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Summer, 1379. Sir John Cranston, coroner of the city of London, is trapped into a wager with Signor Gian Galeazzo, Lord of Cremona, when challenged to resolve a certain murder mystery within two weeks. Men have been found dead in the scarlet chamber of one of Cremona’s manors. They have no mark upon them; they have neither drunk nor eaten poison; there are no secret passageways or entrances to the room. And they all have an awful expression of terror upon their faces. Realising his reputation and future wealth rest upon the solving of this mystery, Cranston seeks the help of his faithful secretarius, Brother Athelstan.
A simple job turns deadly when Mary Wandwalker, novice detective, is hired to chaperone a young American, Rhiannon, to the Oxford University Summer School on the ancient Celts. Worried by a rhetoric of blood sacrifice, Mary and her operatives, Caroline, and Anna, attend a sacrifice at a sacred well. They discover that those who fail to individuate their gods become possessed by them. For the so-called Reborn Celts, who run the summer school, have been infiltrated by white supremacists. Could their immersion in myth be less a symbol for psychic wholeness and more a clue of their intent to engage in terrorist violence? Who better to penetrate their secret rites than an apparently harmless woman of a certain age? Mary agrees to spy on the Reborn Celts, then learns, to her horror, of Anna’s passionate affair with the chief suspect, Joe Griffith. With Griffith also the object of Rhiannon’s obsession, Mary realizes too late that that these 21st century Celts mean murder. The Reborn Celts draw Mary and her friends into three rites to summon their gods: at an Oxford sacred well, by the Thames on the way to London, and in Celtic London, where bloodshed will restore one of the Thames’ ‘lost rivers.’ Before the fatal night of the summer solstice, Caroline and Anna race to London seeking Mary, who has been kidnapped. Will she end as the crone sacrifice? Or will the three women re-make their detecting family, so re-constituting a pattern of archetypal feminine compassion?
The Reverend Kathryn Koerney is looking forward to guiding a group of her New Jersey parishioners through historical Oxford, England. She's also eager to visit her cousin, Richard, who works for a baronet at Datchworth Castle. But just before she departs, Kathryn gets word that Richard has fallen to his death from a castle tower. The police are calling it murder--yet they don't have a single lead. Fortunately, her friend, Chief of Police Tom Holder, is anxious to accompany her to the scene and lend his expertise. Secretly smitten with the divine lady priest, there's nothing the crime-deprived, unhappily married cop would like more than to conduct an investigation with her by his side. But his enthusiasm quickly fades when a certain marquis captures Kathryn's attention. Datchworth has a wealth of secret treasures--and dark secrets. And when Kathryn stumbles upon what could be the most sensational find of the century, Tom and Kathryn are caught in a web of greed and madness that will require all their courage and faith--not just to save their friendship, but their lives.
The “villainous homosexual” has long stalked America’s cultural imagination, most explicitly in the figure of the queer murderer, a character in dozens of plays. But as society’s understanding of homosexuality has changed, so has the significance of these controversial characters, especially when employed by LGBT theater artists themselves to explore darker fears and desires. Murder Most Queer examines the shifting meanings of murderous LGBT characters in American theater over a century, showing how these representations wrestle with and ultimately subvert notions of gay villainy. Murder Most Queer works to expose the forces that create the homophobic paradigm that imagines sexual and gender nonconformity as dangerous and destructive and to show how theater artists—and for the most part LGBT theater artists—have rewritten and radically altered the significance of the homicidal homosexual. Jordan Schildcrout argues that these figures, far from being simple reiterations of a homophobic archetype, are complex and challenging characters who enact trenchant fantasies of empowerment, replacing the shame and stigma of the abject with the defiance and freedom of the outlaw, giving voice to rage and resistance. These bold characters also probe the darker anxieties and fears that can affect queer lives and relationships. Instead of sentencing them to the prison of negative representations, this book analyzes the meanings in their acts of murder, confronting the real fears and desires condensed in those dramatic acts.
Explore a story told across the millennia that delves deep into a pair of fascinating necron characters, their relationship and their plans for the galaxy. Before the being called the Emperor revealed Himself, before the rise of the aeldari, before the necrontyr traded their flesh for immortal metal, the world was born in violence.Even when they inhabited bodies of flesh, Trazyn the Infinite and Orikan the Diviner were polar opposites. Trazyn, a collector of historical oddities, presides over a gallery full of the most dangerous artefacts – and people – of the galactic past. Orikan, a chronomancer without peer, draws zodiacs that predict and manipulate the future. But when an artefact emerges that may hold the key to the necrons’ next evolution, these two obsessives enter a multi-millennia game of cat and mouse that ends civilisations, reshapes timelines, and changes both forever. As riddles unwind and ancient secrets are revealed, the question remains: will their feud save the necron race or destroy it?
Discover the compelling true story of a former L. A. lawyer and a Ugandan boy falsely accused of murder -- two courageous friends brought together by God on a mission to reform criminal justice. Jim Gash, former Los Angeles lawyer and current president of Pepperdine University, tells the amazing story of how, after a series of God-orchestrated events, he finds himself in the heart of Africa defending a courageous Ugandan boy languishing in prison and wrongfully accused of two separate murders. Ultimately, their unlikely friendship and unrelenting persistence reforms Uganda's criminal justice system, leaving a lasting impact on hundreds of thousands of lives and revealing a relationship that supersedes circumstance, culture, and the walls we often hide behind.
USA TODAY BESTSELLER Truth of the Divine is the latest alternate-history first-contact novel in the Noumena series from the instant New York Times, Wall Street Journal and Los Angeles Times bestselling author Lindsay Ellis. The human race is at a crossroads; we know that we are not alone, but details about the alien presence on Earth are still being withheld from the public. As the political climate grows more unstable, the world is forced to consider the ramifications of granting human rights to nonhuman persons. How do you define “person” in the first place? Cora Sabino not only serves as the full-time communication intermediary between the alien entity Ampersand and his government chaperones but also shares a mysterious bond with him that is both painful and intimate in ways neither of them could have anticipated. Despite this, Ampersand is still keen on keeping secrets, even from Cora, which backfires on them both when investigative journalist Kaveh Mazandarani, a close colleague of Cora’s unscrupulous estranged father, witnesses far more of Ampersand’s machinations than anyone was meant to see. Since Cora has no choice but to trust Kaveh, the two must work together to prove to a fearful world that intelligent, conscious beings should be considered persons, no matter how horrifying, powerful, or malicious they may seem. Making this case is hard enough when the public doesn’t know what it’s dealing with—and it will only become harder when a mysterious flash illuminates the sky, marking the arrival of an agent of chaos that will light an already-unstable world on fire. With a voice completely her own, Lindsay Ellis deepens her realistic exploration of the reality of a planet faced with the presence of extraterrestrial intelligence, probing the essential questions of humanity and decency, and the boundaries of the human mind. While asking the question of what constitutes a “person,” Ellis also examines what makes a monster.
You may know me best as Meredith Nic Essus, princess of faerie. Or perhaps as Merry Gentry, Los Angeles private eye. To protect my unborn children, I have turned my back on the crown, choosing exile in the human world with my beloved Frost and Darkness. Yet I cannot abandon my people. Someone is killing the fey, which has left the LAPD baffled and my guardsmen and me deeply disturbed. I thought I’d left the blood and politics behind in my own turbulent realm. But now I realize that evil knows no borders, and that nobody lives forever—even if they’re magical.
Murder Most Foul is a literary study aimed at a general audience that links and compares several great works of world literature to themes of violence and suffering. Included are Shakespeare’s Hamlet, Homer’s Iliad and Odyssey, Herman Melville’s Moby Dick, and several works of the great Greek tragedians—Aeschylus, Sophocles, and Euripides. The gods of Greek mythology, led by the great god Zeus, were instrumental in causing the pain and strife. The author makes the point that death and destruction, war and violence assert themselves everywhere in great works, and thus draws a conclusion that it is part and parcel of existence in all eras of mankind. The title is taken from Hamlet, words spoken to Hamlet by the ghost of his murdered father.
NATIONAL BESTSELLER • From the author of Into the Wild and Into Thin Air, this extraordinary work of investigative journalism takes readers inside America’s isolated Mormon Fundamentalist communities. • Now an acclaimed FX limited series streaming on HULU. “Fantastic.... Right up there with In Cold Blood and The Executioner’s Song.” —San Francisco Chronicle Defying both civil authorities and the Mormon establishment in Salt Lake City, the renegade leaders of these Taliban-like theocracies are zealots who answer only to God; some 40,000 people still practice polygamy in these communities. At the core of Krakauer’s book are brothers Ron and Dan Lafferty, who insist they received a commandment from God to kill a blameless woman and her baby girl. Beginning with a meticulously researched account of this appalling double murder, Krakauer constructs a multi-layered, bone-chilling narrative of messianic delusion, polygamy, savage violence, and unyielding faith. Along the way he uncovers a shadowy offshoot of America’s fastest growing religion, and raises provocative questions about the nature of religious belief.