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This huge journal notebook contains 311 pages of unlined, unruled paper. Size: 5.5" wide by 8.5" high. Full gloss, wipe clean cover. This cover design is also available as a lined journal and a bullet journal. Drop by my author page for tons more fabulous journals with beautiful covers.
This huge lined journal notebook contains 308 numbered pages with 303 lined pages and 3 index pages for easy organization. There is also a page for you to add your name and information. Size: 8.5" wide by 11" high. Full gloss, wipe clean cover. This cover design is also available as a plain, blank journal and a bullet journal. Drop by my author page for tons more fabulous journals with beautiful covers.
This huge bullet journal contains 311 numbered pages with 300 graph style grid pages, 6 index pages for easy organization and 2 key pages for you to fill in with your preferred keys. There is also a page for you to add your name and information. Printed on cream pages with light ink. Size: 8.5" wide by 11" high. Full gloss, wipe clean cover. This cover design is also available as a lined journal, dot grid bullet journal and a plain journal. Drop by my author page for tons more fabulous journals with beautiful covers.
"As the child of children of immigrants, Louise DeSalvo was at first reluctant to write about her truths. Her abusive father, her sister's suicide, her illness. In this stunning collection of her captivating and frank essays on her life and her Italian-American culture, Louise DeSalvo centers on her beginnings, reframing and revising her acclaimed memoiristic essays, pieces that were the seeds of longer collections, to reveal her true power as a memoirist: the ability to dig ever deeper for personal and political truths that illuminate what it means to be a woman, a child of Italian immigrants, a writer, and a scholar"--
Considered by many to be a founder of Afrofuturism, Sun Ra—aka Herman Blount—was a composer, keyboardist, bandleader, philosopher, entrepreneur, poet, and self-proclaimed extraterrestrial from Saturn. He recorded over 200 albums with his Arkestra, which, dressed in Egypto-space costumes, played everything from boogie-woogie and swing to fusion and free jazz. John Szwed's Space is the Place is the definitive biography of this musical polymath, who was one of the twentieth century's greatest avant-garde artists and intellectuals. Charting the whole of Sun Ra's life and career, Szwed outlines how after years in Chicago as a blues and swing band pianist, Sun Ra set out in the 1950s to impart his views about the galaxy, black people, and spiritual matters by performing music with the Arkestra that was as vital and innovative as it was mercurial and confounding. Szwed's readers—whether they are just discovering Sun Ra or are among the legion of poets, artists, intellectuals, and musicians who consider him a spiritual godfather—will find that, indeed, space is the place.
“Exuberant, astute, and splendidly illustrated history of world art . . . draws fascinating parallels between artistic developments in Western and non-Western art.”—Publishers Weekly In this beautifully written story of art, Julian Bell tells a vivid and compelling history of human artistic achievements, from prehistoric stone carvings to the latest video installations. Bell, himself a painter, uses a variety of objects to reveal how art is a product of our shared experience and how, like a mirror, it can reflect the human condition. With hundreds of illustrations and a uniquely global perspective, Bell juxtaposes examples that challenge and enlighten the reader: dancing bronze figures from southern India, Romanesque sculptures, Baroque ceilings, and jewel-like Persian manuscripts are discussed side by side. With an insider’s knowledge and an unerring touch, Bell weaves these diverse strands into an invaluable introduction to the wider history of world art.
This book celebrates a growing international commitment to the collection, study and exhibition of Indigenous art. Featuring more than 75 artists from around the world, this remarkable project places indigenous art squarely at the centre of contemporary art produced today. As well as providing an outstanding opportunity to see work by some of the most innovative contemporary artists, this ambitious publication allows us to build knowledge and further understanding. These artworks cite histories, stories and perspectives that emerge from specific local contexts, and as we live in an increasingly globalized world, these events affect us all. Unexpected and challenging, this profusely illustrated publication features over 150 artworks by artists from a wide range of countries, notably, Canada, the United States, Mexico, Australia, India, Japan, Finland and Guatemala and many more.
How did Italian writers, scholars, clergymen, psychologists, members of parliament, and philosophers react to the advent of cinema? How did they establish a common language to discuss an invention that exceeded habits and expectations, and that transcended existing forms and categories of thought? This anthology gathers for the first time a large number of social discourses that in Italy tried to define and contextualize cinema from the 1890s to 1920s. What results is an impressive picture of a culture in distress at a 'scandalous' event and eager to appropriate it for the sake of modernization.
Collected for the first time in a single volume: all of the short fiction by one of the 20th century's wittiest and most trenchant observers of the human comedy.
Jean Baudrillard meets Cookie Mueller in this gathering of French theory and new American fiction. Compiled in 2001 to commemorate the passing of an era, Hatred of Capitalism brings together highlights of Semiotext(e)'s most beloved and prescient works. Semiotext(e)'s three-decade history mirrors the history of American thought. Founded by French theorist and critic Sylvere Lotringer as a scholarly journal in 1974, Semiotext(e) quickly took on the mission of melding French theory with the American art world and punk underground. Its Foreign Agents, Native Agents, Active Agents and Double Agents imprints have brought together thinkers and writers as diverse as Gilles Deleuze, Assata Shakur, Bob Flanagan, Paul Virillio, Kate Millet, Jean Baudrillard, Michelle Tea, William S. Burroughs, Eileen Myles, Ulrike Meinhof, and Fanny Howe. In Hatred of Capitalism, editors Kraus and Lotringer bring these people together in the same volume for the first time.