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A quiet lakeside town in western New York state is the new home of Manhattan artist Chloe Abbington and the backdrop for murder in this series debut by Bailee Abbott. For Chloe Abbington, the transition from fine art painter in New York City to painting-event business owner in charming Whisper Cove is more than a little jarring. But when poison-pen journalist Fiona Gimble writes a viciously negative review of the newly opened Paint with a View, Chloe learns that critics are the same everywhere. And when she finds Fiona's body behind her shop with a painting knife in her neck, Chloe realizes that this picture-perfect town offers anything but peace and quiet. Suddenly, bustling Artisan Alley is a crime scene, and Chloe is the prime suspect. Her sister and business partner, Izzie, isn't much help--she's busy running the shop, and besides, she has secrets of her own. As shrewd Detective Barrett tries to paint her into a corner, Chloe soon finds that Fiona had plenty of enemies. The Whisper Cove Gazette columnist wielded her pen like a sword, slicing and dicing just about every shop owner in the lakeside town. With the help of her affectionate canine buddy, Max, Chloe sets out to prove that she's been framed for Fiona's murder. But she'd better learn the fine art of detection quickly, before the real killer paints the town red again. Otherwise, she may end up trading in her paint smock for an orange jumpsuit...or a green burial plot.
How do you get rid of a hitchhiker when it's riding in your head?Oliver Atkinson's life is busy enough. He's already got his hands full trying to write a book, look after his children, do the housework, and ignore Amanda, the beautiful and sneaky con artist that keeps trying to drag him into her world of lost paintings, liars, thieves, thugs, and little old ladies. The last thing he needs is the disgruntled spirit of a twenty something old watching and commenting on his life.It's not exactly been a regular week, but one thing has become painfully clear to Oliver. No one is going anywhere until they get what they want. He has to step outside his comfort zone, while staying clear of an inquisitive police detective, and a possible murderer.Can he do all this and still be home in time to do the school pick up?If you like your mysteries with humor and a little supernatural element, then you'll love the new Hitchhiker series, by New Zealand author Rodney Strong.Pick up your copy today.
"I Heard You Paint Houses" will soon be a major motion picture directed by Martin Scorsese. The working title for the movie is "The Irishman". The first words Jimmy Hoffa ever spoke to Frank "the Irishman" Sheeran were, "I heard you paint houses." To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors. In the course of nearly five years of recorded interviews Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and for his friend Hoffa. Sheeran learned to kill in the U.S. Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler and hit man, working for legendary crime boss Russell Bufalino. Eventually he would rise to a position of such prominence that in a RICO suit then-U.S. Attorney Rudy Giuliani would name him as one of only two non-Italians on a list of 26 top mob figures. When Bufalino ordered Sheeran to kill Hoffa, he did the deed, knowing that if he had refused he would have been killed himself. Sheeran's important and fascinating story includes new information on other famous murders including those of Joey Gallo and JFK, and provides rare insight to a chapter in American history. Charles Brandt has written a page-turner that has become a true crime classic.
"Through poetry and art, [this book] tells the story of hundreds of artists and volunteers who turned boarded up windows into works of art with messages of hope, healing and unity"--
Miranda Trent has set up a sweet life in a scenic corner of Appalachia—until she stumbles across the trail of a killer . . . After inheriting her uncle’s Red River Gorge homestead in Eastern Kentucky—smack dab in the middle of the Daniel Boone National Forest—Miranda comes up with a perfect business plan for summer tourists: pairing outdoor painting classes with sips of local moonshine, followed by a mouthwatering sampler of the best in southern cooking. To Miranda’s delight, Paint & Shine is a total success—until someone kills the cook. As the town’s outsider, suspicion naturally falls on Miranda. Murdering the best biscuit baker of Red River Gorge is a high crime in these parts. Miranda will have to prove her innocence before she’s moved from farmhouse to jail cell faster than she can say “white lightning” . . . “Set against the blazing backdrop of an Appalachian fall, Still Knife Painting serves up a tasty stew of murder and moonshine. In this series debut, Cheryl Hollon weaves a tale as complex and country as the antique braided rug that figures in the story.” —Barbara Ross, author of the Maine Clambake Mysteries “Cozy mystery fans will make room on their keeper shelves for Hollon’s charming new series.” —Ellery Adams, New York Timesand USA Today bestselling author
In Bailee Abbott’s second book in the Paint by Murder mysteries, Chloe and Izzie are taking their paint party business on the road—with murder as the first stop! Chloe Abbington and her sister, Izzie, are enjoying huge success running Paint with a View, their paint party business in the tranquil western New York lakeside town of Whisper Cove. Now, their aunt Constance—president of the local chapter of the Chautauqua Sisterhood—has hooked them up with a gig hosting a Halloween painting party. The guests will be painting a local ghost legend, the Lady of Chautauqua Lake, who died a hundred years earlier and rises from the lake every October to haunt anyone who dares venture out on All Hallows’ Eve. The event seems to be going off without a hitch, until Chloe overhears an argument between Constance and Viola Finnwinkle, the Sisterhood director, about the fate of the local chapter. Both women leave and the sisters finish their painting. But the next morning, Viola’s body is discovered floating face down near the town ferryboat dock, her long red hair spread around her. Eerily, the image is an exact replica of a painting Chloe and Izzie had discovered at the event the night before. What’s more, the police find Constance’s purple knit hat lying on the ground near the crime scene. Constance pleads innocence, saying the hat mysteriously went missing during the event. Frantic that she might be charged with murder, she begs Chloe and Izzie to help her. The sisters believe their aunt is innocent, but if so, who’s the real killer—and when will the next victim turn up?
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review
A chilling scene. A gruesome murder. Multiple stab wounds and blood drenched everywhere. It’s only a painting. Ginny Appleby doesn’t create works of art with beauty and happiness. She paints brutality, death, and the pain hidden inside. Detective Alex Brands will never understand that. He’ll never understand her and why she does what she does. Her life has always been filled with terror. And if he sticks around, he’ll die. Note: This is a romantic suspense short story inspired by weekly flash fiction I write. There is insta-love. Like, insta-insta-love. When they fall, they fall hard! Doesn’t that sound thrilling? You know it does! Happy reading!
The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.