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My Brother, Ernest Hemingway was the only biography Ernest knew about, and he was pleased with it―although he asked his brother to postpone publication while he was still alive. First published in 1962, Leicester’s biography provides a revealing and intimate portrait of one of the great writers of our century. Ernest Hemingway was a legend in his own time, whose life was as dramatic as any of the characters in his novels and short stories. He won both the Nobel and the Pulitzer prizes for literature, and the literary style he created has been imitated but never matched. Leicester was the archetypal kid brother, 16 years younger than the great man, whom he adored and in whose footsteps he followed, becoming a respected writer, sharing his brother’s love for high risk and adventure, and, when his health failed, choosing to end his own life as Ernest had done. In this poignant biography, Leicester has given us insight into his world-renowned brother’s life and career as no one else could. His reminiscences allow us to better understand what prompted so many of the familiar Hemingway responses, and the experiences from which he derived material for his novels and stories.
First published in 1962, Leicester Hemingway's account of his famous brother's life is the only biography Ernest knew about, and was pleased with. The archetypal kid brother, Leicester was 16 years younger than Ernest, whom he adored. In this poignant biography, Leicester has given readers insight into his world-renowned brother's life and career as no one else could. of photos.
My Brother, Ernest Hemingway was the only biography Ernest knew about, and he was pleased with it, although he asked his brother to postpone publication while he was still alive. First published in 1962, Leicester's biography provides a revealing and intimate portrait of one of the great writers of our century. Ernest Hemingway was a legend in his own time, whose life was as dramatic as any of the characters in his novels and short stories. He won both the Nobel and the Pulitzer prizes for literature, and the literary style he created has been imitated but never matched. Leicester was the archetypal kid brother, 16 years younger than the great man, whom he adored and in whose footsteps he followed, becoming a respected writer, sharing his brother's love for high risk and adventure, and, when his health failed, choosing to end his own life as Ernest had done. In this poignant biography, Leicester has given us insight into his world-renowned brother's life and career as no one else could. His reminiscences allow us to better understand what prompted so many of the familiar Hemingway responses, and the experiences from which he derived material for his novels and stories.
The literary icon’s niece connects with her past to “carry the Hemingway traditions of hunting, family, and storytelling into the new millennium” (Kirkus Reviews). Fifteen years after her father’s death, Hilary Hemingway receives a curious inheritance: an audio cassette of Les, her father, telling outrageous stories about hunting with his famous older brother, Ernest Hemingway. Les clearly aims to amuse the listeners with tales of the Hemingway brothers hunting vicious ostriches, hungry crocodiles, and deadly komodo dragons, but where Les Hemingway gets serious is in defending and explaining his brother’s reputation to a contemptuous Hemingway scholar. Hilary transcribes these stories, revealing the bond between two larger-than-life brothers—and tells of her own quest to make peace with the painful parts of the Hemingway legacy.
A novel on the exploitation of the poor in the Caribbean. The hero is a Haitian peasant who becomes politicized while in jail. Forced to work as a sugar-cane cutter in the Dominican Republic, he participates in a strike which ends in a massacre.
"Hemingway on Fishing is an encompassing, diverse, and fascinating assemblage. From the early Nick Adams stories and the memorable chapters on fishing the Irati River in The Sun Also Rises to such late novels as Islands in the Stream, this collection traces the evolution of a great writer's passion, the range of his interests, and the sure use he made of fishing, transforming it into the stuff of great literature."--Jacket.
National Book Award Finalist A heartstrong story of family and romance, tribulation and tenacity, set on the High Plains east of Denver. In the small town of Holt, Colorado, a high school teacher is confronted with raising his two boys alone after their mother retreats first to the bedroom, then altogether. A teenage girl—her father long since disappeared, her mother unwilling to have her in the house—is pregnant, alone herself, with nowhere to go. And out in the country, two brothers, elderly bachelors, work the family homestead, the only world they've ever known. From these unsettled lives emerges a vision of life, and of the town and landscape that bind them together—their fates somehow overcoming the powerful circumstances of place and station, their confusion, curiosity, dignity and humor intact and resonant. As the milieu widens to embrace fully four generations, Kent Haruf displays an emotional and aesthetic authority to rival the past masters of a classic American tradition.
First published in 1927, Men Without Women represents some of Hemingway's most important and compelling early writing. In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often-uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heart-wrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.
A stunning portrait of the complicated woman who was Ernest Hemingway’s fourth wife, exploring the tumultuous years of their marriage, and evoking her merry widowhood as she shapes Hemingway’s literary legacy. Mary Welsh, a celebrated wartime journalist during the London Blitz and the liberation of Paris, meets Ernest Hemingway in May 1944. He becomes so infatuated with Mary that he asks her to marry him the third time they meet, even though they are married to other people. Eventually, she succumbs to Ernest’s campaign and, in the last days of the war, joins him at his estate in Cuba. Through Mary’s eyes, we see Ernest Hemingway in a fresh light. Their turbulent marriage survives his cruelty and abuse, perhaps because of their sexual compatibility and her essential contribution to his writing. She reads and types his work each day and makes plot suggestions. She becomes crucial to his work and he depends upon her critical reading of his writing to know if he has it right. We watch the Hemingways as they travel to the ski country of the Dolomites; commute to Harry’s Bar in Venice; attend bullfights in Pamplona and Madrid; go on safari in Kenya in the thick of the Mau Mau rebellion; and fish the blue waters of the gulf stream off Cuba in Ernest’s beloved boat Pilar. We see Ernest fall in love with a teenaged Italian countess and wonder at Mary’s tolerance of the affair. We witness Ernest’s sad decline and Mary’s efforts to avoid the stigma of suicide by claiming his death was an accident. In the years following Ernest’s death, Mary devotes herself to his literary legacy, negotiating with Castro to reclaim Ernest’s manuscripts from Cuba and publishing one-third of his work posthumously. She supervises Carlos Baker’s biography of Ernest, sues A.E. Hotchner to try and prevent him from telling the story of Ernest’s mental decline, and spends years writing her memoir in her penthouse overlooking the New York skyline. Her story is one of an opinionated woman who smokes Camels, drinks gin, swears like a man, sings like Edith Piaf, loves passionately, and experiments with gender fluidity in her extraordinary life with Ernest. This true story reads like a novel, and the reader will be hard pressed not to fall for Mary.