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“Riveting! Camilla, high-five! Amazing work!”—Karen Kilgariff and Georgia Hardstark, #1 New York Times bestselling authors of Stay Sexy & Don't Get Murdered An audacious novel of feminine rage about one of the most prolific female serial killers in American history--and the men who drove her to it. They whisper about her in Chicago. Men come to her with their hopes, their dreams--their fortunes. But no one sees them leave. No one sees them at all after they come to call on the Widow of La Porte. The good people of Indiana may have their suspicions, but if those fools knew what she'd given up, what was taken from her, how she'd suffered, surely they'd understand. Belle Gunness learned a long time ago that a woman has to make her own way in this world. That's all it is. A bloody means to an end. A glorious enterprise meant to raise her from the bleak, colorless drudgery of her childhood to the life she deserves. After all, vermin always survive.
In the United States and Great Britain, 20-30% of all homicides involve the killing of a woman by a man. In When Men Murder Women, Dobash and Dobash - two seasoned researchers and longtime collaborators in the study of violence against women - reveal what they learned from a three-year study that included 866 homicide case files and 200 in-depth interviews with murderers in prison. They focus on intimate partner murder, sexual murder, and the murder of older women, and compare each of these three types with those in which men murder other men. Each type is examined in depth and detail in a separate section that begins with an overview of relevant research, and is followed by a comprehensive examination of the murder event and the lifecourse of the perpetrators. There has never before been a comprehensive book that has covered the entire scope of homicide cases in which men murder women. The result is this essential text for students, professionals, policy makers, and researchers studying violence, gender, and crime.
Women who kill rupture our assumptions about what a woman is. This book explores different socio-cultural understandings of women who commit, or are accused, of murder. A wide range of cases are discussed in order to highlight the ways in which such women have been perceived, and how such cases reflect important social and cultural shifts.
The Disturbing Inside Story of Women Who Are Driven to Kill. From Elizabeth Bathory, 'The Bloody Countess' whose vampire-like tendencies terrorized sixteenth-century Hungary, to the Moors Murderer Myra Hindley and the Florida Highway Killer Aileen Wuornos, these women transfix us with their extreme ability to commit savage acts of cruelty and depravity. In some cases their methods of disposing of the corpses fall nothing short of ingenious: meet Leonarda Cianciulli, 'The Soap-Maker of Correggio', who used the fat from her victims' bodies to make soap and teacakes to sell to unsuspecting customers. These killers' backgrounds, methods and their crimes are described in forensic and gripping detail. Killer Women collects the most disturbing yet compelling of all criminals, representing the very darkest side of humanity and subverting the conventional view of women as the weaker sex. 50 terrifying cases of killer women are brought to life, including: Elizabeth Bathory 'The Bloody Countess' Amelia Dyer, The Reading Baby Farmer Jane Toppan, 'Jolly Jane' Juana Barraza, The Old Lady Killer Leonarda Cianciulli, 'The Soap-Maker of Correggio' Bonnie Parker, 'Bonnie & Clyde' Rosemary West Myra Hindley Aileen Wuornos
While national crime rates have recently fallen, crimes committed by women have risen 200 percent, yet we continue to transform female violence into victimhood by citing PMS, battered wife syndrome, and postpartum depression as sources of women?s actions. When She Was Bad convincingly overturns these perceptions by telling the stories of such women as Karla Faye Tucker, who was recently executed for having killed two people with a pickax; Dorothea Puente, who murdered several elderly tenants in her boarding house; and Aileen Wuornos, a Florida woman who shot seven men. Patricia Pearson marshals a vast amount of research and statistical support from criminologists, anthropologists, psychiatrists, and sociologists, and includes many revealing interviews with dozens of men and women in the criminal justice system who have firsthand experience with violent women. When She Was Bad is a fearless and superbly written call to reframe our ideas about female violence and, by extension, female power.
The instant #1 New York Times and USA Today best seller by Karen Kilgariff and Georgia Hardstark, the voices behind the hit podcast My Favorite Murder! Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation. In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts, true crime stories, and beyond to discuss meaningful cultural and societal issues with fierce empathy and unapologetic frankness. “In many respects, Stay Sexy & Don’t Get Murdered distills the My Favorite Murder podcast into its most essential elements: Georgia and Karen. They lay themselves bare on the page, in all of their neuroses, triumphs, failures, and struggles. From eating disorders to substance abuse and kleptomania to the wonders of therapy, Kilgariff and Hardstark recount their lives with honesty, humor, and compassion, offering their best unqualified life-advice along the way.” —Entertainment Weekly “Like the podcast, the book offers funny, feminist advice for survival—both in the sense of not getting killed and just, like, getting a job and working through your personal shit so you can pay your bills and have friends.” —Rolling Stone At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A “necessary and brilliant” (NPR) exploration of our cultural fascination with true crime told through four “enthralling” (The New York Times Book Review) narratives of obsession. In Savage Appetites, Rachel Monroe links four criminal roles—Detective, Victim, Defender, and Killer—to four true stories about women driven by obsession. From a frustrated and brilliant heiress crafting crime-scene dollhouses to a young woman who became part of a Manson victim’s family, from a landscape architect in love with a convicted murderer to a Columbine fangirl who planned her own mass shooting, these women are alternately mesmerizing, horrifying, and sympathetic. A revealing study of women’s complicated relationship with true crime and the fear and desire it can inspire, together these stories provide a window into why many women are drawn to crime narratives—even as they also recoil from them. Monroe uses these four cases to trace the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. Combining personal narrative, reportage, and a sociological examination of violence and media in the 20th and 21st centuries, Savage Appetites is a “corrective to the genre it interrogates” (The New Statesman), scrupulously exploring empathy, justice, and the persistent appeal of crime.
Although they account for only ten percent of all murders, those attributed to women seem especially likely to captivate the public. This absorbing book examines why that is true and how some women, literally, get away with murder. Combining compelling storytelling with insightful observations, the book invites readers to take a close look at ten high-profile killings committed by American women. The work exposes the forces that underlie the public's fascination with female killers and determine why these women so often become instant celebrities. Cases are paired by motive—love, money, revenge, self-defense, and psychopathology. Through them, the authors examine the appeal of women who commit murders and show how perceptions of their crimes are shaped. The book details both the crimes and the criminals as it explores how pop culture treats stereotypes of female murderers in film and print. True crime aficionados will be fascinated by the minute descriptions of what happened and why, while pop culture enthusiasts will appreciate the lens of societal norms through which these cases are examined.
In this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill—and the political, economic, social and sexual implications buried with each victim. How many of us are even remotely prepared to imagine our mothers, daughters, sisters or grandmothers as fiendish killers? For centuries we have been conditioned to think of serial murderers and psychopathic predators as men—with women registering low on our paranoia radar. Perhaps that’s why so many trusting husbands, lovers, family friends, and children have fallen prey to “the female monster.” From history’s earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain’s notorious child-slayer Myra Hindley to ‘Honeymoon Killer’ Martha Beck to the sensational cult of Aileen Wournos—the first female serial killer-as-celebrity—to cult killers, homicidal missionaries, and our pop-culture fascination with the sexy femme fatale, Vronsky not only challenges our ordinary standards of good and evil but also defies our basic accepted perceptions of gender role and identity. INCLUDES PHOTOGRAPHS
A People Best Book of Summer A New York Times Most Anticipated Book of the Summer A riveting investigation into a cold case asks how much control women have over their bodies and the direction of their lives. July 1970. Eighteen-year-old Paula Oberbroeckling left her house in Cedar Rapids, Iowa. Four months later, her remains were discovered just beyond the mouth of a culvert overlooking the Cedar River. Her homicide has never been solved. Fifty years cold, Paula’s case had been mostly forgotten when journalist Katherine Dykstra began looking for answers. A woman was dead. Why had no one been held responsible? How could the powers that be, how could a community, have given up? Tracing Paula’s final days, Dykstra uncovers a girl whose exultant personality was at odds with the Midwest norms of the late 1960s. A girl who was caught between independence and youthful naivete, between a love that defied racially segregated Cedar Rapids and her complicated but enduring love for her mother, and between a possible pregnancy and the freedoms that had been promised by the women’s liberation movement but that still had little practical bearing on actual lives. The more Dykstra learned about the circumstances of Paula’s life, the more parallels she saw in the lives of the women who knew Paula and the women in Paula’s family, in the lives of the women in Dykstra’s own family, and even in her own life. Captivating and expertly crafted from interviews with Paula’s family and friends, police reports, and on-the-scene investigation, What Happened to Paula is part true crime story, part memoir, a timely and powerful look at gender, autonomy, and the cost of being a woman.