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Tranquility, New Jersey’s amateur drama troupe is staging a murder mystery at St. Winifred’s Academy and Alberta Scaglione couldn’t be more thrilled. Even her Italian-American famiglia are getting in on the act. But someone’s making deadly revisions to the script . . . Alberta can hardly believe it. Her childhood screen idol, 1950s Hollywood starlet Missy Michaels, has signed up for the local Tranquility Players revival of the classic Arsenic and Old Lace. But before Missy memorizes a single line, she’s found dead in her dressing room wrapped in lace and clutching a bottle of arsenic. The ultimate drama-queen suicide? Everyone thinks so—except Alberta. A Ferrara woman knows murder when she sees it. Alberta also knows producer Nola Kirkpatrick’s checkered past: whenever she’s around, trouble abounds. Alberta and her crime-reporting partner-in-sleuthing granddaughter, Jinx, have a hunch the murderer is among the Players. So Alberta joins the cast—reluctantly playing Missy’s role—to get closer to the truth. She notices the director is a little unbalanced, but aren’t they all? The leading man is a wildly obsessive Missy Michaels fanboy—but a murderer? Of course, the show must go on. But if Alberta and Jinx can’t nab the killer before opening night, it may mean curtains for more Players . . . including Alberta. Includes Italian recipes from Alberta’s kitchen! “Imagine the Golden Girls starting a detective agency and you’ll get the general idea of J.D. Griffo’s charming Ferrara Family mystery series.” —Criminal Element
Christmas in Tranquility, New Jersey, means togetherness for the Italian-American Ferrara family—and an unexpected reunion for Alberta Scaglione. But someone has murder on their holiday wish list . . . Alberta is delighted that her estranged daughter has arrived in Tranquility, even if Lisa Marie has an ulterior motive. Her son, Alberta’s twenty-one-year-old grandson, Sergio, hasn’t been heard from in six months, shortly after taking up with a woman named Natalie. Maybe Alberta and her crime- reporting partner-in-sleuthing granddaughter, Jinx, can track him down before Christmas? After some fruitless searching, the Ferraras take a break to attend the Mistletoe Ball, a fundraiser for the local hospital. But the night takes a chilling turn when a snowman decoration splits open, revealing a body. Lisa Marie screams that it’s Natalie—and screams again when she sees a man emerge from behind some Christmas trees. The good news is they’ve found Sergio. The bad news: he’s a prime suspect for murder. It seems Sergio’s former squeeze had some shady secrets. And with more than one family member’s future at stake, Alberta and Lisa Marie will have to put their past behind them and work together, or it’ll be a blue, blue Christmas . . . Includes Italian recipes from Alberta’s kitchen! “Imagine the Golden Girls starting a detective agency and you’ll get the general idea of J.D. Griffo’s charming Ferrara Family mystery series.” —Criminal Element
Alberta Scaglione and her twentysomething granddaughter, Jinx, love to spend time—and solve crime—together . . . Ever since Alberta Scaglione inherited her spinster aunt’s Cape Cod cottage, she’s been enjoying the good life in Tranquility, New Jersey, with her black cat, Lola. But since things are mostly quiet in this town, she finds other things to do—like joining Jinx for morning jogs in Tranquility Park. She has to do something to stay healthy, as long as it doesn’t involve Jinx’s healthful tofu sausages and gluten-free pasta. But when they stumble across a treehouse hidden in the trees, and a dead body underneath it, they take a detour into solving a murder. Now the Ferrara ladies will have to exercise extreme caution to avoid a permanent decline in their health . . . Includes Italian recipes from Alberta’s kitchen!
For Alberta Scaglione, her golden years are turning out much more differently than she expected—and much more deadly . . . Alberta Scaglione’ s spinster aunt had some secrets—like the fortune she squirreled away and a secret lake house in Tranquility, New Jersey. More surprising: she’s left it all to Alberta. Alberta, a widow, is no spring chicken and she’s gotten used to disappointment. So having a beautiful view, surrounded by hydrangeas, honeysuckle, and her cat, Lola, sounds blissful after years of yelling and bickering and cooking countless lasagnas. But Tranquility isn’t as peaceful as it sounds. There’s a body in the water—and it belongs to Alberta’s childhood nemesis. Alberta suspects foul play and when Alberta’s estranged granddaughter, an aspiring crime reporter, shows up, it only makes sense for them to team up and investigate . . . Includes Italian recipes from Alberta’s kitchen!
A thorough - and thoroughly enjoyable - look at the genre of the feminist crime novel in Britain and the United States. A pioneering work in the field and an indispensable guide for readers and scholars of the genre.
In the town of Eden in northwestern England stands the exclusive boarding school known as Archangel Academy. Ancient and imposing, it's a place filled with secrets. Just like its students ... For Michael Howard, being plucked from his Nebraska hometown and sent thousands of miles away is as close as he's ever come to a miracle. In Weeping Water, he felt trapped, alone. At Archangel Academy, Michael belongs. And in Ciaran, Penry, and especially Ciaran's enigmatic half-brother Ronan, Michael finds friendship deeper than he's ever known. But Michael's only beginning to understand what makes the Academy so special. Ronan is a vampire-- part of a hybrid clan who are outcasts even among other vampires. Within the Academy's confines exists a ruthless world of deadly rivalries and shifting alliances, of clandestine love and forbidden temptations. And soon Michael will confront the destiny that brought him here-- and a danger more powerful than he can imagine ... --P. [4] of cover.
A gay teenage American vampire adjusts to life at a prestigious—and mysterious—English boarding school and its dangerous headmaster in this YA adventure. Archangel Academy is more than a school to Michael Howard. Within its majestic buildings and serene English grounds, he’s found friends, new love, and a place that feels more like home than Nebraska ever did. But the most important gift of Archangel Academy is immortality . . . Life as a just-made vampire is challenging for Michael, even with Ronan, an experienced vamp, to guide him. Michael’s abilities are still raw and unpredictable. To add to the turmoil, the ancient feud between rival vampire species is sending ripples of discord through the school. And beneath the new headmaster’s charismatic front lies a powerful and very personal agenda. Yet the mysteries lurking around the Academy pale in comparison to the secrets emerging from Michael’s past. And choosing the wrong person to trust—or to love—could lead to an eternity of regret . . .
What remained of the badly decomposed body of twelve-year-old Tina Marie Andrews was discovered underneath a discarded sofa in the woods outside of McComb, Mississippi, on August 23, 1969. Ten days earlier, Andrews and a friend had accepted a ride home after leaving the Tiger’s Den, a local teenage hangout, but they were driven instead to the remote area where Andrews was eventually murdered. Although eyewitness testimony pointed to two local police officers, no one was ever convicted of this brutal crime, and to this day the case remains officially unsolved. Contemporary local newspaper coverage notwithstanding, the story of Andrews’s murder has not been told. Indeed, many people in the McComb community still, more than fifty years later, hesitate to speak of the tragedy. Trent Brown’s Murder in McComb is the first comprehensive examination of this case, the lengthy investigation into it, and the two extended trials that followed. Brown also explores the public shaming of the state’s main witness, a fifteen-year-old unwed mother, and the subsequent desecration of Andrews’s grave. Set against the uneasy backdrop of the civil rights movement, Brown’s study deftly reconstructs various accounts of the murder, explains why the juries reached the verdicts they did, and explores the broader forces that shaped the community in which Andrews lived and died. Unlike so many other accounts of violence in the Jim Crow South, racial animus was not the driving force behind Andrews’s murder; in fact, most of the individuals central to the case, from the sheriff to the judges to the victim, were white. Yet Andrews, as well as her friend Billie Jo Lambert, the state’s key witness, were “girls of ill repute,” as one defense attorney put it. To many people in McComb, Tina and Billie Jo were “trashy” children whose circumstances reflected their families’ low socioeconomic standing. In the end, Brown suggests that Tina Andrews had the great misfortune to be murdered in a town where the locals were overly eager to support law, order, and stability—instead of true justice—amid the tense and uncertain times during and after the civil rights movement.