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In colonial North Carolina, German-speaking settlers from the Moravian Church founded a religious refuge--an ideal society, they hoped, whose blueprint for daily life was the Bible and whose Chief Elder was Christ himself. As the community's demand for labor grew, the Moravian Brethren bought slaves to help operate their farms, shops, and industries. Moravians believed in the universalism of the gospel and baptized dozens of African Americans, who became full members of tightly knit Moravian congregations. For decades, white and black Brethren worked and worshiped together--though white Moravians never abandoned their belief that black slavery was ordained by God. Based on German church documents, including dozens of rare biographies of black Moravians, A Separate Canaan is the first full-length study of contact between people of German and African descent in early America. Exploring the fluidity of race in Revolutionary era America, it highlights the struggle of African Americans to secure their fragile place in a culture unwilling to give them full human rights. In the early nineteenth century, white Moravians forsook their spiritual inclusiveness, installing blacks in a separate church. Just as white Americans throughout the new republic rejected African American equality, the Moravian story illustrates the power of slavery and race to overwhelm other ideals.
Quilts, Coverlets, and Counterpanes: Bedcoverings from the Museum of Early Southern Decorative Arts and Old Salem Collections
"Provides a fascinating and nuanced study of the transformations in religious and social ideals among Moravians as they worked to implement their aspirations in the harsh realities of a North Carolina landscape shaped by racism. Ferguson reveals the intersecting dynamics of religious aspirations, sectarian prejudices, conflicting designs across cultural landscapes, paradoxical divergences of religious ideals and social realities, and the life stories of African Americans working to navigate such contested terrain."--Christopher C. Fennell, author of Crossroads and Cosmologies "A fascinating examination of the tension of race relations in the antebellum South. God's Fields unfolds like a murder mystery and is hard to put down."--Christopher E. Hendricks, author of The Backcountry Towns of Colonial Virginia The Moravian community of Salem, North Carolina, was founded in 1766, and the town--the hub of nearly 100,000 piedmont acres purchased thirteen years before and named "Wachovia"--quickly became the focal point for the church's colonial presence in the South. While the brethren preached the unity of all humans under God, a careful analysis of the birth and growth of their Salem settlement reveals that the group gradually embraced the institutions of slavery and racial segregation in opposition to their religious beliefs. Although Salem's still-active community includes one of the oldest African American congregations in the nation, the evidence contained in God's Fields reveals that during much of the twentieth century, the church's segregationist past was intentionally concealed. Leland Ferguson's work reconstructing this "secret history" through years of archaeological fieldwork was part of a historical preservation program that helped convince the Moravian Church in North America to formally apologize in 2006 for its participation in slavery and clear a way for racial reconciliation.
This book is a full-color catalogue raisonne interprets the distinctive furniture made by John Shearer, one of the most accomplished and intriguing furniture makers during the post-Revolutionary period. Shearer emigrated from Scotland in the late 18th century and retained loyalist sympathies throughout his life, evidenced by the imagery and inscriptions sympathetic to various British causes_such as the suppression of the Irish rebellion in 1798 and the British victory in the Battle of Trafalgar in 1805_that he worked into his furniture. Davison provides insight into the furniture's appeal to Anglo-American patrons, not secret loyalists, but men still culturally tied to Great Britain. Shearer's pieces are scattered among various collections, and many of them have been identified only in the last 25 years. This catalog is the only work in which all of Shearer's known pieces of furniture are presented in a single volume.
Historic forms of simple furniture have long been popular with amateur woodworkers, collectors and those seeking to better understand our past. But furniture from the Southern United States has largely been ignored, and Furniture in the Southern Style fills that gap. Furniture in the Southern Style documents proportions and details of this important and distinctive style through measured drawings of original pieces in the MESDA collection, and information in the Object and Craftsman databases at MESDA. The focus of Furniture in the Southern Style are the less formal pieces, largely unknown to those outside of the area where they are produced. The pieces you will see are great demonstrations of the style, each appropriately documented with information and photographs. The heart of this book are the measured construction drawings, allowing you to better understand and reproduce these pieces. Also included are chapters covering the historic context of the furniture, the craftsmen behind the pieces, and the techniques they used.
You may think you know the South for its food, its people, its past, and its stories, but if there’s one thing that’s certain, it’s that the region tells far more than one tale. It is ever-evolving, open to interpretation, steeped in history and tradition, yet defined differently based on who you ask. This Is My South inspires the reader to explore the Southern States––Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Virginia––like never before. No other guide pulls together these states into one book in quite this way with a fresh perspective on can’t-miss landmarks, off the beaten path gems, tours for every interest, unique places to sleep, and classic restaurants. So come see for yourself and create your own experiences along the way!
The first in the Frank L. Horton Series of regional decorative arts monographs published by the Museum of Early Southern Decorative Arts, this volume by John Bivins, Jr., is a study of the interrelationship of coastal North Carolina's history, geography, settlement patterns, economy, and furniture trade from 1700-1820. The style and technology of the furniture of the Carolina coastal plain are examined in detail.
In these days of an aging traditional audience, shrinking attendance, tightened budgets, increased competition, and exponential growth in new types of communication methods, America’s house museums need to take bold steps and expand their overall purpose beyond those of the traditional museum. They need not only to engage the communities surrounding them, but also to collaborate with visitors on the type and quality of experience they provide. This book is a groundbreaking manifesto that calls for the establishment of a more inclusive, visitor-centered paradigm based on the shared experience of human habitation. It draws inspiration from film, theater, public art, and urban design to transform historic house museums while providing a how-to guide for making historic house museums sustainable, through five primary themes: communicating with the surrounding community, engaging the community, re-imagining the visitor experience, celebrating the detritus of human habitation, and acknowledging the illusion of the shelter’s authenticity. Anarchist's Guide to Historic House Museums offers a wry, but informed, rule-breaking perspective from authors with years of experience and gives numerous vivid examples of both good and not-so-good practices from house museums in the U.S.