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'A novel that is warm but also unsettling and exhilarating. That's some feat, but Geraldine Quigley has managed to make it seem easy' Roddy Doyle A tender, devastating coming-of-age debut novel about friendship, innocence and war The end of the school year is approaching, and siblings Paddy and Liz McLaughlin, Christy Meehan, Kevin Thompson and their friends will soon have to decide what they're going to do with the rest of their lives. But it's hard to focus when there's the allure of their favourite hangout place, the dingy 'Cave', where they go to drink and flirt and smoke. Most days, Christy, Paddy and Kevin lie around listening to Dexys and Joy Division. Through a fog of marijuana, beer and budding romance, the future is distant and unreal. But this is Derry in 1981, and they can't ignore the turmoil of the outside world. A friend is killed, and Christy and Paddy, stunned out of their stupor, take matters into their own hands. Some choices are irreversible, and choosing to fight will take hold of their lives in ways they never imagined. With humour and compassion, Geraldine Quigley reveals the sometimes slippery reasons behind the decisions we make, and the unexpected and intractable ways they shape our lives.
The end of the school year is approaching, and siblings Paddy and Liz McLaughlin, Christy Meehan, Kevin Thompson and their friends will soon have to decide what they're going to do with the rest of their lives. But it's hard to focus when there's the allure of their favourite hangout, the dingy 'Cave', where they go to drink and flirt and smoke. Through a fog of marijuana, beer and budding romance, the future is distant and unreal. But this is Derry in 1981, and they can't ignore the turmoil of the outside world. When a friend is killed, Christy and Paddy, stunned out of their stupor, take matters into their own hands. Some choices are irreversible - and choosing to fight will take hold of their lives in ways they never imagined...
'A clever multiple-narrative account of teenage kicks and sectarian strife in early 80s Northern Ireland . . . this debut marks out Quigley as a writer of compassion and humour' Guardian The end of the school year is approaching, and siblings Paddy and Liz McLaughlin, Christy Meehan, Kevin Thompson and their friends will soon have to decide what they're going to do with the rest of their lives. But it's hard to focus when there's the allure of their favourite hangout place, the dingy 'Cave', where they go to drink and flirt and smoke. Most days, Christy, Paddy and Kevin lie around listening to Dexys and Joy Division. Through a fog of marijuana, beer and budding romance, the future is distant and unreal. But this is Derry in 1981, and they can't ignore the turmoil of the outside world. A friend is killed, and Christy and Paddy, stunned out of their stupor, take matters into their own hands. Some choices are irreversible, and choosing to fight will take hold of their lives in ways they never imagined. With humour and compassion, Geraldine Quigley reveals the sometimes slippery reasons behind the decisions we make, and the unexpected and intractable ways they shape our lives. 'A novel that is warm but also unsettling and exhilarating. That's some feat' Roddy Doyle 'A poignant and powerful coming-of-age story' Sunday Mirror
From marijuana and jazz, through acid-rock and speed-fuelled punk, from crack-driven rap to Ecstasy and the dance generation, this is the definitive history of drugs and pop. It also features in-depth portraits of music's most famous drug addicts: from Charlie Parker to Sid Vicious to Jim Morrison to Kurt Cobain. Chosen by the BBC as one of the Top Twenty Music Books of All Time. "Wise and witty."-"The Guardian"
Inaugurated in 1984, America's "War on Drugs" is just the most recent skirmish in a standoff between global drug trafficking and state power. From Britain's nineteenth-century Opium Wars in China to the activities of Colombia's drug cartels and their suppression by U.S.-backed military forces today, conflicts over narcotics have justified imperial expansion, global capitalism, and state violence, even as they have also fueled the movement of goods and labor around the world. In Drug Wars, cultural critic Curtis Marez examines two hundred years of writings, graphic works, films, and music that both demonize and celebrate the commerce in cocaine, marijuana, and opium, providing a bold interdisciplinary exploration of drugs in the popular imagination. Ranging from the writings of Sigmund Freud to pro-drug lord Mexican popular music, gangsta rap, and Brian De Palma's 1983 epic Scarface, Drug Wars moves from the representations and realities of the Opium Wars to the long history of drug and immigration enforcement on the U.S.-Mexican border, and to cocaine use and interdiction in South America, Middle Europe, and among American Indians. Throughout Marez juxtaposes official drug policy and propaganda with subversive images that challenge and sometimes even taunt government and legal efforts. As Marez shows, despite the state's best efforts to use the media to obscure the hypocrisies and failures of its drug policies-be they lurid descriptions of Chinese opium dens in the English popular press or Nancy Reagan's "Just Say No" campaign-marginalized groups have consistently opposed the expansion of state power that drug traffic has historically supported. Curtis Marez is assistant professorof critical studies at the University of Southern California School of Cinema-Television.
Like the never-ending war on terror, the drugs war is a multi-billion-dollar industry that won't go down without a fight. Pills, Powder, and Smoke explains why. The war on drugs has been official American policy since the 1970s, with the UK, Europe, and much of the world following suit. It is at best a failed policy, according to bestselling author Antony Loewenstein. Its direct results have included mass incarceration in the US, extreme violence in different parts of the world, the backing of dictatorships, and surging drug addiction globally. And now the Trump administration is unleashing diplomatic and military forces against any softening of the conflict. Pills, Powder, and Smoke investigates the individuals, officials, activists, victims, DEA agents, and traffickers caught up in this deadly war. Travelling through the UK, the US, Australia, Honduras, the Philippines, and Guinea-Bissau, Loewenstein uncovers the secrets of the drug war, why it's so hard to end, and who is really profiting from it. In reporting on the frontlines across the globe -- from the killing fields of Central America to major cocaine transit routes in West Africa -- Loewenstein reveals how the war on drugs has become the most deadly war in modern times. Designed and inspired by Washington, its agenda has nothing to do with ending drug use or addiction, but is all about controlling markets, territories, and people. Instead, Loewenstein argues, the legalisation and regulation of all drugs would be a much more realistic and humane approach. The evidence presented in this book will persuade many readers that he's right.
In Killer High, Peter Andreas tells the story of war from antiquity to the modern age through the lens of six psychoactive drugs: alcohol, tobacco, caffeine, opium, amphetamines, and cocaine. Armed conflict has become progressively more "drugged" with the global spread of these mind-altering substances. From ancient brews and battles to meth and modern warfare, drugs and war have grown up together and become addicted to each other. By looking back not just years and decades but centuries, Andreas reveals that the drugs-conflict nexus is actually an old story, and that powerful states have been its biggest beneficiaries.
One hundred years on from the Dangerous Drugs Act of 1920, this book examines the money, politics and exploitation behind drugs and raises the question nobody asks: ‘What kind of drugs policy do we actually want in the UK?’
The New York Times Bestseller What if everything you think you know about addiction is wrong? Johann Hari's journey into the heart of the war on drugs led him to ask this question--and to write the book that gave rise to his viral TED talk, viewed more than 62 million times, and inspired the feature film The United States vs. Billie Holiday and the documentary series The Fix. One of Johann Hari's earliest memories is of trying to wake up one of his relatives and not being able to. As he grew older, he realized he had addiction in his family. Confused, not knowing what to do, he set out and traveled over 30,000 miles over three years to discover what really causes addiction--and what really solves it. He uncovered a range of remarkable human stories--of how the war on drugs began with Billie Holiday, the great jazz singer, being stalked and killed by a racist policeman; of the scientist who discovered the surprising key to addiction; and of the countries that ended their own war on drugs--with extraordinary results. Chasing the Scream is the story of a life-changing journey that transformed the addiction debate internationally--and showed the world that the opposite of addiction is connection.
Sex, drugs, religion, and love are potent combinations in la zona, a regulated prostitution zone in the city of Reynosa, across the border from Hidalgo, Texas. During the years 2008 and 2009, a time of intense drug violence, Sarah Luna met and built relationships with two kinds of migrants, women who moved from rural Mexico to Reynosa to become sex workers and American missionaries who moved from the United States to forge a fellowship with those workers. Luna examines the entanglements, both intimate and financial, that define their lives. Using the concept of obligar, she delves into the connections that tie sex workers to their families, their clients, their pimps, the missionaries, and the drug dealers—and to the guilt, power, and comfort of faith. Love in the Drug War scrutinizes not only la zona and the people who work to survive there, but also Reynosa itself—including the influences of the United States—adding nuance and new understanding to the current US-Mexico border crisis.