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For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… A year before World War I breaks out, the sidewalks of Manhattan are crowded with restless newcomers chasing the fabled American Dream, including a sharp-witted young woman who discovers a talent for investigating murder . . . New York City, 1913. Twenty-year-old Louise Faulk has fled Altoona, Pennsylvania, to start a life under dizzying lights. In a city of endless possibilities, it’s not long before the young ingénue befriends a witty aspiring model and makes a splash at the liveliest parties on the Upper East Side. But glitter fades to grit when Louise’s Greenwich Village apartment becomes the scene of a violent murder and a former suitor hustling for Tin Pan Alley fame hits front-page headlines as the prime suspect . . . Driven to investigate the crime, Louise finds herself stepping into the seediest corners of the burgeoning metropolis—where she soon discovers that failed dreams can turn dark and deadly . . .
“Detective Jane Bauer is a most welcome addition to the ranks of fictional cops.” –Peter Robinson When NYPD detective Jane Bauer and her team check in for their new assignment, they reopen a cold case that’s a real killer. Ten years earlier, police responding to a spate of late-night 911 calls from Greenwich Village discovered a young African American undercover cop, Micah Anthony, shot dead on Waverly Place. The killer left no clues, and the murder remains an inscrutable mystery . . . except for two things: Anthony had infiltrated a lucrative gun-trading operation in the city, and it seemed likely that he knew and trusted the killer. So begins an investigation that leads Jane from Village brownstones to middle-class Queens, from wealthy Sutton Place to sinister subway tunnels, as a mastermind of murder resumes operations–and every path is mined with menace. “Harris knows a lot about cops and a lot about women and she knows how to plot a good mystery.” –Stephen Greenleaf
Profiles the 1975 murder of Martha Moxley, presents new evidence that points the finger of suspicion to Martha's neighbors, and discusses how the police mishandled the case and may have prevented the crime from being solved.
Greenwich Village Murders is a murder mystery placed in Greenwich Village, New York City, over a 72 hour weekendCrevenge, the motive. The victims are four gays and one heterosexual. It is placed on Christopher Street and goes for a stroll through Greenwich Village. It is solved by the local police precinct in collaboration with a female psychic using her special powers to communicate with the victim's spirits. The first victim is stunned by his murder and refuses to go to his reward. He concentrates on reaching a psychic in order to find his murderer and the motive, since he already had a death sentence of AIDS. He succeeds in reaching the psychic, who goes to the police. But they are not able to proceed on the word of a dead man. They decide that there may be danger, so they get a young P.I. to protect the psychic. Within hours, there is another killing, then another and another. Now, the police join the psychic in speaking with each of the deceased to solve the crimes.
This book does not aim to document comprehensively the extraordinarily rich activity in New York City in the early 1960's. Instead, the author focuses on one year, 1963. This was the most productive year of the period 1958-64, the transition between the Fifties and Sixties. The author also focuses on one other place---Greenwich Village in lower Manhattan. For it was primarily here, in a place already historically and culturally mythologized as avant-garde terrain, that the emerging generation of vanguard artists lived, worked, socialized, and remade the history of the avant-garde. - from the Introduction.
NATIONAL BESTSELLER • Considering a trip to a quaint English village? You’ll think twice after learning about the countless murderous possibilities lurking behind the bucolic façades, thanks to this illustrated guide from #1 bestselling author Maureen Johnson and illustrator Jay Cooper—perfect for fans of cozy mysteries. A weekend roaming narrow old lanes, touring the faded glories of a country manor, and quaffing pints in the pub. How charming. That is, unless you have the misfortune of finding yourself in an English Murder Village, where danger lurks around each picturesque cobblestone corner and every sip of tea may be your last. If you insist on your travels, do yourself a favor and bring a copy of this little book. It may just keep you alive. Brought to life with dozens of Gorey-esque drawings by illustrator Jay Cooper and peppered with allusions to classic crime series and unmistakably British murder lore, Your Guide to Not Getting Murdered in a Quaint English Village gives you the tools you need to avoid the same fate, should you find yourself in a suspiciously cozy English village (or simply dream of going). Good luck! And whatever you do, avoid the vicar.
"In this work of nonfiction, Elon Green reports on a series of baffling and brutal crimes. The victims of the serial murderer dubbed the 'Last Call Killer' were all gay men, and Green tries to shine a light onto their complicated lives and the queer community in New York City in the 1980s and 1990s as well. Peter Stickney Anderson was the first of the known victims"-- Adapted from the publisher's description.
With Free Love, the debut novel in her wickedly diverting new mystery series Annette Meyers wowed readers as she deftly brought the sights and sounds or Prohibition Era Greenwich Village to exhilarating life. Now this accomplished author returns to the roaring twenties, as snow blankets the narrow Village streets and her irrepressible heroine, poet-cum-sleuth Olivia Brown, finds the gaiety of her days eclipsed by the shadow of a ghastly crime that hits much too close to home. MURDER ME NOW Happily ensconced in her Bedford Street brownstone, Olivia Brown is having the time of her life: writing sonnets and downing martinis, making conquests and making love. Indeed, she doubts that anything could tempt her away from her Village home until she succumbs to the lure of a house party in Croton that promises sparkling conversation, bucolic views and plenty of free-flowing gin. Yet Olivia has barely arrived at the rustic farmhouse of Fordy and Kate Vaude when the convivial atmosphere takes a decidedly nasty turn. Between the petty squabbles and the jarring silences, the backbiting and the broad hints of marital discord, Olivia can't shake the feeling that something is terribly wrong here. And then she finds the frozen corpse of the Vaudes' nanny, hanging from a tree. Clearly, the young woman was murdered, and yet as Olivia and her friend, private investigator Harry Melville, join forces to learn why and by whom, they uncover more questions than answers. And when it turns out that the mysterious nanny was not whom she pretended to be, Olivia finds herself rushing headlong into a mystery that will take her from the swank and sophisticated Yale Club to the smoke-filled lair of a bootlegger and into the menacing clutches of the gang known as the Black Hand. The deeper Olivia probes, the darker the threats. Surrounded by bold-faced danger and ominous smiles, she can't help but wonder: Is the murderer one of the thugs—or one of her friends?
When a young reporter is pushed from a ninth story window in Greenwich Village, NYPD Homicide Lieutenant Frank Mead soon connects the case to a murder that took place at the same site a hundred years earlier, during the infamous Triangle Shirtwaist Factory fire.Following the devastating suicide of his wife seven years earlier, Frank abandoned his daughter Amanda and the city he loved. Now he's back to make amends and finds he has an urgent and personal reason to track today's killer. Amanda, also a reporter and friend of the dead girl, has gone missing. In the family tenement, Frank finds a "murder book" and evidence of the 1911 murder. The victim was, in fact, his great grandmother, a seamstress at the Triangle. Now, working with modern forensics, he is able to uncover killers in both centuries and in doing so, establish a tentative truce with his daughter.With a Masters' Degree in Science and more than 28 years as a science museum director, Lynne Kennedy has had the opportunity to study history and forensic science, both of which play significant roles in her novels. She has written six historical mysteries, each solved by modern technology. Time Exposure: Civil War photography meets digital photography to solve a series of murders in two centuries.The Triangle Murders was the winner of the Rocky Mountain Fiction Writers Mystery Category, 2011, and was awarded the B.R.A.G. Medallion Honoree Award for independent books of high standards.Deadly Provenance has also been awarded a B.R.A.G. Medallion and was a finalist for the San Diego Book Awards. With the release of Deadly Provenance, Lynne has launched a "hunt for a missing Van Gogh," the painting which features prominently in the book. "Still Life: Vase with Oleanders" has, in actuality, been missing since WWII.Her fourth book, Pure Lies, won the 2014 "Best Published Mystery" award by the San Diego Book Awards, and was a finalist in Amazon's Breakthrough Novel Award.Time Lapse, her fifth mystery, premiered at the end of 2016 to all 5-star reviews.Lynne's newest novel, Hart of Madness, premiered August of 2018 to all 5-star reviews.She blogs regularly and has many loyal readers and fans. Visit her website at www.lynnekennedymysteries.com