Medicine man and his deaf assistant, cause this mystery to evolve into a much bigger conundrum than merely that of abortion. The search for truth will end on the Navaho Nation’s land, under less than ideal circumstances.
I am writing this book in hopes that it will inspire you to examine your own life and to ask yourself whether what you are doing is reasonable and fair. Are your actions serving to advance justice or impede it? When I speak of justice, I'm not just referring to a legal system, but I am referring to truthfulness and integrity in life. Much of what I have to say relates to my career in law. The lessons I learned along the way apply to the life we live every day. My life has been devoted to service. Service to my family, to and through my church, and to my country. My intent in writing this story is to reach young people who are beginning careers or are beginning the education they need in order to gain entry into their chosen fields.
Rethinking Justice lifts up and restores an idea of justice found in classical writers as well as more recent thinkers. Justice deals with righting wrongs and restoring peace to individuals and communities. We have lost sight of this and must return to it in mind and practice.
Via a wide range of case studies, this book examines new forms of resistance to social injustices in contemporary Western societies. Resistance requires agency, and agency is grounded in notions of the subject and subjectivity. How do people make sense of their subjectivity as they are constructed and reconstructed within relations of power? What kinds of subjectivities are needed to struggle against forms of dominance and claim recognition? The participants in the case studies are challenging forms of dominance and subordination grounded in class, race, culture, nationality, sexuality, religion, age, disability and other forms of social division. It is a premise of this book that new and/or reconstructed forms of subjectivity are required to challenge social relations of subordination and domination. Thus, the transformation of subjectivity as well as the restructuring of oppressive power relations is necessary to achieve social justice. By examining the construction of subjectivity of particular groups through an intersectional lens, the book aims to contribute to theoretical accounts of how subjects are constituted and how they can develop a critical distance from their positioning.
Embodied Social Justice introduces an embodied approach to working with oppression. Grounded in current research, the book integrates key findings from education, psychology, sociology, and somatic studies while addressing critical gaps in how these fields have addressed pervasive patterns of social injustice. At the heart of the book, a series of embodied narratives bring to life everyday experiences of oppression through evocative descriptions of how power implicitly shapes body image, interpersonal space, eye contact, gestures, and the use of touch. This second edition includes two new "body stories" from research participants living and working in the global South. Supplemental guidelines for practice, updated references, and new community resources have also been added. Designed for social workers, counselors, educators, and other human service professionals working with members of disenfranchised and marginalized communities, Embodied Social Justice offers a conceptual framework and model of practice to assist in identifying, unpacking, and transforming embodied experiences of oppression from the inside out.