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This work on the mechanics of rock music criticism acutely defines the major areas of criticism, from release reviews, live shows and the coveted rock star interview. No other book covers this topic with the same depth and probity.
Straight out of his beloved Twitter feed @RockCriticLaw, acclaimed rock journalist and author of the classic books Come As You Are: The Story of Nirvana and Our Band Could Be Your Life, Michael Azerrad turns his trenchant eye to the art of rock writing itself, hilariously skewering 101 of the genre’s seemingly endless litany of hackneyed phrases and tropes. One of the finest music writers today, Michael Azerrad has catalogued the shortcuts, lazy metaphors and uninspired prose that so many of his beloved colleagues all too regularly rely on to fill column inches. In 2014, he began his wickedly droll Twitter feed @RockCriticLaw to expose and make fun of this word-hash. Now, he consolidates these "Laws" into one witty, comprehensive and fully illustrated volume. Rock Critic Law includes timeless gems such as: If a band pioneered something, you must say they are "seminal." That is the Seminal Law of Rock Criticism. If a recording features densely layered guitars, then you MUST use the phrase "sonic cathedrals." Even when it’s easy to find out with research, by all means ask a band how they got their name. Please feel free to deny an artist’s individuality and say they are "the new [x]." If two guitars play a melodic line in harmony, you MUST say they are "twin lead guitars." All 101 Rock Critic Laws are accompanied by original illustrations from Ed Fotheringham, beloved Seattle scenester and highly regarded artist who has created album covers for everyone from, well, seminal grunge band Mudhoney to iconic jazz label Verve Records, as well as illustrations for TheAtlantic, Vanity Fair, The New Yorker and more, making this book a must-have for music lovers everywhere. A unique appreciation of music writing from one of its own, Rock Critic Law irreverently captures all the passion and furor of fandom.
Traces the history of the rock group Radiohead, discussing how the group met, what their musical background is, how their music has influenced other groups, and other related topics.
If writing about music is like dancing about architecture, you'd do best to hone your chops and avoid clich�s (like the one that begins this sentence) by learning from the prime movers. How to Write About Music offers a selection of the best writers on what is perhaps our most universally beloved art form. Selections from the critically-acclaimed 33 1/3 series appear alongside new interviews and insights from authors like Lester Bangs, Chuck Klosterman, Owen Pallet, Ann Powers and Alex Ross. How to Write About Music includes primary sources of inspiration from a variety of go-to genres such as the album review, the personal essay, the blog post and the interview along with tips, writing prompts and advice from the writers themselves. Music critics of the past and the present offer inspiration through their work on artists like Black Sabbath, Daft Punk, J Dilla, Joy Division, Kanye West, Neutral Milk Hotel, Radiohead, Pussy Riot and countless others. How to Write About Music is an invaluable text for all those who have ever dreamed of getting their music writing published and a pleasure for everyone who loves to read about music.
Music is wonderful for bringing out creativity and encouraging learning in kids. They love to sing and dance, and they love it when adults sing and dance along with them. Appropriate for families, teachers, day care providers, and camp leaders, this book presents lively music games that children and adults can play together. Using popular songs, easy rhythms, and musical recordings, the games in this book help children develop creative, personal, and social skills. They also learn about music and sound. The games are not competitive, they encourage and reward children for participating, not for winning.
General Reference
This practical book sets out how to approach each stage of your research project, from choosing a research design and methodology to collecting and analysing data and communicating your results – and showcases best practice along the way. Packed with pragmatic guidance for tackling research in the real world, this fourth edition: Offers support for diving into a project using digital data, with how-to guidance on conducting online and social media research Empowers you to confidently disseminate your work and present with impact Helps you map out your research journey and put a plan in place with decision trees in every chapter Challenges you to be reflective and critical about the research you consume and undertake Zina O′Leary′s detailed and down-to-earth approach gives you the research skills and momentum you need to successfully complete your research project.
‘This is an extraordinary achievement and it will become an absolutely vital and trusted resource for everyone working in the field of popular music studies. Even more broadly, anyone interested in popular music or popular music culture more generally will enjoy - and find many uses for - the wealth of information and insight captured in this volume.' Lawrence Grossberg, Morris Davis Professor of Communication Studies and Cultural Studies, University of North Carolina at Chapel Hill The first comprehensive reference work on popular music of the world Contributors are the world's leading popular music scholars Includes extensive bibliographies, discographies, sheet music listings and filmographies. Popular music has been a major force in the world since the nineteenth century. With the advent of electronic and advanced technology it has become ubiquitous. This is the first volume in a series of encyclopedic works covering popular music of the world. Consisting of some 500 entries by 130 contributors from around the world. Entries range between 250 and 5000 words, and is arranged in two Parts: Part 1: Social and Cultural Dimensions, covering the social phenomena of relevance to the practice of popular music. Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided. For more information visit the website at: www.continuumpopmusic.com