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Written near the end of Sadako Sawamura's remarkable life, My Asakusa (Watashi co Asakusa) is a charming collection of autobiographical essays by a truly self-made woman. Recalling Japan at a time of great political turmoil and rapid cultural change, Sawamura shares with us her vignettes of growing up in Asakusa—one of the last of the old downtown Shitamachi neighborhoods of incessantly modernizing Tokyo—and her keen insight into the characters of those who populated her world. Author Sadako Sawamura (1908-1996) was by turns a diligent youth who worked her way through a private secondary school as a tutor, a radical university scholarship student, a Communist youth league worker, a prisoner of conscience, and a star of Japanese theater, cinema, and television. She was beloved in Japan for her forthright convictions and her rare independence, which she expressed in interviews and essays. She is also the author of Kai-no-Uta (The Song of a Shell), which was subsequently produced as a television play.
Written near the end of Sadako Sawamura's remarkable life, My Asakusa (Watashi co Asakusa) is a charming collection of autobiographical essays by a truly self-made woman. Recalling Japan at a time of great political turmoil and rapid cultural change, Sawamura shares with us her vignettes of growing up in Asakusa-one of the last of the old downtown Shitamachi neighborhoods of incessantly modernizing Tokyo-and her keen insight into the characters of those who populated her world.
Have you ever wondered about a Japanese sentence your textbook fails to explain? Do you feel unsure about the use of "wa," "ga," and "mo?" Or what the rules and meanings of words in their literary forms are? If so, you will find your answers in A Reference Grammar of Japanese, the most comprehensive and reliable reference source available. With an extensive 105-page index, the reader will quickly find explanations for particles such as wa, ga, mo, ni, and de; difficult nouns such as mono, koto, tokoro, wake, hazu, and tame; sentence extensions such as ne, yo, sa, yara,and nari; verb tenses, literary forms, negative forms--in short, everything concerned with the Japanese language. For the serious student, this book is indispensable for clearing up the ambiguities of puzzling Japanese sentences.
Mini-set C: Language & Literature re-issues a century of publishing in 8 volumes originally published between 1896 and 1989 and covers phonetics, grammar and syntax of the Japanese language as well as some of its most iconic literature and drama. For institutional purchases for e-book sets please contact [email protected] (customers in the UK, Europe and Rest of World)
A celebration of JA culture: facts, recipes, songs, words, and memories that every JA will want to share. From immigration to discrimination and internment, and then to reparations and a high rate of intermarriage, Americans of Japanese descent share a long and sometimes painful history, and now fear their unique culture is being lost. Gil Asakawa's celebration of what makes JAs so special is an entertaining blend of facts and features, of recipes, songs, and memories that every JA will want to share with friends and family. Included are interviews with famous JAs and a look at how it's hip to be Japanese, from manga to martial arts, plus a section on Japantown communities and tips for JA's scrapbooking their families and traveling to Japan to rediscover their roots.
This is the first book in English on women's gidayu and introduces the performers, their music and the politics of their survival within the male-dominated world of Japanese theatre tradition. It explores the intricate web of interrelationships of personality, organization of performance in women's gidayu in contemporary Japan. Kimi Coaldrake's book is a pioneering study of a traditional and dynamic area of Japanese cultural life that has previously been little understood in the West. It will be of particular interest to those studying Japanese theatre and its music as well as those seeking insights into the contribution of women to Japanese theatre history. The CD which accompanies the book provides immediate access to rare historical recordings of the Living National Treasure Takemoto Tosahiro (1897-1992) and other famous women performers, bringing to life the popular tales of gidayu discussed in the text.
This acclaimed work is an extraordinary collection of letters written by a wide cross-section of Japanese citizens to one of Japan's leading newspapers, expressing their personal reminiscences and opinions of the Pacific war. "SENSO" provides the general reader and the specialist with moving, disturbing, startling insights on a subject deliberately swept under the rug, both by Japan's citizenry and its government. It is an invaluable index of Japanese public opinion about the war.
Unblinking in its vision of a nation in a chaotic, hellish period in its history, Tokyo Year Zero is a “brilliant, perplexing, claustrophobic … exhilarating” crime novel (The New York Times Book Review). It's August 1946—one year after the Japanese surrender—and women are turning up dead all over Tokyo. Detective Minami of the Tokyo Metropolitan Police—irreverent, angry, despairing—goes on the hunt for a killer known as the Japanese Bluebeard—a decorated former Imperial soldier who raped and murdered at least ten women amidst the turmoil of post-war Tokyo. As he undertakes the case, Minami is haunted by his own memories of atrocities that he can no longer explain or forgive.