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For 150 years, scholars and amateur Civil War buffs have misinterpreted the infamous murder of the well-known Confederate General Earl Van Dorn. Based on twenty years of intense research, the author suggests that all is not as it appears. The real motivation behind the doctor's decision to murder Van Dorn is not a story of jealousy between a husband and wife, but of loyalty and sacrifice. This story reveals one woman's struggle with the blame for another's crime and the secret that fractured the Peters family forever. Perhaps most compelling is the impact the tragedy has had on the Peters family, with the continued perpetuation of the 150 year old lie to this day.
In the fall of 1865, the United States Army executed Confederate guerrilla Champ Ferguson for his role in murdering fifty-three loyal citizens of Kentucky and Tennessee during the Civil War. Long remembered as the most unforgiving and inglorious warrior of the Confederacy, Ferguson has often been dismissed by historians as a cold-blooded killer. In Confederate Outlaw: Champ Ferguson and the Civil War in Appalachia, biographer Brian D. McKnight demonstrates how such a simple judgment ignores the complexity of this legendary character. In his analysis, McKnight maintains that Ferguson fought the war on personal terms and with an Old Testament mentality regarding the righteousness of his cause. He believed that friends were friends and enemies were enemies—no middle ground existed. As a result, he killed prewar comrades as well as longtime adversaries without regret, all the while knowing that he might one day face his own brother, who served as a Union scout. Ferguson’s continued popularity demonstrates that his bloody legend did not die on the gallows. Widespread rumors endured of his last-minute escape from justice, and over time, the borderland terrorist emerged as a folk hero for many southerners. Numerous authors resurrected and romanticized his story for popular audiences, and even Hollywood used Ferguson’s life to create the composite role played by Clint Eastwood in The Outlaw Josey Wales. McKnight’s study deftly separates the myths from reality and weaves a thoughtful, captivating, and accurate portrait of the Confederacy’s most celebrated guerrilla. An impeccably researched biography, Confederate Outlaw offers an abundance of insight into Ferguson’s wartime motivations, actions, and tactics, and also describes borderland loyalties, guerrilla operations, and military retribution. McKnight concludes that Ferguson, and other irregular warriors operating during the Civil War, saw the conflict as far more of a personal battle than a political one.
Murder Most Confederate: Tales of Crimes Quite Uncivil, edited by Martin H. Greenberg, is an anthology of short stories set in the Civil War in which the murders take place in the Confederacy. Authors such as Ed Gorman, Gary A. Braunbeck, and Edward D. Hoch contributed stories.
A collection of 64 stories of murder and mayhem by various authors.
More than 150 years after the end of the Civil War, scores of websites, articles, and organizations repeat claims that anywhere between 500 and 100,000 free and enslaved African Americans fought willingly as soldiers in the Confederate army. But as Kevin M. Levin argues in this carefully researched book, such claims would have shocked anyone who served in the army during the war itself. Levin explains that imprecise contemporary accounts, poorly understood primary-source material, and other misrepresentations helped fuel the rise of the black Confederate myth. Moreover, Levin shows that belief in the existence of black Confederate soldiers largely originated in the 1970s, a period that witnessed both a significant shift in how Americans remembered the Civil War and a rising backlash against African Americans' gains in civil rights and other realms. Levin also investigates the roles that African Americans actually performed in the Confederate army, including personal body servants and forced laborers. He demonstrates that regardless of the dangers these men faced in camp, on the march, and on the battlefield, their legal status remained unchanged. Even long after the guns fell silent, Confederate veterans and other writers remembered these men as former slaves and not as soldiers, an important reminder that how the war is remembered often runs counter to history.
The sixth in the New York Times bestselling Dave Robicheaux series delivers a heart-pounding bayou manhunt—and features “one of the coolest, earthiest heroes in thrillerdom” (Entertainment Weekly ). When Hollywood invades New Iberia Parish to film a Civil War epic, restless specters waiting in the shadows for Louisiana detective Dave Robicheaux are reawakened—ghosts of a history best left undisturbed. Hunting a serial killer preying on the lawless young, Robicheaux comes face-to-face with the elusive guardians of his darkest torments— who hold the key to his ultimate salvation or a final, fatal downfall.
The battle of the Crater is known as one of the Civil War's bloodiest struggles -- a Union loss with combined casualties of 5,000, many of whom were members of the United States Colored Troops (USCT) under Union Brigadier General Edward Ferrero. The battle was a violent clash of forces as Confederate soldiers fought for the first time against African American soldiers. After the Union lost the battle, these black soldiers were captured and subject both to extensive abuse and the threat of being returned to slavery in the South. Yet, despite their heroism and sacrifice, these men are often overlooked in public memory of the war. In Remembering The Battle of the Crater: War is Murder, Kevin M. Levin addresses the shared recollection of a battle that epitomizes the way Americans have chosen to remember, or in many cases forget, the presence of the USCT. The volume analyzes how the racial component of the war's history was portrayed at various points during the 140 years following its conclusion, illuminating the social changes and challenges experienced by the nation as a whole. Remembering The Battle of the Crater gives the members of the USCT a newfound voice in history.
APRIL, 1861. As the Confederate cannon opens fire on Fort Sumter and the Civil War begins. A rebel officer on a courier run to the telegraph office, is murdered in a historic Charleston graveyard and his pouch of secret despatches stolen. How did he come to be there? Is it the work of a Union spy? Former Charleston Police Inspector and now Confederate Officer, Major Hugo Legare is assigned to the case. Meanwhile the civilian police arrest a young Jewish soldier, Simon Mendoza, and charge him with murder and espionage. The evidence against Mendoza is dangerously strong and anti-Semitic incitement fills the newspapers, feeding the fires of suspicion and bigotry. But Major Legare is not convinced. There are holes in the police case against Mendoza. Legare and his associate, scapegrace Irish nobleman Captain James Redmond, quickly turn up more than a few skeletons in the dead man's closet as well as a plethora of new suspects including a Boston abolitionist, the beautiful daughter of the city's most wealthy citizen, and one of their own brother officers. But while Legare hunts the killer through the gaslit streets of old Charleston, more bodies start piling up. Legare and Redmond must race against time to stop more murders and recover the vital documents which could change the course of the whole war.
In the states of the former Confederacy, Reconstruction amounted to a second Civil War, one that white southerners were determined to win. An important chapter in that undeclared conflict played out in northeast Texas, in the Corners region where Grayson, Fannin, Hunt, and Collin Counties converged. Part of that violence came to be called the Lee-Peacock Feud, a struggle in which Unionists led by Lewis Peacock and former Confederates led by Bob Lee sought to even old scores, as well as to set the terms of the new South, especially regarding the status of freed slaves. Until recently, the Lee-Peacock violence has been placed squarely within the Lost Cause mythology. This account sets the record straight. For Bob Lee, a Confederate veteran, the new phase of the war began when he refused to release his slaves. When Federal officials came to his farm in July to enforce emancipation, he fought back and finally fled as a fugitive. In the relatively short time left to his life, he claimed personally to have killed at least forty people--civilian and military, Unionists and freedmen. Peacock, a dedicated leader of the Unionist efforts, became his primary target and chief foe. Both men eventually died at the hands of each other's supporters. From previously untapped sources in the National Archives and other records, the authors have tracked down the details of the Corners violence and the larger issues it reflected, adding to the reinterpretation of Reconstruction history and rescuing from myth events that shaped the following century of Southern politics.