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Mythology flows like a subterranean stream throughout Hawai‘i. Rita Knipe has selected a number of characteristic myths and mythological figures from the rich pantheon of Hawaiian deities. As she retells their stories, illustrated by Hawaii artist Dietrich Varez, the transposition of such primal drama to the pages of this book becomes poetic theater. The dramatic plots are myths and legends chosen from the oral traditions of unique island people, but the underlying themes and symbols are archetypal and eternal. Drawing parallels between Hawaiian mythology, universal patterns, and individual behavior, the author illustrates certain basic Jungian concepts and explains how we express them in the drama of our own lives.
Explore the oceans of the mind by SCUBA diving into the sea! Join Vanessa as she learns the art of Mystic SCUBA from Samvara, a SCUBA diving Buddhist monk. This magical journey chronicles Vanessa's initiation into a world of power and mystical secrets beneath the sea. Mystic SCUBA illuminates the far reaches of the human mind. Through Sam the monk's teachings, the author learns about breathing and relaxation, the health benefits of air and water in SCUBA, aquatic meditation techniques, ocean totems, and places of power, culminating in a direct experience of Enlightenment. These powerful teachings of mysticism and self discovery will transform divers and non-divers alike.
At a hearing in Honolulu (Hawaii), the Subcommittee on Labor, Health and Human Services, Education and Related Agencies of the U.S. Senate Committee on Appropriations received testimony on health, education, and employment and training programs serving the Native people of Hawaii. In July 1999, a federal government brief filed in a U.S. Supreme Court case established the official legal position of the United States that Native Hawaiians have the same status as other Native people of the United States and that there is a federal trust responsibility for Native Hawaiians. Testimony from state-level administrators outlined the current status of health, housing, education, and job training for Native Hawaiians and proposed recommendations for pending federal legislation: the Native American Housing Assistance and Self-Determination Amendments of 1999, the Native Hawaiian Health Care Improvement Act, and the Native Hawaiian Education Act. Other testimony described Native Hawaiian health care systems, the Native Hawaiian heart health initiative, the Native Hawaiian Cancer Awareness Research and Training Center, the Hawaii high schools health study, the Native Hawaiian Health Scholarship Program, the practice of naturopathic medicine with Native Hawaiians, the Native Hawaiian Higher Education Program and its outcomes and impacts, programs focused on Hawaiian language and cultural maintenance, family-based early childhood education programs, the Native Hawaiian Center of Excellence (to improve the health of indigenous Hawaiians), comprehensive school-based services, and the Native Hawaiian Special Education Project. (SV)
A collection of autobiographical writings, short stories, poetry, essays, and photos by and about Asian American women.
A practical guide to shamanic ancestor work, inspired by Huna and supported by guided rituals and exercises • Explains how to heal traumatic experiences and old blockages that are stored in the memory of your lineage • Includes Hawaiian teachings about spiritual and genetic ancestors and reveals how to bond with your spirit family, your Aumakua • Shows how unlocking the support of your ancestors enables you to shine your light fully Knowing your ancestral lineage is not only a matter of curiosity, your life path will unfold with much more ease if you are aware and in harmony with your origins. Exploring the heritage of your bloodline as well as the energy of your spiritual family, which we are often less aware of, opens you up to enormous potential for healing and self-development. This practical guide explains, in a clear and straightforward way, how the energy field of our ancestors influences our personal lives and how we can draw from their strength as well as liberate ourselves from burdens that have been carried over generations. It helps us to lift the veil of forgetting and allow ourselves to fully shine our light, supported by the souls that came before us, by making peace with past hurts and traumas. Drawing on the Huna Hawaiian shamanic tradition as well as other shamanic and energetic practices, the authors show how to connect with our Aumakua, our ancestors and higher self, which includes our close relatives, ancestors stretching back thousands of years, and our spiritual ancestors or karmic family. The authors offer practices to reconcile with our parents and spiritual family, uncover suppressed matters and family secrets, clear and charge our personal energy field and our family energy field, and awaken the potential of our bloodline. They explain how to perform an ancestor healing circle, carry out an ancestor release ritual, and offer blessings for children and grandchildren as well as providing meditative journeys to meet our ancestors, our spiritual family, and our spiritual roots in other realms. They also provide short case studies to illustrate how the rituals and exercises have worked for other people. By enacting ancestral healing, we can recognize who we are, where we come from, and truly fulfill our destiny in this life.
To learn to think like a shaman is to attune yourself to a magical spectrum of infinite possibilities, unseen truths, alternative realities, and spiritual support. When a shaman likes what’s happening, they know how to make it better, and when they don’t, they know how to change it. The Shaman’s Mind is a book that teaches the reader how to align and transform their own mind into one that sees the world through the lens of the indigenous healers of old. Based on the Omega workshop by the same name.
As Hawaiians continue to recover their language and culture, the voices of kupuna (elders) are heard once again in urban and rural settings, both in Hawai‘i and elsewhere. How do kupuna create knowledge and “tell” history? What do they tell us about being Hawaiian? Adopted by a Midwestern couple in the 1950s as an infant, Leilani Holmes spent much of her early life in settings that offered no clues about her Hawaiian past—images of which continued to haunt her even as she completed a master’s thesis on Hawaiian music and identity in southern California. Ancestry of Experience documents Holmes’ quest to reclaim and understand her own origin story. Holmes writes in two different and at times incongruent voices—one describing the search for her genealogy, the other critiquing Western epistemologies she encounters along the way. In the course of her journey, she finds that Hawaiian oral tradition links identity to the land (‘aina) through ancestry, while traditional, scholarly theories of knowing (particularly political economy and the discourse of the invention of tradition) textually obliterate land and ancestry. In interviews with kupuna, Holmes learns of the connectedness of spirituality and ‘aina; through her study and practice of hula kahiko comes an understanding of ancient hula as a conversation between ‘aina and the dancer’s body that has the power to activate historical memory. Holmes’ experience has special relevance for indigenous adoptees and indigenous scholars: Both are distanced from the knowledge agendas and strategies of their communities and are tasked to speak in languages ill-suited to the telling of their own stories and those of their ancestors. In addition to those with an interest in Hawaiian knowledge and culture, Ancestry of Experience will appeal to readers of memoirs of identity, academic and personal accounts of racial identity formation, and works of indigenous epistemologies. A website (www.ancestryofexperience.com) will include supplementary material.
Apocalypse in Paradise is a supernatural story that is a manifestation of the end time prophecies from the Word. Themes in modern society that are most troubling are reflected in this supernatural thriller. These disturbing events speak to the presence of evil in our society and around the globe. Issues like genocide, racism, white supremacy, gun proliferation, severely debilitating drug abuse, increased epidemics of infectious diseases, pedophilia, sexual assault, and the lack of a moral compass in modern society. Just like Babylon. The story takes place on a tropical island that has a military installation with a diabolical colonel, who like Captain Cook, tries to destroy the Polynesian islanders. Furthermore, he has his sights set on the rest of mankind. Colonel Strauss, like Hitler before him, wants to fully restore the Aryan race. Disgusted about the election of an African American president, Colonel Strauss is bent on ridding the world of the colored people, black and brown. And let’s not forget the Jews. They’d missed some in the gas chambers and death camps. His diabolical plan is to insert a horrible plague-a fatal disease-into humanity. The only hope is a life-saving vaccine that will only be given to white people. The story begins with a prologue that highlights the catastrophic events occurring on the beautiful tropical island called Nardei (Nar-day), located in the southern Pacific Ocean, as a result of the implementation of Colonel Strauss’s diabolical plan. It has been twenty-nine days since the ill-fated luxury ocean liner, Tropicana, left the port of Honolulu. Most of the passengers were either sick or dead. Kate, the nurse from the cruise ship, was now sick too. She still could not believe that evil could exist in a place so beautiful that it had been compared to the Garden of Eden. In this majestic setting, evil was running amok. And why not? Lucifer could quietly get his hold on the world from such a remote location. A sneak attack, if you will. Kate, the nurse on the Tropicana, has just found love with a Hawaiian warrior named Kimo, the leader of the island’s people. And sadly, now she was dying of the sickness. She knows that the end draws near. The evil present on the island is reminiscent of the days of Captain Cook, when he sailed into Kealakekua Bay in 1788 and exploited the island’s people. Ghastly incidents occurred, like decapitations, mutilations, human sacrifices, and rape of women and children, darkening the sunny days that were once bright and majestic in this tropical paradise. Now history was repeating itself. Today, the village is burning. Once again, the decapitation of the warrior men was happening. The heads were stuck on stakes in front of the village heiau, an ancient temple of worship. The same demon in Cook’s day is orchestrating the unfolding calamity on Nardei—a horror so great that scores of local people are taking their own lives, jumping from the high cliffs into the raging ocean crashing below on sharp outcroppings of rocks, death by drowning. Kate was not going to give in to the compulsion to commit suicide. Kimo, her new love, and the other village men are currently on a mission to invade and occupy the military installation to steal the life-saving vaccine. They dared to enter the lair of the beast. Colonel Strauss, a Nazi, a white supremacist, has a plan to restore the Aryan nation. He intends to destroy not only the island but he seeks to impose the eugenic goals of Adolf Hitler. Would Kimo and his men really be able to defeat the military of the United States? The odds were against them. Pastor Kua, the village preacher, joins Kate on the beach where she is watching the magenta sunset. Would it be her last? After all, she has the sickness. Pustules, sores that were bleeding, covered most of her body. She was already experiencing the hemorrhaging from her eyes, nose, and mouth. It gave her a dead vampire look. Despite one disaster after another, Pastor and Kat
Diagnosed with malignant melanoma after years of being a sun bunny in Hawai`i, Madeline accepts that this is the time for dying. Her only regret is that she has missed out on lasting love, and she is determined to be held in the embrace of a man’s arms as she draws her final breath. The problem, as usual, is she can’t figure out which man. With a history of being a female philanderer Madeline always picks guys with fatal flaws, absolving herself of the necessity to choose. With Beau the obstacle is his drinking, with Howard his marriage, with Max his age. With time growing short Madeline springs into action. Once again, however, she evades the decision making process by leaving it up to the men. She writes a letter, changing only the name, telling each he is the most important person in the world to her and the one she would most like to be with as she goes toward that white light. She throws in a few incentives to sweeten the deal and sends the letter return receipt requested. As Madeline awaits the answers the story of each relationship is told, depicting three different stages in her life. Though highly unconventional her life decisions may be they bring fulfillment and satisfaction to her and those around her. The sentiment which she sums up with sanguine simplicity at the surprising denouement is ‘The difference between living and dying is love.’
An exciting follow-up to Lei and the Fire Goddess features a mysterious, invisible island, dangerous spirits, and a newcomer who does not need Lei's help...or does she? It turns out that curses are real. After saving her best friend and ancestral guardian, Kaipo, from Pele the fire goddess’s traps and successfully preventing lava from destroying her tūtū’s house, all Lei wants to do is take a nap. The only problem? Kaipo’s ʻaumakua pendant is missing, and without it, he will soon rot . . . emotionally and physically. So Lei, Kaipo, the shapeshifting bat Ilikea, and newcomer Kaukahi—a fiercely independent fashionista—set off on a journey to an invisible island where they hope to find Kaipo’s pendant. To get there, they’ll have to jump off the edge of their world, contend with sharks, and cross an ocean. And when they arrive? The crew realizes that the missing pendant is the least of their problems. For there are evil spirits gathering, and they’re out for blood. In this exciting follow-up to Lei and the Fire Goddess, Malia Maunakea crafts a tale about friendship, family, culture, and what it means to forgive each other and yourself.