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This book explores the eight-month wave of mutinies that struck the French infantry and navy in 1919. Based on official records and the testimony of dozens of participants, it is the first study to try to understand the world of the mutineers. Examining their words for the traces of sensory perceptions, emotions and thought processes, it reveals that the conventional understanding of the mutinies as the result of simple war-weariness and low morale is inadequate. In fact, an emotional gulf separated officers and the ranks, who simply did not speak the same language. The revolt entailed emotional sequences ending in a deep ambivalence and sense of despair or regret. Taking this into account, the book considers how mutineer memories persisted after the events in the face of official censorship, repression and the French Communist Party’s co-option of the mutiny.
[Illustrated with over one hundred maps, photos and portraits, of the battles, individuals and places involved in the Indian Mutiny] A Young Sublatern fights for his life and for glory during the Indian Mutiny, engaged at the bloody siege of Delhi and during the advance to relieve the besieged British Residence at Lucknow. General Sir Hugh Gough won his Victoria Cross while riding with the famous Hodson’s Horse during the Indian Mutiny; this book, written some years later based on his letters sent at the time, makes for exhilarating reading. His V.C. award was gazetted as follows: “Hugh Henry Gough, Lieutenant, 1st Bengal Light Cavalry. Lieutenant Gough, when in command of a party of Hodson’s Horse, near Mumbagh, on 12 November, 1857, particularly distinguished himself by his forward bearing in charging across a swamp and capturing two guns although defended by a vastly superior body of the enemy. On this occasion he had his horse wounded in two places and his turban cut through by sword cuts, while engaged in combat with three sepoys. Lieutenant Gough also particularly distinguished himself near Jallalabad, Lucknow, on 21 February 1858, by showing a brilliant example to his Regiment when ordered to charge the enemies guns, and by his gallant and forward conduct he enabled them to effect their object. On this occasion he engaged himself in a series of single combats, until at length he was disabled by a musket ball through the leg, while charging two sepoys with fixed bayonets. Lieutenant Gough on that day had two horses killed under him, a shot through his helmet and another through his scabbard, besides being severely wounded.”
Account of subaltern in artillery battery at Secrora 60 miles NE of Lucknow.
Scholastic's next multi-platform mega-event begins here!History is broken, and three kids must travel back in time to set it right!When best friends Dak Smyth and Sera Froste stumble upon the secret of time travel -- a hand-held device known as the Infinity Ring -- they're swept up in a centuries-long secret war for the fate of mankind. Recruited by the Hystorians, a secret society that dates back to Aristotle, the kids learn that history has gone disastrously off course.Now it's up to Dak, Sera, and teenage Hystorian-in-training Riq to travel back in time to fix the Great Breaks . . . and to save Dak's missing parents while they're at it. First stop: Spain, 1492, where a sailor named Christopher Columbus is about to be thrown overboard in a deadly mutiny!
The specific concern of this collection is linking the use of media to the larger socio-cultural processes involved in collective memory-making. The focus rests in particular on two aspects of media use: the basic dynamics of mediation and remediation. The key questions are: What role do media play in the production and circulation of cultural memories? How do mediation, remediation and intermediality shape objects and acts of cultural remembrance? How can new, emergent media redefine or transform what is collectively remembered?
In 1960, Roy Boutilier and twenty-four fellow Nova Scotians set sail for Tahiti aboard the newly built replica sailing ship Bounty. The ship stayed in Tahiti for almost a year while MGM Studios filmed the epic historical drama Mutiny on the Bounty, starring Marlon Brando. Roy's year on Bounty and his experiences in Tahiti are themselves the stuff of movies. But it took a diagnosis of Alzheimer's disease for Roy and his long-time friend, Janet Sanford, to realize that a fascinating story would be lost if someone didn't capture those memories. And so began a series of Monday-morning meetings as Roy and the author embarked on a race against time. Memories on the Bounty goes far beyond re-telling Roy's story; it explores the boundaries of memory, the challenges of storytelling, the pain of saying goodbye, and the enduring bonds of friendship. With dozens of never-before-seen photos from Bounty's maiden voyage and her time in Tahiti, Memories on the Bounty is a touching story of adventure, love, and loss.
The Cawnpore Well, Lucknow Residency, and Delhi Ridge were sacred places within the British imagination of India. Sanctified by the colonial administration in commemoration of victory over the 'Sepoy Mutiny' of 1857, they were read as emblems of empire which embodied the central tenets of sacrifice, fortitude, and military prowess that underpinned Britain's imperial project. Since independence, however, these sites have been rededicated in honour of the 'First War of Independence' and are thus sacred to the memory of those who revolted against colonial rule, rather than those who saved it. The 1857 Indian Uprising and the Politics of Commemoration tells the story of these and other commemorative landscapes and uses them as prisms through which to view over 150 years of Indian history. Based on extensive archival research from India and Britain, Sebastian Raj Pender traces the ways in which commemoration responded to the demands of successive historical moments by shaping the events of 1857 from the perspective of the present. By telling the history of India through the transformation of mnemonic space, this study shows that remembering the past is always a political act.