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In colonial North Carolina, German-speaking settlers from the Moravian Church founded a religious refuge--an ideal society, they hoped, whose blueprint for daily life was the Bible and whose Chief Elder was Christ himself. As the community's demand for labor grew, the Moravian Brethren bought slaves to help operate their farms, shops, and industries. Moravians believed in the universalism of the gospel and baptized dozens of African Americans, who became full members of tightly knit Moravian congregations. For decades, white and black Brethren worked and worshiped together--though white Moravians never abandoned their belief that black slavery was ordained by God. Based on German church documents, including dozens of rare biographies of black Moravians, A Separate Canaan is the first full-length study of contact between people of German and African descent in early America. Exploring the fluidity of race in Revolutionary era America, it highlights the struggle of African Americans to secure their fragile place in a culture unwilling to give them full human rights. In the early nineteenth century, white Moravians forsook their spiritual inclusiveness, installing blacks in a separate church. Just as white Americans throughout the new republic rejected African American equality, the Moravian story illustrates the power of slavery and race to overwhelm other ideals.
"Provides a fascinating and nuanced study of the transformations in religious and social ideals among Moravians as they worked to implement their aspirations in the harsh realities of a North Carolina landscape shaped by racism. Ferguson reveals the intersecting dynamics of religious aspirations, sectarian prejudices, conflicting designs across cultural landscapes, paradoxical divergences of religious ideals and social realities, and the life stories of African Americans working to navigate such contested terrain."--Christopher C. Fennell, author of Crossroads and Cosmologies "A fascinating examination of the tension of race relations in the antebellum South. God's Fields unfolds like a murder mystery and is hard to put down."--Christopher E. Hendricks, author of The Backcountry Towns of Colonial Virginia The Moravian community of Salem, North Carolina, was founded in 1766, and the town--the hub of nearly 100,000 piedmont acres purchased thirteen years before and named "Wachovia"--quickly became the focal point for the church's colonial presence in the South. While the brethren preached the unity of all humans under God, a careful analysis of the birth and growth of their Salem settlement reveals that the group gradually embraced the institutions of slavery and racial segregation in opposition to their religious beliefs. Although Salem's still-active community includes one of the oldest African American congregations in the nation, the evidence contained in God's Fields reveals that during much of the twentieth century, the church's segregationist past was intentionally concealed. Leland Ferguson's work reconstructing this "secret history" through years of archaeological fieldwork was part of a historical preservation program that helped convince the Moravian Church in North America to formally apologize in 2006 for its participation in slavery and clear a way for racial reconciliation.
Quilts, Coverlets, and Counterpanes: Bedcoverings from the Museum of Early Southern Decorative Arts and Old Salem Collections
You may think you know the South for its food, its people, its past, and its stories, but if there’s one thing that’s certain, it’s that the region tells far more than one tale. It is ever-evolving, open to interpretation, steeped in history and tradition, yet defined differently based on who you ask. This Is My South inspires the reader to explore the Southern States––Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Virginia––like never before. No other guide pulls together these states into one book in quite this way with a fresh perspective on can’t-miss landmarks, off the beaten path gems, tours for every interest, unique places to sleep, and classic restaurants. So come see for yourself and create your own experiences along the way!
Rebecca's Revival is the remarkable story of a Caribbean woman--a slave turned evangelist--who helped inspire the rise of black Christianity in the Atlantic world. All but unknown today, Rebecca Protten left an enduring influence on African-American religion and society. Born in 1718, Protten had a childhood conversion experience, gained her freedom from bondage, and joined a group of German proselytizers from the Moravian Church. She embarked on an itinerant mission, preaching to hundreds of the enslaved Africans of St. Thomas, a Danish sugar colony in the West Indies. Laboring in obscurity and weathering persecution from hostile planters, Protten and other black preachers created the earliest African Protestant congregation in the Americas. Protten's eventful life--the recruiting of converts, an interracial marriage, a trial on charges of blasphemy and inciting of slaves, travels to Germany and West Africa--placed her on the cusp of an emerging international Afro-Atlantic evangelicalism. Her career provides a unique lens on this prophetic movement that would soon sweep through the slave quarters of the Caribbean and North America, radically transforming African-American culture. Jon Sensbach has pieced together this forgotten life of a black visionary from German, Danish, and Dutch records, including letters in Protten's own hand, to create an astounding tale of one woman's freedom amidst the slave trade. Protten's life, with its evangelical efforts on three continents, reveals the dynamic relations of the Atlantic world and affords great insight into the ways black Christianity developed in the New World.
This book presents new information on the export trade, patronage, artistic collaboration, and the small-scale shop traditions that defined early Rhode Island craftsmanship. This stunning volume features more than 200 illustrations of beautifully constructed and carved objects—including chairs, high chests, bureau tables, and clocks—that demonstrate the superb workmanship and artistic skill of the state’s furniture makers.
In these days of an aging traditional audience, shrinking attendance, tightened budgets, increased competition, and exponential growth in new types of communication methods, America’s house museums need to take bold steps and expand their overall purpose beyond those of the traditional museum. They need not only to engage the communities surrounding them, but also to collaborate with visitors on the type and quality of experience they provide. This book is a groundbreaking manifesto that calls for the establishment of a more inclusive, visitor-centered paradigm based on the shared experience of human habitation. It draws inspiration from film, theater, public art, and urban design to transform historic house museums while providing a how-to guide for making historic house museums sustainable, through five primary themes: communicating with the surrounding community, engaging the community, re-imagining the visitor experience, celebrating the detritus of human habitation, and acknowledging the illusion of the shelter’s authenticity. Anarchist's Guide to Historic House Museums offers a wry, but informed, rule-breaking perspective from authors with years of experience and gives numerous vivid examples of both good and not-so-good practices from house museums in the U.S.
"Three worried pine trees huddle together on a tree lot, just days before Christmas. Butch, Barney, and Marshall have dreamed of becoming beautiful, decorated Christmas trees since they were saplings, but none of them is flawless, and their dreams seem impossible."--Page 4 of cover.