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The sequel to Muses, the first Memoir, has come to me naturally, meeting women who became Muses. Some of them have been with me for many years. And since my art exhibition called: Musai (Muses), where I depicted my artistic response to the image of the Classical Muses with a contemporary style, and was accepted by the Fine Arts School of Athens, at their gallery in Plaka, the Muses seem to have honored me with their presence, whenever I write, draw, and paint. They have been the motor for my artistic endeavors, creating poetry and prose, drawings, and paintings. I have been visited, especially by three Muses, who invited me to dance with them. I gladly followed and could achieve an inspired record with my second book: MUSES II - The Poet who enjoys dancing with his Muses.
This collection of writings by the renowned French critic and poet Jean-Luc Nancy delves into the history of philosophy in order to locate a fundamentally poetic modus operandi, representing a mix of philosophical essays, writings about artworks and the author's own artistic creations.
Since drawing his first muse as a student of Fine Arts until today, Conrad Roset (Terrassa, 1984) has been tracing his style about women0;s bodies with this desire to fix a own style, a unique and non-transferable aesthetic, which has already located as a world reference illustrator. Technique, game, trial and error, the beauty of the female body, the merge in this book that brings together the work of an artist who has fascinated people from all over the world.