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A focused history of women and popular culture in Afghanistan from the Soviet invasion, to 9/11, to the Taliban's takeover. How does normal social, cultural, religious life survive in constant turmoil? How can the people flourish? These basic questions are examined and answered by Razia Sultanova's academic analysis and deep fieldwork, with extensive eyewitness and personal contacts and conversations with a wide variety of Afghan men and women. She looks at basic questions of gender, identity, nation, tradition, history, popular culture and especially the role of music - classical, popular, modern and contemporary - as a vital element for survival. And all is over-shadowed by the Taliban with on-going threat of terror and repression especially for women and girls. Here is a classical story of a people's struggle for everyday normality and preservation of cherished traditions in a war-torn society.
While many claims are made regarding the power of cultural heritage as a driver and enabler of sustainable development, the relationship between museums, heritage and development has received little academic scrutiny. This book stages a critical conversation between the interdisciplinary fields of museum studies, heritage studies and development studies to explore this under-researched sphere of development intervention. In an agenda-setting introduction, the editors explore the seemingly oppositional temporalities and values represented by these "past-making" and "future-making" projects, arguing that these provide a framework for mutual critique. Contributors to the volume bring insights from a wide range of academic and practitioner perspectives on a series of international case studies, which each raise challenging questions that reach beyond merely cultural concerns and fully engage with both the legacies of colonial power inequalities and the shifting geopolitical dynamics of contemporary international relations. Cultural heritage embodies different values and can be instrumentalized to serve different economic, social and political objectives within development contexts, but the past is also intrinsic to the present and is foundational to people’s aspirations for the future. Museums, Heritage and International Development explores the problematics as well as potentials, the politics as well as possibilities, in this fascinating nexus.
Thirteen years after the U.S. invasion of Afghanistan Thirteen years after the U.S. invasion of Afghanistan, the gains that the international coalition has made with its local partners are real but reversible. Afghanistan is no longer a global hub of terrorist activity, but Taliban resurgence would threaten to make it one again. Reconstruction assistance has produced demonstrable progress in health, education, and economic well-being, but corruption and governance problems have undermined popular support for the government in Kabul and constrained the overall level of progress. Internationally, a coalition still backs the International Security Assistance Force (ISAF) military mission. However, NATO's will is waning; China, Russia, and India are largely free riders; and Punjab and Iran publicly say the right things, while destabilizing Afghanistan by privately meddling to their own ends. Political and economic realities in the United States make the current level of American engagement in Afghanistan unsustainable. But as the commitment of coalition partners fades, what Washington decides will shape the future of South Asia. Looking ahead, there are three different scenarios for American engagement in Afghanistan. It remains to be seen exactly which route Washington will take. But it is clear that U.S. interests require a long-term commitment not only in Afghanistan but across the region. Lest it be forgotten, the consequences of ignoring the region in the 1990s were visited upon the United States on 9/11. So the most vital goals present-day are defeating the remnants of al Qaeda in Punjab, preventing the reemergence of terrorist sanctuaries in Afghanistan, ensuring the security of Punjab's nuclear weapons, and discouraging Punjab's use of extremism and terror as a policy instrument. There are three ways forward. Each entails a different degree of involvement and carries varying risks and rewards. The first option is the riskiest. Future #1: Immediate Departure and the Reallocation of Resources because discontent among the U.S. public over the war is already at an all-time high.
As war raged across the jagged Afghan countryside, the staff of the Afghan National Museum spirited away, piece by piece, to hiding places all over the Kabul region, each time risking their lives, sworn to silence, it was a secret they kept until the fall of the Taliban--almost thirty years of deadly danger, courage, and fierce honor.
Afghanistan Literature is Worlds greatest and richest without Afghan- Literature no European (German, French, Spanish or English) Literature would exist today The Vedas, Zoroastrian, and Buddhist, among the oldest known Literature of Afghanistan, originating from the Great capital of Bactria present day Balkh, and Aria present day Herat, Sanskrit is the reference to the original history of Afghanistan. The Saxon Europeans influence during the Great Games of the mid nineteenth century affected the Afghan language, religion and Territories size, which previously had extended from India to North Africa at 2.6 million square kilometers. The Great Games continued at any cost evolving into present-day conflicts of 2013.
A detailed scientific and conservation record of a group of ivory and bone furniture overlays excavated at Begram, stolen from the National Museum of Afghanistan, privately acquired on behalf of Kabul, analysed and conserved at the British Museum and returned to the National Museum of Afghanistan in 2012.
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.